Thanks for Submitting!

A great big thank you to all who submitted to our chapbook competition!

Jessica Helen Lopez has received your submissions and is working her way through them.

We expect to announce the top three winners on July 29th.

Stay tuned.

Elegy for a Star Girl Review by Amanda Cartigiano

A Review of Elegy for a Star Girl

by Amanda Cartigiano

Each poem in Elegy for a Star Girl is categorized into three elements of existence: The Other World, The Here and Now, and Transcendence, and each poem is a combination of life experiences, Science Fiction, and space. These poems illustrate great depth within the soul, body, and mind, and the illuminating language and imagery express the universe as a metaphor. Life is questioned and answers are hard to find. Life is a journey that must be experienced from above. Sit back, relax, and enjoy the ride.

Pick up your copy at Amazon or Barnes and Noble today.

New Release: Elegy for a Star Girl by Christopher Grillo

Swimming with Elephants Publications, LLC is thrilled to introduce you to Christopher Grillo through his publication Elegy of a Star Girl.

Elegy of a Star Girl is a concise collection of poetry bringing together lyrical imagery with the science of humanity. Cover art by Alex Kuzyuberdin.

Have you met Christopher Grillo?

Christopher Grillo is the author of Heroes’ Tunnel (Anaphora Literary Press, 2015). His poems appear in Drunk Monkeys, Sport Literate, Biline, Spry, Aethlon, and more. Grillo is a graduate of the University of New Haven where he played strong safety for the Chargers, and of Southern Connecticut State University’s MFA program. He lives and works in New Haven, Connecticut as an 8th grade language arts teacher and moonlights as an assistant football coach at his high school alma mater.

Available at Barnes and Noble.

Available at Amazon.

We encourage anyone who picks up this publication to review it on Amazon, Barnes and Noble, and Goodreads, or to write a review which we can publish.

Updates, Edits, and Feedback

Hello Swimming with Elephant Publications Authors!

We are spending June updating our website, reviewing our publications, and promoting our authors. We need feedback from YOU!

Please take a moment to check out the website, especially your presence on the site. Check out your bio info under SwEP Parade and your book info under Chapbooks and Anthologies. Is it time to update your bio? What can we add, change, adjust, etc?

We also want to check in with each of you to review your publication and update our information. Expect a personal email within the next month from us with questions regarding your publication, especially if you don’t contact us first.

Remember: The best way to get your book into people’s hands is through featured performances, tours, and self-promotion. Please encourage your fans to review your book(s) via Amazon, Goodreads, review blogs, print newspapers, etc.

Also, as a SwEP author you are entitled to not only your own author copies at cost, but any other books in our catalog. Please help promote your fellow authors by submitting reviews of their publications and getting their publications out into the world.

Please send us an email at swimwithelephants@gmail.com or message us through facebook with any updates or suggestions. We can also arrange skype/facetime for our national authors. For local author is the ABQ area, we can also set up a personal meeting.

Thank you and we will talk to you in June!

May 2017 Featured Writer: Elisabeth J. Ferrell-Horan “Wellbutrin in my Brain”

Wellbutrin in my Brain

There is Wellbutrin in my brain,
and I’d like to get it out.

It has stayed far too long –
the formidable clout
of its club fisted edges,

That pried out my eyes
and deftly snipped stitches
from my brain –

In dreams my teeth
have mostly fallen out.

“And I wonder”,
I whisper aloud – too loudly:
where I was, what I did?
yesterday in a cloud….

Where’s my phone or my wallet,
my mind, my disguise?

Who took them?
Was it you or that stealthy NDRI?

Eating all my grey matter
with tea like Mad Hatter.

I’m fat and puffy yet endlessly hungry,
my hair in my hands and
my back to the wall of a cliff;
then falling, falling
into a Dali sea –

Rife and roiling with
lunatics like me.

All I did was try;
but life at times proves hard –
With little sleep, little babies, little men.
Or maybe a Leprechaun did it to me –

While megalomaniacs
with their perky careers,
nod their heads,
dot their i’s
then turn a deaf ear.

I am dying in here.
I can’t seem get out,
from the weight of the pain
and horrendous gout –

Like the snout of a ghastly Frisco seal –
I’m snorting smoke signals
in a hopeless appeal –
Could I make this up?
God saw me not –
Nor heard me screaming:
“I forgot!”

How to go on? And go on I must,
for there is nothing
in the skies you see –
At least nothing that’s just:

No Angels, no demons,
nor circles with Dante;
No pearly white gates
nor red horns on Satan;

Not even your naughty Minotaur –
with its head of you, man
and the flesh of my breast –

No matter how much you want there to be.

Only worms and dirt,
coffins and me –
our own little babies and the
endless sea.

I rose adrift on a raft of twigs
a sinking hull with whipstitch lashings,
a remnant of what I learned while falling;
no sail, no compass –
nets endlessly trawling.

In a storm for the ages
I’ve washed up on shore
battered and broken yet
drowning no more.

Begging for water;
fresh – not salt laden,
I’ve enough in my well
of the tears now abated.

So what will become of
my huge frontal lobe?

Of my life, of my heart –
both woefully splayed,
spread eagle on rocks –

Seagulls ripping away
the entrails and innards
of my body’s own pockets –
Paired with once fragrant wine
gone awry in my crotch.

They pick clean the memories
of you, sad man, and me –

Remember us once and our glassy eyed stares?
Glowering back from the page –
now, no one’s there.

I alighted the rooftop
couldn’t leave, couldn’t jump
so I held on and prayed
I had nipples to pump –

Cough me up, spit me out!
I leave in my wake
deep oceans of grief,
waves cresting with guilt.

The Painful divide
of perceived demise.

I’m alive and I know
there’s no place to go back to.
Our pain is only as deep
as we practice.

Welcome SwEP Author Eva Marisol Crespin

Burque native, Eva Marisol Crespin is a slam poet who has been writing and performing poetry since the age of 12. Coming off a win at the 2016 National Poetry Slam Group Piece Finals, Eva has been a part of a number of slam teams who have seen final stage. She continues to slam and write poetry in her hometown of Albuquerque. She is currently working towards her degree in social work, working as a server, and teaching writing workshops in the community. She identifies as an Indigenous, Queer, Xingona, Xicana, who is sculpting words and ripping herself open to speak her truth.

 

May 2017 Featured Writer: Elisabeth J. Ferrell-Horan “Stay Mommy”

Stay Mommy

I have walked through low valleys
with the shadow of death as my ally.
I have met what might take me across.

I did fear the evil –
deep down in my toes.
It smelt like charred bones;
smoky and rancid as burnt pig nose.

I felt the close breath of its chant in my ear:
“Come on, come on”, I’ll show you the fear,
tickling my throat with its
white, bristling whiskers.

I felt its relentless pull on my ankles
dragging me under, swirling eddies of rancor,
drowning in the rain
of riptide currents in my brain.

I felt the sticky threads of spider webs
crisscrossing my face, begging me to play;
foreshadowing decay.

I held onto the thought
of your soft little hands
cupping my cheeks;
the warmth of your fingers
tore me free from my cohorts –

Quieted their urgent calls;
echoes rippling into the fray.
God wanted me I’m sure.

For although I was a demon in my own right,
wandering through the dust and darkness in
the lonely corners of my mind –

A little angel named you, –
alighted on my shoulder
and softly whispered:
“stay mommy”.

Coming Soon: Elegy for a Star Girl by Christopher Grillo

 

Coming June 2016 from Swimming with Elephants Publications

Elegy for a Star Girl

by

Christopher Grillo

Christopher Grillo is the author of Heroes’ Tunnel (Anaphora Literary Press, 2015). His poems appear in Drunk Monkeys, Sport Literate, Biline, Spry, Aethlon, and more. Grillo is a graduate of the University of New Haven where he played strong safety for the Chargers, and of Southern Connecticut State University’s MFA program. He lives and works in New Haven, Connecticut as an 8th grade language arts teacher and moonlights as an assistant football coach at his high school alma mater.

