Featured SwEP Author: SaraEve Fermin

Swimming with Elephants Publications, LLC would like to reintroduce to you to SaraEve Fermin.

SaraEve Fermin’s collection, You Must Be This Tall to Ride, was published in the summer of 2016 by Swimming with Elephants Publications, LLC.

Listen to her read here:

“So often in poetry collections, we read work that bear witness to the conflict, whether that be Poet vs. The World, Poet vs. Nature, or even Poet vs. Themselves. However, in You Must Be This Tall To Ride, we’re gifted with a unique perspective – namely, what happens after the battle is fought? Contained in these pages are poems that bear witness to the afterwards; to the fighter, post-victory & battle-wearied, who must carry on with their lives, with matters of day-to-day existence. If we consider the myth of Sisyphus, cursed for eternity to push the boulder up a never-ending hill, then we must look at this work as an exploration of what may have been, had Sisyphus ever found a way to finish his task.”

– William James
author of rebel hearts & restless ghosts

Pick up SaraEve Fermin’s You Must Be This Tall to Ride from Amazon or Barnes and Noble today!

 

13417398_10209760937403890_1827274899169128038_nSaraEve Fermin

SaraEve is a performance poet and epilepsy advocate from northeast New Jersey.  A 2015 Best of the Net nominee, she has performed for both local and national events, including the 2013 Women of the World Poetry Slam, the Epilepsy Foundation of Greater Los Angeles 2015 Care and Cure Benefit to End Epilepsy in Children and as a reader for Great Weather for MEDIA at the 2016 NYC Poetry Festival on Governors Island.  You might have met her volunteering at various national poetry slams.  A Contributing Editor for Words Dance Magazine and Book Reviewer at Swimming with Elephants Publishing, her work can be found or is forthcoming in GERM Magazine, Yellow Chair Review, Drunk in a Midnight Choir and the University of Hell Press anthology We Can Make Your Life Better: A Guidebook to Modern Living, among others.  Her second full length anthology, You Must Be This Tall to Ride, will be published by Swimming with Elephants Press in fall 2016.  She believes in the power of foxes and self-publishing.  Learn more: http://saraeve41.wix.com/saraevepoet
She loves Instagram: SaraEve41

Swimming with Elephants Publications Returns to Bookworks ABQ

Celebrate Poetry Month with Swimming with Elephants Publications and Bookworks this April!

During the month of April 2018, you will once again be able to find Swimming with Elephants Publications titles on the shelves of Bookworks, known as one of Albuquerque’s best local, independent bookstore.

Available titles range from our newest releases to our classics, but our supplies are limited so get there early and don’t pass up a purchase because it may not be there on your next visit.

All SwEP titles available in the store will be specially priced for $10, except of a small group which will be priced at $5 a book, while supplies last.

We will celebrate Poetry Month with Bookworks at our reading on April 21, 2018, from 3pm-5pm.

 

Check out our titles at Bookworks ABQ including these New Releases

 

from below/denied the light
Poetry by Paulie Lipman

Out of Denver, Colorado, Paulie comes “from below” and rises to join our parade of writers. A two time National Poetry Slam finalist, Paulie Lipman is a loud Jewish Queer poet, performer, and writer. His work has appeared in the anthology ‘We Will Be Shelter’ (Write Bloody Publishing) as well as The Emerson Review, Drunk In A Midnight Choir, Voicemail Poems, pressure gauge, and Prisma (Zeitblatt Fur Text & Sprache).

Nail Gun and a Love Letter
Poetry by Beau Williams

“This collection of poems alternately pierces the reader with astute and heartbreaking observations (Good Drums is a particularly devastating musing on white, male American-ness) while at the same time using evocative language to spar with and challenge the ideas of belonging and connection and love. These poems invite the reader to contemplate what it means to come from somewhere, and how it feels to long for a place that isn’t home but could be. They invite us to see the mundane as essential, and to see and celebrate the things that connect us to our identity. The title of this collection is apt; like a nail gun, these poems violently pierce, but do so in service to building something sturdy and sheltering, and everyone is a love letter to the dance that makes us who we are.”