April 2017 Featured Writer: Melissa Rose “The Morning After”

The Mourning After

 

I don’t remember how I got home last night

I woke up hungover

                                                                             Last night was a blur

Drank too much

Head still pounding I take a shower

                                                                             Removing the smell of her sweet perfume

Washing away the evidence

Aspirin won’t remedy

This emptiness

                                                                             This grin

I want this stench off me

Scrub off stains left by red hands

Never feel clean

This morning I don’t recognize my reflection

                                                                             I’m glowing

Hope nobody notices

I don’t want to explain

What I don’t want to remember

                                                                              I was watching her dance all night

I don’t even remember seeing him

                                                                              She turned my way and gave me this look

The room was spinning

                                                                              She grabbed my arm

Intoxicated I lost my ability to stand

                                                                              I swept her off her feet like Prince Charming

I started to feel sick

                                                                              She said “take me to bed,”

                                                                               so of course I obliged

 

What happened next is so hard to remember

 

A nightmare I relive every time I sleep on my side

                                                                                 A drunken hook up at a house party

I couldn’t believe she wanted me

it all happened so fast

In the darkness

Half conscious

So wasted

Fumbling with

Bra straps

Zippers

Belt buckles

Pants pulled to my ankles

Unknown hands invading me from behind

Plucking clothes off like flower petals

She loves me, she loves me not

I wonder what makes a corpse look sexy

She looked like Sleeping Beauty

My stiff body reacts like rigor mortis

She want me to do all the work

and I’m ready for the challenge

Cold

Uninviting

Begging

She wants it so bad

Too drunk to move

Too drunk to ask

Stop

Words muffled by the silence of ecstasy

No!

Don’t!

Stop!

“No, don’t stop!”

We slip into bliss

Blacking out

Into full body relief

He’s taken everything from me

I’m giving her all that I have

Struggling

Shhh….I hold her still

He holds me down

I make a canvas of her

Painting my passion across her hollow frame

I’m crying

She’s moaning

Muffled by pillows

She might love me….

I can hear her heart beat

This experience is out of body

Helplessness burned so hard into memory

When it’s over I feel kind of bad…

I don’t even remember her name

Assault changes everything

Women can get the wrong idea

My body is no longer mine but a possession

It was a one night stand

at the end of one of those long work weeks…

Should I have expected it?

…and  some girls you’re only meant to

have incredible chemistry with once

I thought all rapes were committed

in dark alleys by strangers

I had been in a dry spell

Can I admit what happened?

She came at the perfect one…no pun intended

He punched a hole in me

I came, I saw, I conquered

A temple desecrated

A few moments of feeling loved followed by

the comforting monotony of being single again

Trying to forget.

Afraid to tell anyone for fear they will say

I asked for it

We danced a long dance

Like a physical contract

Does this “nice guy” realize

the damage he’s done?

I just hope she doesn’t bad mouth me

for not calling

Ignorance is no excuse for violation

My dignity was destroyed in a single act of dominance

Hey! That is bullshit!

He kidnapped beauty as a trophy of conquest

I never took anything! You gave it to me!

Lacerated vaginal tissue

I thought you liked it rough!

Violent examples of power

hidden under blankets of darkness.

 

You raped me!

Hey, I didn’t do anything wrong!

 

And I know what the definition of rape is.

Swimming with Elephants Publications Chapbook Competition

Swimming with Elephants Publications (SwEP) would like to invite you to participate in our second Chapbook Competition. SwEP is seeking previously unpublished manuscripts of poems 25-35 pages in length.  In celebration of National Poetry Month we are kicking off our poetry chapbook contest on April 29 , 2017.  The contest will culminate on June 30, 2017 and the winner will receive publication with SwEP, along with 50 copies of their chapbook.

This year our special guest judge is Jessica Helen Lopez.  The winning manuscript will be selected from a small group of finalists.  Open to writers across the country, the contest is facilitated as a blind submission via SwEP Submissions Manger. Additionally, all finalists will be considered further SwEP publications and features.

We are looking for well-crafted, visceral and daring material that promotes crossing physical/psychological/spiritual/gendered borderlands, therefore breaking boundaries and blurring the lines.   As per usual, Swimming with Elephants is looking for diverse voices and are particularly interested in poetry that promotes an innate intersectionality of social issues and a deep respect for humanity. We like our poetry achingly raw and true to who YOU are as a writer.


submit

The woman you have to WOW:

 

The contest will be judged by special guest, Jessica Helen Lopez!

Special guest judge, ABQ City Poet Laureate, Emeritus, Jessica Helen Lopez. Lopez is the author of three poetry books, including cunt. bomb. and The Language of Bleeding: Poems for Festival Internacional de Poesia de Granada, Nicaragua as published by Swimming with Elephants Publications.  She is also the recipient of the Zia Book Award for her first poetry book, Always Messing with Them Boys (West End Press). A longtime active member of the ABQ Slam Team, she is a two-time ABQ Women of the World Slam Champion and a member of the 2016 National Group Piece Champion winning ABQ Slam Team.  A Pushcart Prize nominee, Lopez is also a Chautauqua Scholar and instructor for UNM Chican@ Studies Department and the Institute of American Indian Arts.

A Pushcart Prize nominee, she is the founder of La Palabra – The Word is a Woman collective created for and by women and gender-identified women. Lopez is a Ted Talk speaker alumni and her talk is titled, Spoken Word Poetry that Tells HERstory. A featured poet on PBS Colores!, you may find some of Lopez’s work at these sites – thebakerypoetry.com, newmexicomercury.com, and asusjournal.org, drunkinamidnightchoir.org., Suspect Press, Somos Enscrito Latino Literary Journal, Casita Grande Press, etc. Her work has been anthologized in A Bigger Boat: The Unlikely Success of the Albuquerque Slam Scene (UNM Press), Earth Ships: A New Mecca Poetry Collection (NM Book Award Finalist she was also a co-editor), Tandem Lit Slam (San Francisco), Adobe Walls, Malpais Review, SLAB Literary Magazine, Courage Anthology: Daring Poems for Gutsy Girls (Write Bloody Press) and Learn then Burn: A Modern Poetry Anthology for the Classroom, second ed. (Write Bloody Press).

April 2017 Featured Writer: Melissa Rose “Demeter Speaks to Persephone After Her Rape”

Demeter Speaks to Persephone After Her Rape:

Daughter, the end of summer will always be a signal. You will never forget when spring was taken from your skin. Only the smokey smell of the season’s changing. The chill of the place his hands found. It is amazing how the body remembers. Like the trees after a forest fire, you will ache from a wound you place at the back of your mind. I also know what it’s like to feel empty. I can still remember the hollow absence of you in my womb. When I birthed you into the sun a girl. This was my mistake. I should have known how girls are plucked so easily from the Earth. How they are placed in vases. How their beauty is seen only as something to be owned. Even goddesses are not safe from assault. Every winter, I remember too. How we danced. How we bloomed. How I held you in my arms and whispered “sweet girl” “sweet sweet girl” You most of all should never know how the world only holds you close enough to stab you. How any day may be the day you lose your limbs. How soon enough you will face yourself in the mirror and not recognize who you are. How can I prepare you for that? When you stumble back to me with stories of how his touch reminded you of death. How every year you feel like dying. How the sunlight no longer gives you warmth. How they will make a myth out of you and he will still sit on a throne. There is a reason they call me Mother. I am good at watching the things I love suffer. Holding a place for tears is not easy but I would gladly trade your’s for my own. Anything to let go of watching the journey of my children as they stand painful in abandoned fields like stalks of withered corn. When you walked back from Hades and its darkness I made sure the sun would show you that hiding your pain from the light only kills you slowly. And I will tell you, Daughter that everything dies but it is never the end. Do not forget you are a goddess. That the sun is shining for you. Your skin is not a fruit he sunk his teeth into, it is an orchard. Your body is not a withered stem, it is a rosebush. Every year may remind you, but never forget that above all else, you were made from this Earth. You are not a victim of it. You are the fertile soil. Ready to grow. I will mourn with you. I will show them all how to bend to your pain. How they will share your grief every time you are forced back into his bed. I will plant seeds, naming each one after you, kissing them like children, letting them sleep and dream of your return. And there, in the dark, you will find yourself yourself again. Hands in the dirt, feeling the flesh of your fruitfulness not as something to be stolen, but savored. Sweet girl, you are a survivor. You were made for greater things than the Queen of Death. And you will find them here. In the Spring.