– Sherry Frost, Educator

I Bloomed a Resistance From My Mouth
Poetry by Mercedez Holtry

“Mercedez Holtry’s poetry speaks to the origin stories of her Chican@ and Mestiz@ people. It is a mixed bag of mixed blood and the celebratory songs of family, culture and the history of the la tierra that she has blossomed from. Her poems are resistance and resilience. She is a fierce page poet warrior who also casts her spells from the stage, as a true bruja does. Oppressors beware. Holtry mixes up curses, prayers and incantations with her poetic brew. This is a poet who uses her mas palabras for healing and retribution. Her collection de poesia es muy firme, a true reckoning of what is to come from a generation of woke poets who have much to say and aren’t afraid to say it. “

-Jessica Helen Lopez, ABQ Poet Laureate

Wild Horses
Poetry by Courtney Butler

“Courtney A. Butler has written a book that manages to be strong and fierce while remaining innocent and full of wonder. Balancing the line between jaded adult and hopeful youth while painting the clearest picture of why the writing evokes that same sentiment- this is a fun, emotionally fulfilling collection that I will enjoy the 37th time as much as the 1st. I’ll be pre-ordering her next book, as there will surely be many more.”

-Wil Gibson, Author of Quitting Smoking, Falling In and Out of Love, and Other Thoughts About Death

The Promethean Clock or Love Poems of a Wooden Boy
Poetry by MJR Montoya

“These poems are a way of telling you what I saw, at least the remnants of those things. My poems have codes in them. They have forms that have long since lost favor. They have rhyme schemes and syllabic structures of old and new places. They have formlessness that abides by current trends, but embraces none of them wholesale. They are, as Milton once wrote, poems that attempt to champion the unnamable and the indeterminable. Mine are the equations of empty sets and irrational numbers as much as they are of ritual and nostalgia. I have decided not to appease all critique. I am at rest, because the people I trust most have said that there is something in them, something of where I am from, what became of my home, and what is becoming in the world. And for the first time in a long time I’m not ashamed of my part in this story. With all that I am, let these poems be a part of my apology to the world and to my beloveds, an apology for each moment as it passes to the next…”
~from the preface

the bones of this land
poetry by Kat Heatherington

“The Bones of this Land is an exquisite collection of poetry and craft at its apex. Heatherington is an expert at subtle but powerful verse. Her words read like a whisper but resonate like a bomb. Here is a book that will leave you satiated, but curiously enough, hungry for more. “

~Jessica Helen Lopez, author of Always Messing With Them Boys, cunt. bomb., Language of Bleeding and a recipient of the Zia Book Award

Now Available: bliss in die/unbinging the underglow

Now Available from Swimming with Elephants Publications, LLC

bliss in die/unbinging the underglow

Poetry by

Bassam

“Bassam writes poems that feel like slow motion car crashes where, at every turn, you’re also reassured that it’s ok to feel like this, like even if nothing is going to be ok, there is strength to hold like a parking brake, like the axis of a planet. Bassam’s words are a gut punch, a pull to beating heart chest, a hand that holds yours in the bleak. One senses that the act of poetry for Bassam is truly one of survival. What a strength it takes to show our deepest insecurities, to not ask for forgiveness. To not be the hero of your own story. Bassam is a bright non binary voice. One that asks not for acceptance, but simply is, and tells the stories of body and mind that is so intimate and accessible to those of us who endlessly battle with our shapes, our selves. What a gift to give.”

—Charlie Petch, Spoken Word Artist, Playwright, Musician

 

About the Author

Bassam (they/them or xe/xim) is a spoken word poet, proud auntie, and settler residing on the traditional territory of the Dish with One Spoon Wampum Belt Covenant (Anishinaabe, Haudenosaunee, Huron-Wendatt, and Mississaugas of the New Credit). they are a member of the League of Canadian Poets, an executive board member with Spoken Word Canada, and has toured Turtle Island performing spoken word. Bassam earned title of national poetry slam champion at the Canadian Festival of Spoken Word (CFSW) in 2016 with the Guelph Poetry Slam team, and Canadian Individual Poetry Slam (CIPS) finalist in 2017. they were editor-in-chief for ‘these pills don’t come in my skin tone’, a poetry collection exclusively by Black, Indigenous, and People of Colour (BIPOC) on the topic of mental health and illness, released in fall 2017. a (gender)queer, Jewish person of Middle-Eastern descent and a long-time sufferer of body dysmorphia, bipolar and eating disorders, bassam believes in radical kindness as resistance to colonization, that there is no peace without justice, and that intersectionality is vital in the struggle against kyriarchy.

Order today from Amazon or Barnes and Noble

bliss in die/unbinging the underglow

Available Now: I Bloomed a Resistance from my Mouth by Mercedez Holtry

Book ended artfully by two poems (“Dear Donald Trump” and “For Latinos Who Voted for Trump”) that bring much needed attention to the political climate and how the Trump presidency affects her and her people, Mercedez Holtry’s newest publication from Swimming with Elephants Publications is everything you could imagine from the renowned poeta. It, as the title proclaims, is a resistance of performance, blooming like sunflowers stretching to an Albuquerque sunset sky.