A Review: You Must be This Tall to Ride

You Must be This Tall to Ride

by SaraEve Fermin

A Review by Kevin Barger

The first time I remember seeing the words that make up the title of SaraEve Fermin’s book, You Must be This Tall to Ride, I was probably around eight years old. My parents had taken me and a couple of my friends to the state fair and I stood in a line with tickets in my hand for what felt like hours to be able to ride this massive pirate ship that rocked back and forth like it was being tossed around by waves at sea. It was basically just a giant boat shaped swing, but it would speed up and go higher and higher until it eventually would flip upside down and go around in a circle a couple of times before slowing back down and stopping. I remember pretending to be a pirate and saying “Arr!” a bunch of times while standing next to my slightly older and slightly taller friend. I remember getting up to the gate, standing beneath an outstretched wooden hooked pirate hand, and being an inch or two too short to ride. I remember my friend barely reaching it and the excitement in his eyes as he was let in the gate–and I remember the crushing disappointment I felt as I stood outside the fence watching him rock back and forth scared and laughing and turning slightly green.

You Must be This Tall to Ride reflects that sort of crushing disappointment of having to stand outside while watching the world go on around you. Here, though, having to stand apart is due to physical and mental illnesses requiring medications and surgeries. Split into two parts, it’s the poetry of the caged–the shaking of the bars. If you are not prepared it will wound you in the most beautiful of ways. Fermin does her due diligence, though, and prepares us for the journey ahead with the first several poems. She lets us know that, no matter how bad things seem, light can be found in the darkest of places. She lets us know that, even though we will be caged with her, there is beauty and love and laughter here. In the first poem, “After you think you are going to die and instead live…” she paints a picture of her lover who

…will preempt your every stubborn refusal
with a reason to live.
He will hang your wind chimes,
install a new showerhead so you are safe after surgery,
pay the stylist to fix your hair after you’ve cut it off to spite your face.

In the second poem “This is How I Own You” Fermin seems to define what the rest of the book is about stating:

Call this coming clean. Call it my start over,
my claiming. These scars. This drawer of
medication bottles, watch me fantasy them
into hope. Into holding on.

This is a fight song, and one of my personal favorite poems throughout the collection. Fermin reminds us to embrace what wounds us and celebrate our own survival. It’s a call to heal through bleeding. It’s a reminder that no matter what we have our breath. That we are all a “maker of star magic.”

The first half of the book also deals a lot with family. These are some of the darkest poems in the book, highlighting highly complex strained relationships between a mother and daughter and siblings. These are the poems that will wound you if you are not prepared. Here we see glimpses of the interplay of addiction and abuse and illness. We are told of the pain of having an absent father. We are told of the guilt felt for not being able to cure an addicted mother. In “For My Sister, The Youngest, Earnest Apologies” Fermin apologizes for these interplays even though she is just as much a victim of circumstance as her sister:

Sorry about the cops and EMTs that huffed and puffed outside the door like a bad fairy tale, sorry you knew the smell of hospitals well before you knew the smell of a classroom.

But, again, through these dark poems are moments of love and laughter. In “We Get Ice Cream, 2013” we see a family that, if only for 30 minutes, can ignore their demons just long enough to laugh. In “Sia Explains How My Mother Loved Me Like Singing” we see what motherhood should be with lines like:

Tough girl, pulled the thorn from
all your bad days, uncovered a better
version and a waterfall hook.

If the first half of the book deals with the external, of being caged and examining the people outside and the effect they have, the second half deals with the internal. These are more cerebral, focusing on the “I” instead of the “you.” In “But What You Could Be” the speaker asks what would happen if she got rid of everything she sees as a flaw. In “When I Tell Him ‘I Think of Dying Every Day’” we’re faced with the reality of fighting depression:

What I mean is,
I swallow these pills because
I love myself too much to let go,
I love the dark and sharp and red
because I enrage myself enough but
don’t know how to let go.

Music plays a big part in this collection with song lyrics peppered throughout along with quotes from tv shows like [H]ouse, m.d. and Doctor Who and authors like Stephen King. No one plays more of a role than enigmatic singer Sia, though, whose music is the subject of three poems. “Sia Teaches Me How to Fight My Way Through a Panic Attack and Get to the Bus on Time” is a semi-found poem brilliant in how it perfectly mimics the stuttering kind of speech one might experience during a panic attack:

quick step/ stop paying attention to everyone else/ I don’t care if you don’t look pretty/ us what you got left/ teeth/ giggling eyes/ a wig/ your entire range

The second half, while dealing a lot with mental illness, are also where poems of healing are found. Fermin showcases the moments when we have realized that life is never going to be perfect, but we strive to make it as good as it can be anyway. “How To Be Something Other Than” highlights this process by focusing on the little things only to learn to surrender:

…To cry with the door
open, to cry with abandon. How to learn
to love a plum again, to taste it sweet
and still warm from the tree. To surround
yourself in something other than damage
and yourself.

This is the message of You Must Be This Tall To Ride. That we will all continue to grow. That eventually we will be tall enough. That even if we don’t conquer our pasts or various demons completely, we have the capacity to live with them in ways where we can at least contain the daily damage they do by turning to face them–by surrendering to the fact that they are there.

March 2017 Featured Author: Hilary Krzywkowski: Manifest Destiny

Manifest Destiny

magical-childwhile waiting for my son to come out of his OT appointment at Akron Children’s
medical technicians micro manage the unfolding petals of childhood,
Ph.D.’d brains unanimously decide it should be called “development”
a forcibly renamed life cycle, diluted with the new age sorcery of
mechanical blossoming, socio-genetic programming out all signs of life
and a headmistress calls this convoluted structure of civilization: brain function.
in prostration to the wires of curriculum pasted on a state-licensed forehead
we learnt the lessons
read the writing in censored books like it was 1984 all over again
and no talk with hands, instead
hands collapsed around a pencil
must draw carefully metered forms
education specialists cannot handle a child’s life force
they call it dysfunction and disorder, its antidote: special Ed.
but
real “development” disables long valued, yet rotting social structures
founded by fathers who raped the children themselves, by the sweat of their brow,
before pulling a plow through the tender loam of the womb,
slipping the pistol into mother’s mouth
they’d blow away their own reflection
mirror shrapnel, intellectual entanglement
no words can suit the meaning of life, its
shoes too small, too large, too pointy and too wide, too expensive.
everyone wears shoes that do not belong to—
not every human can afford ignorance and must go out into the world
straight out of the womb in most cases,
to a brick hut where inside the teats are fashioned from petroleum by-products
and excrete the milk of printed paper or numbered plastic
sworn by the wealth and affluence of the conquistadors
who took captive shamans and bent them over bibles
and cut off their hair
and forced pure and tender places open to the self-righteous excrement of white devils.
i know all this, yet we are all here today participating in the great tradition of Progress,
Libertas.
and i wait
while my innocent little boy is alone in a room with another woman
who will pretend to be his friend, trick him with a treatise for peace
while tapping his brain for its natural resources.
but
i will take this boat as far as the fork
and then all unexpected-like,
we will close our eyes together, each from our respective positions in space,
and materialize a bend sending us along a new course far away from here.
we shall disappear to the place of my boy’s choosing
because only his imagination is safe.
deep into the core of substance are we going. deep into the spirit of things.