Mercedez goes further in speaking not only about the national political climate but also local change and gentrification of her beloved hometown — Albuquerque, New Mexico — in poems like “La Central gets a Makeover” in which she calls out by name former Mayor Berry and the many failings of the Albuquerque Rapid Transit (ART) and its continued construction. Woven with a deep woe for being the final generation that might cruise Central Avenue, she takes you on a journey of the Albuquerque she knows and loves.

But there is a softness to this resistance, too. In “You Bring Out the Burqueña in Me,” dedicated to her beloved, she journeys through all the makings of herself and her culture, her love and her home, painting an image that echoes the vulnerability in the poem prior, “The Heat of Summer.” Both veer away from the political undertone of this publication and yet, there is still a softly flowering rebellion in her words. A rebellion of self, of love, of light.

But as with nature, there is darkness behind the light. A persona poem, entitled “La Llorona Speaks,” takes the reader on a shadowed journey into muddy waters of loss, exploring the legend of La Llorona, or The Wailing Woman. Another stunning exploration of her own culture, this particular poem was a hauntingly beautiful read.

As ever, Mercedez does not fail to enlighten and educate with her second collection from Swimming with Elephants, bringing an artfully entwined variety of work.

You can purchase I Bloomed a Resistance from my Mouth on Amazon, along with her first publication, My Blood is Beautiful. And don’t forget to like Mercedez’s artist page on Facebook, and keep a lookout as she heads out for the Blooming Resistance Tour this May (and for inquiries about booking her for a feature, please contact our partners at sugarbookingentertainment@gmail.com).

Have you met Paulie Lipman?

 

Swimming with Elephants Publications, LLC is excited to welcome poet Paulie Lipman to our Parade. Paulie’s collection, from below/denied the light, will be released February 2017 and available during Paulie’s next tour, as well as online retailers.

 

Click here to preorder your copy today!

 

 

Get to know Paulie by reading some of his previously published work online:

Ghost City Press

Drunk in a Midnight Choir

The Harpoon Review

Front Page News

Swimming with Elephants Publications author Gigi Bella is featured in this week’s (January 11-17) Weekly Alibi.

She has not only taken the cover, but has a lovely article on page 12.

Gigi will be in town for a few weeks preparing for shows and her upcoming tour. Her publication, 22, was released by SwEP in early 2016 and is currently available on Amazon and Barnes and Noble, but you can get a copy in person at one of her upcoming events.

If you are in the ABQ area, catch her at Uptown Girl: A NYC Dream Cabaret on January 16th and Lobo Slam on the 17th of January.

And keep your eyes open for upcoming tour dates.

Busy January!

Swimming with Elephants Publications, LLC has a wonderful line up of poets releasing manuscripts in 2018.

Some poets are releasing their second book with SwEP, while others are joining the parade for the first time.

By forming a relationship with Sugar Booking Entertainment, we will be producing the books/ chapbooks of several of their touring poets this year, including Paulie Lipman, Wil Gibson, Mercedez Holtry, and Gigi Bella.

Keep an eye open for new publications and events near you!

Uptown Girl: An NYC Dream Cabaret

Join us for an evening of spoken word poetry, musical theater, and general weird theater kid stuff. Featuring a performance by GiGi Bella and a special appearance by The Fridges. This is also a fundraiser for the Get In The Fridge Productions Spring Musical Godspell, as well as GiGi Bella’s upcoming tour. The artists greatly appreciate every single contribution!

Pay what you can ($8 suggested donation).

Note: This show contains content that may not be suitable for children.

About the artists:
GiGi Bella is the tenth ranked female poet in the world (WOWPS 2017). She is the current Project X Bronx Poetry Champion, the 2017 Vox Pop Indie Champion, a 2017 Fem Slam Finalist and a literal mermaid. She is also a 2016 National Poetry Slam Group Piece Champion and 2013 Semi-Finalist as part of The Albuquerque Poetry Slam Team. Her book, 22, is available through Swimming With Elephants Publications. She will commence her first US Tour in the Spring of 2018. She also has a rad musical theater background as a performer and teacher.

Get In The Fridge Productions is a new and upcoming theater company run by teens for teens (kinda like Kids Bop but way better, I promise). We specialize in making teenagers feel like they’re welcome as well as geeking out about our favorite musical obsessions. Please support our production of Godspell in April!