Congratulations Gigi Bella!

Swimming with Elephants Publishing would like to extend a warm congratulations to Gigi Bella for placing 10th in the world at the Women of the World Poetry Slam 2017 in Dallas, Texas.

Gigi Bella has recently joined the SwEP parade with her debut publication of poems entitled “22.” Many of the poems in this collection are in her performance repertoire and were performed in Dallas this last week.

Gigi Bella will be performing along side her tour mates, Eva Marisol Crespin and Mercedez Holtry, at the Draft Station in Albuquerque, NM on March 25, 2017. Come out to congratulate her and have her sign a copy of her book.

Order her book today from Amazon,

Or Barnes and Noble.

If you already own the publication, leave a review on the sites or goodreads.com.

March 2017 Featured Author: Hilary Krzywkowski: The Future is a Painted Skeleton

THE FUTURE IS A PAINTED SKELETON

stimming-and-dancingMy tribe is gone.
I have to take off my clothes.
I dance and my sister crashes down from the sky
and the blisters heal.
My tribe is gone.
Trees swear around me.
Standing on the shore we watch the ships,
and you say
“there are things you should learn, like driving”
I yell, the car spins out,
spinning circles too close to fences and houses
knocks down a mailbox, grazes a tree.
My tribe is gone.
I saw and I heard all the white folks
make the best cowboys and
Indian wisdom, though it has to camp out all night,
it wins the war against four hundred thousand guns.
And my tribe is gone.
I take one lock of hair, cut it like a promise
and all 400,000 promises come true.
The drug wears off while I dance,

I know my tribe is gone.
They always knew what time it is
and I can’t really understand memories and dreams and voices.
Its inside me, the dance shakes me into dissonance.
And the white cowboys call it Autism.

 

 

Happy Birthday SaraEve!

Swimming with Elephants Publications would like to send a very special birthday wish to SaraEve Fermin!

SaraEve joined the SwEP parade in fall of 2016 with the release of her book of poetry entitled: You Must be This Tall to Ride.

So often in poetry collections, we read work that bear witness to the conflict, whether that be Poet vs. The World, Poet vs. Nature, or even Poet vs. Themselves. However, in You Must Be This Tall To Ride, we’re gifted with a unique perspective – namely, what happens after the battle is fought? Contained in these pages are poems that bear witness to the afterwards; to the fighter, post-victory & battle-wearied, who must carry on with their lives, with matters of day-to-day existence.

– William James, author, rebel hearts & restless ghosts

Add SaraEve’s book to your collection today!

Link to Amazon

Link to Barnes and Noble

 

About SaraEve Fermin

SaraEve is a performance poet and epilepsy advocate from northeast New Jersey.  A 2015 Best of the Net nominee, she has performed for both local and national events, including the 2013 Women of the World Poetry Slam, the Epilepsy Foundation of Greater Los Angeles 2015 Care and Cure Benefit to End Epilepsy in Children and as a reader for Great Weather for MEDIA at the 2016 NYC Poetry Festival on Governors Island.  You might have met her volunteering at various national poetry slams.  A Contributing Editor for Words Dance Magazine and Book Reviewer at Swimming with Elephants Publishing, her work can be found or is forthcoming in GERM Magazine, Yellow Chair Review, Drunk in a Midnight Choir and the University of Hell Press anthology We Can Make Your Life Better: A Guidebook to Modern Living, among others.  Her second full length anthology, You Must Be This Tall to Ride, will be published by Swimming with Elephants Press in fall 2016.  She believes in the power of foxes and self-publishing.  Learn more: http://saraeve41.wix.com/saraevepoet
She loves Instagram: SaraEve41

Amazon Review of You Must be This Tall to Ride:
“I’m sorry I taught you love as a noun”
“I’m sorry I taught you love as a noun,” begins the poem entitled “For My Sister, the Youngest, Earnest Apologies.” This beautiful line reveals a lot about the contents of this collection of free verse poetry.

Adversity has met the author seemingly at every turn throughout her life, which generates the gritty yet tender narratives laid out onto the pages. Openness and self-acceptance are explored as she establishes sense of place and engages the reader’s senses, guiding you on a heart-gripping journey through regret, despair, multi-generational addiction, epilepsy, depression, struggles with finances and pharmaceuticals, survival, devotion, and hope.

People from similar backgrounds may find comfort in the kinship of survival, while others may learn a thing or two about what it’s like to live and cope with mental illness, trauma, substance abuse, and recovery.

This book is a wild ride through 35 works, and provides a needed perspective to any book collection.

March 2017 Featured Author: Hilary Krzywkowski: A Lady Yells Through The Open Side Door Into An Autistic Woman’s House

A Lady Yells Through The Open Side Door Into An Autistic Woman’s House

Don’t shout for me
I can’t answer you
meltdownWith what little words I have lodged in my throat
Jagged, rough stones painted with child’s words of endearment and scary,
With what little words I have lodged in my throat
Tufts of string tangled, matted into balls with lint and dust fluff that choke,
With what little words I have lodged in my throat
Long-lost pieces of jewelry, inherited but forgotten, dreams for heirs,
With what little words I have lodged in my throat
Frogs jumping, some without legs, others with poisonous purple and yellow skin,
With what little words I have lodged in my throat
Stickles of doubt, a twitchy snout, prodding the soil for grubs, friendship,
With what little words I have lodged in my throat
Wind and water, hail and lightning, electric trembling crashes, orgasmic catastrophe,
With what little words I have lodged in my throat
Swallow down, broken glass, internal bleeding, quiet feeling, not today.
Lady—
not today.
My door is open
But that doesn’t mean I’m home.

 

 

Breakfast in a Box by Jim Landwehr

Breakfast in a Box an entry from the On a Road poem series

images

 

Somehow we ended up at a Jack in the Box
a dumpy hut-like fast food joint
which, frankly, none of us had heard of
prior to this alcohol fogged trip to the coast
but they serve breakfast so here we are.
The place isn’t open yet
so we’re loitering in the parking lot
in what would look quite convincingly
like a stolen Pontiac Trans Am
-no, really officer, it’s our friend’s car;
disregard those beers in Sal’s pockets-
It might be a tough sell job.
The three of us followed a road map
to get us back here to Redondo Beach
after a little shuteye in a suburban
subdivision overnight. What a night!
When the place finally opens
we order some chow to quell our hangovers
while Dean finds a payphone and
makes a call to Damion back in the valley
“Hey, what’s up man?
Yeah, your car’s fine – we slept in it.
But somehow we ended up at a Jack in the Box.”

 

“Better to sleep in an uncomfortable bed free, than sleep in a comfortable bed unfree.” 

— Jack KerouacOn the Road

 

Hellywood by Jim Landwehr

200_sHellywood – an entry from the On a Road poem series

On our way to see a bit of Hollywood
what the big attraction is
driving down some six lane holocaust
through miles of calighetto in our chevy
– it just goes on and on, the blight –
rundown buildings, trash in the gutter
barred windows, last ditch cars
with junkyard fenders
duct-taped plastic windows
boarded up buildings, razor wire
and gates on every door
for godssake even the
sorry looking palm trees long for
the suburbs to try and get out of
this shithole. California is its own kind of
gecko changing colors without warning
and laying motionless in the hot sun.
It seems we’ve got to go through
hell to get to Hollywood.