Wil Gibson just can’t quit…

…being phenomenal.

Of course, such a grand sweeping word as phenomenal fails to do Wil Gibson’s work, in his most recent published collection, any justice whatsoever. It’s my belief that a simpler word might better suffice, if only for the phenomenal simplicity of what Wil’s words make you feel. An oxymoronic statement, maybe, but it’s just that — the beautiful simplicity — which Wil brings to both written and performance poetry.

It’s his most recent publication with Swimming With Elephants Publications, Quitting smoking falling in and out of love, and other thoughts about death that draws close that beautiful simplicity. As life-changing as an arrival to a safe haven, or a departure from the only place you’ve ever known, reading this book was like coming home, wherever home may be. With a broad array of landscapes and cities throughout the United States mentioned, I felt a strong sense of connection to place in reading. It was, undoubtedly, a journey; more than that, it was a pilgrimage.

For that reason, this book needs to be savoured (like a cigarette, if you will, or five after you’ve quit for the umpteenth time). Not to say I didn’t have the urge to rush through each part and eat it all up, but I found it most enjoyed as a slow read, taking the time to dog-ear pages and underline phrases that struck me (and as I say to many writers: sorrynotsorry for dog-earring books, for lack of post-its to use as markholders, and for marking up your books — this, to me, is a testament of love for the work put in, as I find connection to it).

The contrast and connection between each section was so well-constructed, from a writing and editing standpoint, I could certainly see the love that was put into this book, too. From the numbered poems and the slow stream of falling in love over and over again in the first part, The part where I fall in love and a bunch of people I love die to the numbered days in the second part, The part where I quit smoking and more people I love die that are almost comical at times in their display (days 16-18, especially; any smoker or former smoke can certainly relate to the feeling of fuck you that Wil puts so adequately on the page), a conversational tone carries throughout.

Thinking back to when I first heard Wil perform, it’s that conversational tone that holds him as one of my most highly recommended poets for anybody first entering the slam/performance poetry scene; I believe there’s something unique in drawing your audience in without the grandeur of the typical “slam voice.” Instead, Wil’s poetry has always offered this drift back to something reminiscent of the “original” spoken word artists of the Beatnik movement. But there’s that modern touch of artistry in his work, too.

It’s in The part where I fall out of love and more people I love die where Wil’s artistry as a written poet really shines. With unexpected construct like the poem titled simply as Purple, to the constant self-recognition of using cliches to his best ability (and the simple notion of the necessity of cliches), there’s a heartwrenchingly beautiful notion presented in the level of vulnerability that Wil provides in the third and closing part of his collection. Here is vulnerability as a lover, as a smoker, as a writer, as a human. And isn’t that what writing really needs to be? Vulnerable conversations, the shared recognition that we’re all cliches, we’re all just quitting something to start again, that we’re all falling in and out of love with ourselves constantly; Wil’s poetry reminded me that we’re all on a phenomenal pilgrimage through life, and we’ll get there whenever we damn well please (and maybe quit smoking, eventually).

In parting, I would tell anybody skeptical not to be swayed by the ominous title of Wil’s most recent book; instead, let it be an offering that allows you to feel absolutely, phenomenally, simply… human.

You can find Wil’s book on Amazon and Goodreads, along with other books in the Swimming With Elephants Publications family. And don’t forget to keep up with him on his website and Instagram as he continues to tour and scatter his words across the country.

Here’s What’s Going On…

Swimming with Elephants Publications, LLC is up to all sorts of adventures these days.

We are currently wrapping the publications of this last summer’s chapbook competition. Books by Kat Heatherington and Courtney Butler are now available and Manuel Montoya’s publication should be out by the end of this month/early December. Stay tuned to for updates.

We are also celebrating SwEP on Small Business Sunday on November 25th at Bookworks ABQ from 3-5. Reading at this event are Kat HeatheringtonJessica Helen Lopez, Manuel Montoya, Gina MarselleKristian MacaronBill NevinsManuel Gonzalez, and Sarita Sol Gonzalez (confirmed). Any other SwEP authors who are available are also welcome to participate. The majority of SwEP publications will be available for purchase through Bookworks. After the Bookworks show, the celebration will continue at Dialogue Brewery where we can drink and make merry. This is an open event and we are hoping for a great turn out. We also may have an article in the ABQ Journal to help promote the event.

See the Facebook Invite here.