“LA is a jungle.”
— Jack KerouacOn the Road

 

Setting Place by Jim Landwehr

 

road-endless-straight-longSetting PaceThe first entry from the On a Road poem series

Sitting at the bar in southwest Minneapolis
the boys and I realize we’re starting the trip
out with recklessness and wonton disregard for schedule
as we sip our beers, talk and contemplate
the estimated forty hour trip we have in front of us.
Dean raises his glass and declares, “to California, boys!”
Sal and I echo back “to California.”
and take long draws from our
watered down American pilsners.
We’re just three twenty-somethings
with highly uncertain futures doing what we do best at
this point in our lives; drinking, hanging out and
living in the immediate because, if nothing, else
we’ve got each other, these drinks and dreams
of palm trees, the pacific ocean and So Cal girls
on this grey day in March and
I guess that will have to do for now.
At the moment, everything is alright by me
as the beer squelches the uncertainty of the road ahead
and the jukebox plays Def Leppard’s
counsel to the lost boys of minnesota

 

“All right
I got somethin’ to say
Yeah, it’s better to burn out
Yeah, than fade away…”*

 

“I was halfway across America, at the dividing line between the East of my youth and the West of my future.”
― Jack KerouacOn the Road

 

*Lyrics courtesy of Def Leppard, “Rock of Ages” from the album Pyromania

From Dirty Shirt: A Boundary Waters Memoir by Jim Landwehr

authorjim-9-1

 

Overview:

This book came to be after I joined a writing workshop several years ago. I began writing humorous stories about trips I’d taken to the Boundary Waters Canoe Area Wilderness over the past 30 years. Over time, the number of stories grew and eventually the book developed into a three part memoir that crosses three generations, my father’s, mine and that of my children. It was published in 2014 and was my first book.

 

Boundary Waters Dreamin’

(An excerpt from Dirty Shirt: a boundary waters memoir, by eLectio Publishing)

Our trip to the Boundary Waters Canoe Area (BWCA) of northern Minnesota, for the four of us high school friends was, truthfully, a considerable downgrade. The original plan was to drive out west to California after graduation. When you’re eighteen, you take your newly ordained adulthood as a chance to assert your independence. What better way to do that than to drive two thousand miles with your friends? Since none of us owned a car, nor had the money or means to get much further west than South Dakota, we “right-sized” our dreams into a five day canoe trip. The California Dreamin’ was good while it lasted.

The BWCA is a million-plus acres of relatively untouched wilderness extending from northern Minnesota to the Canadian border. It consists of more than a thousand lakes strung together by crystal clear rivers and man-made portages cut through the dense forest. No motorized vehicles are allowed into the area, so all travel must be done on foot or in canoes. The natural beauty, abundant wildlife and deafening quiet of the deep wilderness, make the area attractive to any outdoor purist.

Disregard the fact that, after five days in this natural beauty, I wanted nothing more than to leave it. Leave it and seek such niceties as running water, hot showers, and the female form. Being in the woods, while good for the soul, is hard on the body. There’s something about wilderness living that assures me the Industrial Revolution was a good thing.

There were four of us high school buddies altogether; Pete, Doug, myself and Pat, who I still consider a “best friend” today. We did most of our organizing at a planning meeting in the basement of Pat’s house. Doug brought a map and the route was planned, paddling distances charted, schedules set; all things that seemed like rational, logical thoughts at the time. However, we were oblivious to the fact that, in the BWCA, the schedule is always the first thing to go. As wilderness rookies, we had to give the appearance of actually having a plan by charting out where we would eat, sleep and fish. In reality, by the time we set up our tent on the first night, we were already behind schedule. We quickly realized that the only time that matters in the woods is, how long until dark? For the most part, when it gets dark, everything stops.

Because most of us were eighteen and were relying entirely on our own means for transportation, there was relatively little parental input into the planning process. My guess is they were just relieved that we shed the California trip for something more local and attainable. The travel plan we crafted using our collective teenage brain trust, was to start out by train from St. Paul to Duluth, Minnesota. From there, we would catch the Greyhound bus to Grand Marais a hundred miles northeast. We would then rely on hitchhiking sixty miles up the Gunflint Trail to the outfitters at our “starting point.” Sounds like a slam dunk, doesn’t it? Yes sir, no possible holes in that itinerary. Rock solid.

***

Much of what makes or breaks a camping trip is determined by the quality and selection of equipment. This was our first foray into the woods without parents or other family involved. We packed what we thought would work best, given our experience and substandard budget. None of us knew any better, nor had the means to do anything about it if we did. Besides, it was just a canoe trip, how hard could it be? We would quickly learn how unforgiving the water and woods were to ungainly equipment and poor planning.

During the planning meeting, the subject of tents was brought up.

“I’ve got a couple of two man tents. One is brand new and the other is pretty beat. I think the zipper may even be broken. It’s down in my basement somewhere. You’re welcome to use it, but there are no guarantees on it,” I said.

After a few shrugs, no one else offered anything better, so we decided to make it work.  When you’re a pie-eyed high school grad, you can make anything work. Needless to say, I was happy I made the investment in the new Eureka a few weeks before. My brother Tom always said that you cannot underestimate the value of a good tent, and I certainly knew which tent of the two I was sleeping in.

The rest of the equipment we took with us all bordered on substandard, designed more for car-camping than canoeing and portaging. Of course there was the “essential” Coleman lantern. It sounded good on paper; providing light for playing cards, warding off black bear, sending SOS signals to aircraft overhead, and the like. Unfortunately, we neglected to factor in the possibility of broken-mantles. Mantles are small sacks or pouches made of cloth. They tie to the gas outlets on a lantern and when they burn they turn to ash, serving as the ignition point for the lantern.  They work fine as long as the ashen mantles are not bumped or broken. If they are broken, what you have on your hands amounts to a low-grade civilian flamethrower. They can be fun if you’re sporting an asbestos flannel shirt and a welder’s helmet, but otherwise, pretty useless in the woods.

After discovering the broken mantles, there were many moments when heaving the useless device into the woods seemed like the most prudent thing to do; a kind of a deep woods Molotov cocktail for the city boys. Instead, the item became our boat anchor. Not in the literal sense, but rather it was the item which, when rendered inoperable, suddenly becomes dead weight that must be lugged around for the duration of the trip. Every trip has one.

Another poorly chosen article for a couple of us on the trip were large, cumbersome, cotton-filled sleeping bags. Why mess with goose down when you could lug what amounted to a seven pound cotton sponge on your back? They were bulky and heavy when dry; when wet, they quickly doubled in weight. Ounce for ounce, they were undoubtedly the most burdensome items on the trip.

Perhaps the most definitive of all bad equipment choices was the drab green, army-issued folding military shovel. Unlike the cotton “sleeping bag sponges” and the “lantern flambeau,” which had functional purposes behind being packed, this item’s utility escapes me even to this day. Lord, what were we thinking? It turns out foxholes aren’t really necessary on most campouts. Trenches, not so much, either. If a US/Canadian war were to break out, though, we were set.

Some good advice for any camping trip is if you can’t eat it, wear it, sleep in it, or start a fire with it, leave it home.

Once the equipment was defined, we focused on choosing our route. We used a popular map series that existed for the area at the time. Having spent my entire career in computer mapping, I can appreciate many of the good qualities of these maps. They were simple to read, had decent cartography, and, for the most part, credible content. They also had a light film coating to them giving them a crackly feel and making them water resistant. This worked to our advantage when water from the canoe paddles would drip on them during our paddling. I can also attest that they float for short periods of time if blown overboard, but that is another story.

For all of the good qualities these maps have, I also recognize their shortcomings; small issues such as missing or incorrect portages, scale problems and, of course, the question of how up-to-date they were. To the manufacturer’s credit, however, they do have one of the most all-encompassing disclaimers I’ve ever seen, which reads:

This map is not intended for navigational use and is not represented to be correct in every respect.

Wow. A map not intended for navigation. My question then becomes, what is it supposed to be used for? Birdcage lining? Fish wrap? Fire kindling? Now, kindling was an idea we gave some thought to.

It’s a bit like publishing a cookbook and then disclaiming it by saying “Hey, this book shouldn’t be used to cook anything.” Or perhaps like the weatherman saying there’s a forty percent chance of rain. What does that really mean? The map might better be served by taking a meteorological approach by saying “You have a forty percent chance of getting lost if you use this map.” At least give me some odds to work with.

We continued our planning despite the heavily disclaimed map. Using it, we plotted a circuitous route beginning at the outfitters on Seagull Lake who would drop us off at our entry point on Gunflint Lake. From there we would head north, then west, then back south, eventually finishing at the outfitters back on Seagull Lake. The map indicated several portages that circumvented fast or impassible water using a dashed line. We knew portaging was part of the whole experience, so it did not deter us from sticking with the plan. In fact, the possibility of a little excitement was alluring to all of us. The entire route would be an ambitious, yet achievable paddle, especially for four young men in good physical condition.

The final planning details centered around meals and the food we would bring. It was unanimous that trying to make a meal plan comprised of freeze dried food would be prohibitively expensive. I pointed out that as long as we brought dried food and no meat, we would probably be okay.

“Oh, we can bring meat. My brother has brought hamburger up before,” Doug chimed in.

“How does he keep it from spoiling?” I asked.

“You just freeze it real good and pack it in ice. No problem.”

I looked at him with questioning cynicism. My brother Tom, who had been to the area on a few occasions and who I deemed the expert, always said that food requiring ice would add more bulk and weight than lugging it around would be worth. Furthermore, if you choose to bring frozen food, you should use dry ice, as it lasts longer and does not melt. I am not sure if I mentioned the dry ice idea, but I am sure my skepticism about bringing meat shone through fairly implicitly. Doug seemed sure and confident, so we agreed he would pack it and we would have hamburgers for a couple of our dinners. With the last of the details planned, we said our goodbyes and left, anxious and excited for our coming adventure.

***

While the planning was done corporately, we were all in charge of packing our own clothes, sleeping bags and other equipment. I started by setting up and airing-out the two tents in the front yard. The new Eureka was set up in less than ten minutes and was a thing of strength and beauty. Its poles stretched the nylon cream colored rain-fly taut, and the zippered screening was solid defense against mosquitoes and other bugs. On the inside, I would go so far as to say it had that new tent smell, not unlike a new car.

The second tent took a bit more to set up. The poles and joints were not as nicely engineered as the Eureka and it quickly became clear it was a cheap knock-off model. Unlike the subtle cream color of the Eureka, its bastard brother was highway cone blaze-orange and visible from a mile away. The only subtle quality about it was the protection it would provide against the bugs, given its broken zipper. It was more of the Charlie Brown variety, difficult to assemble and almost as difficult to look at.

As the evening grew late, I moved on to packing my clothes. I stuffed a couple of shirts, pants, underwear and socks into the hand-me-down frame backpack I inherited when Tom upgraded. When I went to pack what was probably my most essential piece of clothing, my heavy duty flannel shirt, I realized it was dirty.

I mentioned to my brother Tom that my favorite camping shirt was in the laundry and it was too late to try and wash it.

Now, he had been watching most of the packing process with great amusement, sprinkled with moments of disbelief, and felt compelled to offer some sage words of wisdom.

“You know, Jim, it’s always good to start a trip with a dirty shirt.”

His tone was dripping with sarcasm. It became the haunting voice of reason in my head for the rest of the trip. The actual dirty shirt was the least of my issues. It was the basic precepts behind starting a trip of such magnitude with substandard equipment and planning that haunted us in so many situations. The thing was, I knew he was right. Tom was a seasoned camper who backpacked his way across the country a few years earlier. I was determined to do this trip my way, however. I wanted to prove I could do it as well as anyone, so chose to press on and make my indelible mark in the woods.

The scars are still healing.

Submissions for Monthly Feature have Closed

BookmarkOur call for submissions to the Swimming with Elephants Publications Monthly Feature project has concluded. Much to our surprise and enjoyment, we received far more submissions than expected. Our editing staff has been very busy reading the vast assortment of submissions.

When creating an anthology, we may receive a hundred submission and grant publication to anywhere from 25-50%. Unfortunately, with this project we only have six slots to fill. With the overwhelming number of submission, this made our publication rate at about 6% (Yes, we really received that many).

We are working diligently to review submissions and send responses by the end of the month. Please do not be dismayed if your collection was not chosen.

We plan on attempting this project again in six months. If your work wasn’t chosen, please consider resubmitting at that time. You may resubmit some of the same material or create a completely new submission.

We invite you to continue to following Swimming with Elephants Publications. Within the next year we will be running several chapbook competitions, as well as other possible publication opportunities through anthologies.

Remember: Writers need readers. Please support your fellow artists by reading, sharing, and commenting on their work. Pick up a poetry book, swing by an open mic, or follow a blog or two. If you want to have an audience, you need to be an audience.

Thank you for your time and have a wonderful day!

Happy Birthday by Sarah Allred

Happy Birthday

It didn’t take my mother long to comment on how quiet I am, today.

“Awfully quiet, Sar.”

“I’m a pretty quiet person,” I replied, as mildly as I could. Sometimes I am surprised she hasn’t noticed this yet, or assimilated it into her understanding of who I am as a person, in the twenty-seven years we’ve known each other.

I refocused on getting ready for our hike, making sure I had water, stretching my hips.

We started out and it was a lovely day for hiking. My mother kept plowing of onto side paths, wrong ways, and I had to redirect her a few times before I decided to walk a few paces ahead of her and my father. My me about some plants he saw on the trail that were also at the stable where they keep their horses.

“That’s fennel,” I said. “It grows wild around here, and it’s edible.” I pointed out a couple more plants I knew, an invasive species, castorbean, that was abundant in the area, before I went back to walking quietly ahead. My mother kept up a steady chatter behind me, telling the lizards how much she loved them and yelling at the truck doing construction a few hills away, across the highway.

“Get outta here, you trucks, you’re blocking my view of nature!” A Chicago native turned Californian. She was also very upset by the presence of a water drainage pipe, a property boundary sign, and some telephone cables.

We stopped to take pictures at least three times on the way up, and at about eighty percent of the way there was a lone wind cave where we stopped to rest and, of course, take more pictures. I took some of my parents, watching their dynamic through the lens. My father stoic, a trouper, as mom grabbed his hand four photos in and wrestled him gently into a more affectionate pose for photos five through eight. I even got him to smile for the last one.

My turn came; Dad and I switched places. I leaned next to Mom on the low oak branch and smiled at my dad and the camera.

“Look Gav, Sarah’s in one of her ‘I don’t like to be touched’ moods,” my mother announced as she proprietarily threw her arm over my shoulder, pulled me in and put her other hand on my closer shoulder. I allowed it, it was her birthday, and what did it cost me? I could let go of somethings and be nice, on her birthday. And then I thought we were done, I made a move to get up, but she stopped me, put her arm further up my neck and used her palm to turn my cheek so that I was facing her.

“I want to take one like this, with us looking right at each other.”

I looked her in the eyes a moment, light green, ringed in makeup. I’m sure I pulled back from the thought before I made a conscious decision.

“No, this is too much,” I said. I got up and flapped my hands at her, like that might lessen the blow. “You’re making me uncomfortable.”

She gave a heavy sigh. “Can’t say I didn’t try,” as if that was something people accuse her of often.

Say you didn’t try what, I wondered. Didn’t try to make your daughter take an awkwardly staged photo? Didn’t decide to violate someone’s boundaries even though you made it clear you were aware of them?

“All right,” I said, clapping my hands together. “Are you guys ready to go to the top?”

“Let’s just go back,” my mom said, smoking her e-cigarette and facing away from us, to the mountains.

“What?” my Dad.

“Let’s just go back. I’m good.” She repeated.

“Well,” I said, “We’re really close. Like ten minutes from the top. I’d really like to go all the way up.”

“Okay, fine. I’ll wait here.” She puffed away, still not looking at us.

“I feel like you’re being passive-aggressive,” I ventured, slightly terrified of a mountain-side blowout and the subsequent silent hike down to the car where I would be both irritated and terrified that my mother would stumble in her anger and roll off a cliff.

“No, I’ll wait here, I’m fine.” she said again.

My dad and I mentally shrugged at each other and mosied up to the top, chatting about the best path, indigenous plants, my recent trip to the Grand Canyon with a boyfriend of whom I am unsure of their approval. It was pleasant, the view was lovely, I was satisfied with the completion of the hike.

We found our way back to Mom who was sitting on a rock, blowing bubbles. She apparently always has them in her purse. Most people don’t leave the house without their keys, cellphone; my mother: bubbles.

“How was it?” She is still not looking at us.

“Pretty cool.” My father is perennially nonchalant. “Really nice view.”

“Blow some bubbles.” She hands the tube and wand to Dad.

“I’m good for now, maybe later.”

“They make you happy.”

“I’m already happy,” he says, but he blows the bubbles. Makes some jokes about them causing airplane accidents. I marvel at his patience.

We make our way back to the car, pretty uneventfully, and make our way to the beach twenty minutes away where we have planned to picnic.

We get there and it is gorgeous. I jump in the ocean before I grab a chicken leg and eat with my parents.

“I can’t believe I didn’t bring a swimsuit!” Mom exclaims.

“Go naked,” Dad says. He still has his boots on.

“I have leggings on, and a sports bra.”

“I’ve gone in in a sports bra before,” I shrugged. I am smoking at a remove now, so as not to affront my parents who have been off cigarettes for a year. Graciously neither of them comments on my bad habit.

My mother says, “Is that a dare?” She is already stripping off clothes.

I said, “No, I’m just saying it can be done. I’ll join you in a minute.”

She runs in, screaming at the cold and flailing in the shallows. I walk in after her, past the breakers, and I glide around, doing my water dance, letting the ocean buoy and cradle me. I am chilly but at peace, I watch the water ripple through my fingers. This is the happiest I’ve been all day, and I am glad my mother is in the ocean with me. I look back at her.

She is still thrashing in the break line, yelping, plowing her body into the waves. She is smacking at the water as if she can beat it down. She reminds me of a child, specifically a boy child, aggressive for no discernable reason. “These waves are attacking me!” She yells.

And suddenly I realize, this is how it is for her. In her eyes, she is always under attack, she always has to fight, and if there isn’t anything to attack she must create it. Maybe she can’t feel strong on her own, there must always be an oppressor, she is the underdog, the caboose.

And I wonder why she bothers me so much, with that victim mentality; her fibromyalgia, her little toe that moves separate of her cognitive command, the way she views cancer as an evil force reaping strong, sweet people from her life, that time she had lupus, her restless leg syndrome, her recent diagnosis of bipolar disorder and subsequent bout of mood-stabilizing drugs that did everything but and in her words, ‘were going to kill her’.

How can I be so irritated by someone who has been diagnosed with mental illness. Shouldn’t I, as much as anyone who has struggled with depression, be more loving and compassionate? Or is this just the way of it with mothers and daughters, with parents and their children? Is it one of those things I won’t understand until she is dead and buried?

I don’t know when I will know.

The Book You Need to Have

Language of CrossingWhen the manuscript of Language of Crossing first crossed my desk, I immediately knew it was an important work which profoundly reflected upon some of the most disturbing issues concerning immigration in America. In light of recent events, the building of “the wall” and American relations with Mexico, it is even more important than ever.

Through poetry, Liza Wolff-Francis tells the stories, demonstrates the horrors, and gives a human face to those people who are so greatly affected by the immigration. The struggle continues. This is not a reflection of what is past, but a collection of what continues. If you want to truly understand the strife of the undocumented, start here.

Order the Language of Crossing from Amazon for only $10.95 by clicking here.

About the Publication:

Liza Wolff-Francis’s Language of Crossing is a collection of poetry that mirrors the true heart-stories along the US/Mexico border. Giving face, voice and humanity to all those who make their way across fronteras, her work is that of a necessary endeavor. She writes of a reality that must be ignored no longer. It is the struggle, strife, and violence that is endured by those who flee their country in hopes of a better life. Her poems, brutally honest and minute, rouse compassion as all good poetry must and begs the question of accountability. Language of Crossing is a political outcry, a finely tuned collection of endurance of a people, and a passionate advocacy for all to take notice. Wolff-Francis is a real activist planting poetic prayer flags across the vastness of a desert.

Reviews from Amazon.com:

By Francois Pointeau

“In Brownsville there’s a hundred
stash houses where they keep the immigrants
once they’ve crossed over in north heaven.
The coyotes take their shoes from them,
take their clothes so they don’t run, keep them
behind locks. Quiet. Callados.
En silencio, until the next trek
on into the land of the free.

(from the poem “In Brownsville there’s a stash house where they keep the immigrants”)

The poems in Language of Crossing by Liza Wolff-Francis will break your heart. Is this the America we live in? Yes it is. Is this the way we treat the poor and the needy? Yes it is.

Whatever happened to: “Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!” –The New Colossus, by Emma Lazarus

These words have become the Myth of America. Wolff-Francis brings the tragedy, the reality of the true faces of the immigrants to life, not the myth…she paints us a picture of what is going on right now on our southern borders. She gives individuals crossing our borders a human face, a human heart, and a human longing for a better land, a better place, a simple place where you can raise your family without the fear of death at every corner. And for many of these immigrants, what they find is everything but. Wolff-Francis doesn’t pull any punches. What she writes about, we can not ignore, we can no longer turn a blind eye to. This is an important collection of poems, and you need to read it.

By hanginwithlewis

I’m so glad I was able to get a copy of Language of Crossing. As I’ve been listening to NPR and hearing about humanitarian crises in Africa and the Middle East, I’ve kept wondering at how strong our national political policies must be, that we turn a blind eye to what’s happening at our threshold. Before the book launch reading at La Resistencia Bookstore in Austin, I knew there were people crossing the border, and many if not most of those journeys did not have a happy ending. But I hadn’t realized there was a humanitarian crisis in progress, so I feel that I’ve at least had my eyes opened in a way that allows me to look at what’s going on more critically and realistically. Not that I’ve saved any lives yet, per sé, but I’m glad to be able to read about your perspective, rather than only hear the President’s. And the found poem that opens the collection, “Border Trauma,” is still haunting me months later.

LizaHeadShotAbout the Author:

Liza Wolff-Francis is a poet and writer with an M.F.A. in Creative Writing from Goddard College. She was co-director for the 2014 Austin International Poetry Festival and a member of the 2008 Albuquerque Poetry Slam Team. She has an ekphrastic poem posted in Austin’s Blanton Art Museum by El Anatsui’s sculpture “Seepage” and her work has most recently appeared in Edge, Twenty, unseenfiction.com, Border Senses, and on various blogs. As a social worker, she has worked with Spanish speaking immigrant populations for twenty years. She wrote the play “Border Rising” from interviews with undocumented Mexican immigrants in Los Angeles. She currently lives in Albuquerque, NM.

Prayer on the way to the grocery by Sarah Allred

Prayer on the way to the grocery

by Sarah Allred

is she in there
would they let me enter
can they smell my expatriation, my absence
the reek of logic and earthy pleasures
would I dip my hand
in that confusingly municipal
basin of hallowed water and
dredge it across my body
in quarters and
would I remember to genuflect and
would I find the comfort
she gave at fourteen:
slightly left of the altar
the byzantine magdalene
not who we are supposed
to supplicate to but
the mother instead,
the mother I still crave

New Release from Swimming with Elephants Publications

book-cover22
Poetry by Gigi Bella
Available at Amazon for 12.95

This is Gigi Bella’s first full length collection of poetry. Encompassing many of her most popular performance pieces and a few new additions, this collection is a perfect representation of her current accomplishments as a young writer.

Pick up a copy today to help her get to WOWPS 2017, and don’t forget to leave a review on Goodreads and Amazon.com.

GiGi Guajardo//{gigi bella} is an award-winning poet, musical theatre actress, and educator of the arts. She recently earned the title of Albuquerque’s Woman of the World 2017 representative. She was named a group piece champion at the 2016 National Poetry Slam and a National Semi-Finalist at the 2013 National Poetry Slam as a member of the Albuquerque Slam Team. She is a student at the University of New Mexico pursuing a bachelor’s degree in American Studies with a Theatre minor. She loves marshmallows, sparkling purple lipstick, and Wes Anderson movies. She continues to be a hopeless roma

Coming Soon: 22 by Gigi Bella

flip-2GiGi Guajardo//{gigi bella} is an award-winning poet, musical theatre actress, and educator of the arts. She recently earned the title of Albuquerque’s Woman of the World 2017 representative. She was named a group piece champion at the 2016 National Poetry Slam and a National Semi-Finalist at the 2013 National Poetry Slam as a member of the Albuquerque Slam Team. She is a student at the University of New Mexico pursuing a bachelor’s degree in American Studies with a Theatre minor. She loves marshmallows, sparkling purple lipstick, and Wes Anderson movies. She continues to be a hopeless romantic.

Michal by Sarah Allred

Michal 

by Sarah Allred

I see these women
bags under their eyes
and blissfully unshowered
and I envy them
who get to pour
their love into one or
two or maybe three
finite little creatures
who haven’t had the
chance, yet, to be
terrorized by the world
As I sit here
with my flat belly
in a clean quiet house
and I remind you
to call your therapist
before it’s too late
and I listen to my boyfriend
talk about his exwife
and I remind a good friend
every time I see him
he is a good, generous man
and I call my mother
and I miss my sister
and it hurts to love
this way, this much

Hannah /6&26 by Sarah Allred

Hannah/6&26

20170104_114659
I am not afraid of anything
not even a Tyrannosaurus rex
she says cheeks plump
in the yard I pick
tiny yellow flowers from
between thorns I think they
look like berries
I nod and agree

I am afraid I will never
be able to love again
she says cheeks plump
in the yard I exhale
smoke and wish I could
say anything true that would
let us feel better but
I nod and agree

The Bookmark by Sarah Allred

The Bookmark

by Sarah Allred

20170104_113558I log on to Mom’s computer; I have to print forms to renew a form, or something. I open her browser. While I’m waiting for everything to load I scan her bookmarks: Pinterest, Facebook, something about organic living, Instagram. My eye snags on the last one. It isn’t a link to my Mom’s account; it’s a bookmark for my sister’s page.

I feel the quick shock I always do when I see or hear her name, like sticking your tongue on a battery. I should know it’s coming, it has been years, and I’ve touched the tip of my tongue to hundreds of black and gold squares in my life, but that metallic zip catches me off guard and lingers in my mouth, every time.

I swallow.

I look back towards the hall, where my mother is laying in bed with a migraine. I feel immediately awful for her. I try not to think about Hannah. I try to come to terms with the fact that right now, and maybe always, she just isn’t here. And it hurts when I think about it, but I accept it, and swallow it down, and I go through my life just a little bit lonelier.

But I know Mom thinks about her every day, I didn’t need to see the bookmark to know that. There isn’t I time I come to visit her that she doesn’t mention the prodigal daughter. I just sit. I think about how Mom probably looks at pictures  of her every day. I think about how she is dealing with the grief that most women hope they never know: the grief of losing a child. I think about how that grief is tempered by other things: the joy that my sister is still healthy, and alive, just somewhere else; the anger and pain of rejection, but multiplied a hundred by a hundred times; the guilt of thinking that maybe it is her fault and the paradoxical rage of knowing she did everything she knew how to do.

I press my tongue on the roof of my mouth. A man on the radio said if you do this, it is impossible for your body to produce tears. It was meant for as a helpful tip in stressful work situations. Quickly I realize the man on the radio lied, or was misinformed.

I dash the tears from my face. I can’t do this every day. It would rip me apart. I am now, for all intents and purposes, an only child. If I think about it the loneliness is too much, the betrayal is too much, the thought of her caring so little about us to do this, to give up, is gutting.

So I try not to think about it. I think, instead, of how I can be a better daughter. I think of how I can love my parents enough for the both of us. I think of how I can make my parents proud enough for the both of us.

I think about clicking that button.

Amazon Reviews Needed

YouMustBeThisTallFront CoverWe are always looking for reviews on any of our 40 published books via Amazon or Goodreads.

Currently our search is for people to review SaraEve Fermin‘s latest publication You Must Be This Tall to Ride.

If you own this publication, please take a minute to visit Amazon or Goodreads and give it some stars. If you do not own this publication, order it today and get some reading down on your lazy cloudy afternoons.

Learn more about the publication here.

January 2017 Featured Writer: Sarah Allred

January 2017 Featured Writer: Sarah Allred

sarah-allredSwimming with Elephants Publications would like to introduce our January 2017 Featured Writer: Sarah Allred.

Sarah Allred is a freelance writer and painter living in the small town of Lompoc, California. Inspired by the natural beauty of her surroundings and her emotional nature, Allred uses various art forms to express and process the events of her life. Her body of work, The Art of Self Preservation, was featured locally in November 2016. Allred plans to continue creating through 2017 and utilizing whatever outlets she can to distribute and show her works.

Learn more about Sarah Allred through her  Facebook page (https://www.facebook.com/brujitasaladita) and Instagram handle (sarah_katherin).

The three poems and two short stories included in this short preview revolve around the theme of family. Her intention in sharing these works is to let others see that perhaps their family struggles may not be unique, and that it is acceptable to go through periods of painful growth with loves ones. Like many authors, Allred seeks to share her works  into the world as a means of catharsis for herself, and to create space in her writing practice for new themes and works to come through. The artwork included on this page is also Allred’s original work.

We are thrilled to have Sarah Allred as our first Featured Writer of 2017 and hope that you enjoy her work just as much as we have.

Our Year, Our Future

YouMustBeThisTallFront CoverThank you to everyone who have followed Swimming with Elephants Publications and to all those whom we met in 2016.

This year meet with some rocky times, and SwEP did not escape some of that downfall. We slumped in sales which lead to fewer publications than in past years. We had to end our quarterly anthology series due to lack of funds and low submissions. Also, a powerful project, entitled “Woke,” fell through which lead to disappointment for this Editor in Chief.

Quitting SmokingHowever, the year can not be denied some excellent successes. We have had some amazing author’s join our Parade including Wil Gibson, SaraEve Fermin, and Jennifer E. Hudgens.

One of our most popular titles, They Are All Me by Dominique Christina, has been picked up by the Women’s and Gender’s Studies, Sociology, Public Health, and Gender/Cultural Studies Department at Simmons College in Boston, MA. Also, one of our authors, Manuel Gonzalez of …But My Friends Call Me Burque, was named ABQ Poet Laureate and continues to perform prolifically around the New Mexico.

We also continue with our charitable causes by participated in putting together anthologies for All Access and Voces, an ABQ based youth program. We continue to work closely with various members of the community to create publications to spread awareness and give the youth a voice.

Most importantly haven’t gone bankrupt yet and are hopeful that we will be able to fund future projects.

51aybmbjcsl-_sx311_bo1204203200_The new year looks promising with an upcoming release from Gigi Bella, a chapbook contest guest judged by Jessica Helen Lopez, along with some other hopefuls projects peaking around the corners.

We have also started a new monthly feature series and have already received a grip of submissions. Learn more about this series here and keep those submissions coming.

If you are one of our authors, please remember that your success does depend on your hustle. We will support you in every way possible, but the best (and most profitable) way to get your books into people’s hands is to place them there yourself. Share your work publicly by booking features or mini tours.

If you are one of our readers, please continue to check out our latest publications and submit reviews to Amazon, Goodreads, or send us a review for the website. We are always looking for more reviews and more readers.

Thank you to all for your support. We will be seeing you in 2017.