In December, we will have the official release of Courtney A Butler’s book. The event will take place at the Lomas Performance Space and feature the musical stylings of Danny the Harp and the artwork of Judy Marquez. This event is on the evening of December 9th and promises to be great fun! Also, an open and free event, please come by and pick up a copy of Courtney’s new book.

See the Facebook Invite here.

The book release for Manuel Montoya will be early in the new year, so please keep your eyes open for that future announcement.

Our partnership with Sugar Book Entertaining is promising more books by touring poets in the new year. We are currently working with Beau William to put his book together and we are in the review process with several other poets.

************************************************************************************************************

For our authors:

SwEP is beginning to make some shifts toward becoming an official non-profit. We are in the process of creating a board and researching the paperwork and information to move us from an LLC. This move may create some shifts in our production model, but not to worry. All authors will be notified and given appropriate options when the transition occurs (later in 2018).

As we make this change, we will be looking for a new official logo. If you know anyone who is interested in this project please have them contact us at swimwithelephants@gmaill.com.

SwEP authors will begin receiving their royalty reports in December 2017. If you have updated your email, please notify us so that we can make sure you get your information. As always you will have an option to receive your royalties in cash or product as well as a time to review your continuation as a SwEP author.

Remember:

The best way to get your book into people’s hands is through featured performances, tours, and self-promotion. Please encourage your fans to review your book(s) via Amazon, Goodreads, review blogs, print newspapers, etc.

We will do our best to assist you by promoting your publication, events, reviews, and in any other way possible.

Also, as a SwEP author you are entitled to not only your own author copies at cost, but any other books in our catalog. Please help promote your fellow authors by submitting reviews of their publications and getting their publications out into the world.

 

Now Available: Gypsy Horses by Courtney A Butler

Swimming with Elephants Publications, LLC is excited to announce the release of Gypsy Horses by Courtney A Butler.

Come to her release party on December 9th from 7-8:30 at the Lomas Performance Space, 10601 Lomas Boulevard, ABQ NM.

Also at the release will be artwork from the talent Judy Marquez who created the cover of this lovely publication. Musical Guest to be announced.

“Courtney Butler has written a book that manages to be strong and fierce while remaining innocent and full of wonder. Balancing the line between jaded adult and hopeful youth while painting the clearest picture of why the writing evokes that same sentiment- this is a fun, emotionally fulfilling collection that I will enjoy the 37th time as much as the 1st. I’ll be pre-ordering her next book, as there will surely be many more.” – Wil Gibson, author of Quitting Smoking, Falling In and Out of Love, and Other Thoughts About Death

“Courtney Butler has a finesse with the image of the word, but it is her visceral emotion that feeds the reader’s need to connect on a gut level. Her words rumble throughout your body, clang around your brain and leave their stories imprinted on your heart.” ~Jessica Helen Lopez, author of Cunt.Bomb. and The Language of Bleeding

 Courtney is one of the winners of this year’s chapbook competition, judged by ABQ Poet Laureate Jessica Helen Lopez.

Courtney’s book is currently available on Amazon for $10.95.

Or Barnes and Noble for $10.95

If you can’t wait for the release, pick one up today!

 

 

New Release: Elegy for a Star Girl by Christopher Grillo

Swimming with Elephants Publications, LLC is thrilled to introduce you to Christopher Grillo through his publication Elegy of a Star Girl.

Elegy of a Star Girl is a concise collection of poetry bringing together lyrical imagery with the science of humanity. Cover art by Alex Kuzyuberdin.

Have you met Christopher Grillo?

Christopher Grillo is the author of Heroes’ Tunnel (Anaphora Literary Press, 2015). His poems appear in Drunk Monkeys, Sport Literate, Biline, Spry, Aethlon, and more. Grillo is a graduate of the University of New Haven where he played strong safety for the Chargers, and of Southern Connecticut State University’s MFA program. He lives and works in New Haven, Connecticut as an 8th grade language arts teacher and moonlights as an assistant football coach at his high school alma mater.

Available at Barnes and Noble.

Available at Amazon.

We encourage anyone who picks up this publication to review it on Amazon, Barnes and Noble, and Goodreads, or to write a review which we can publish.

Hellywood by Jim Landwehr

200_sHellywood – an entry from the On a Road poem series

On our way to see a bit of Hollywood
what the big attraction is
driving down some six lane holocaust
through miles of calighetto in our chevy
– it just goes on and on, the blight –
rundown buildings, trash in the gutter
barred windows, last ditch cars
with junkyard fenders
duct-taped plastic windows
boarded up buildings, razor wire
and gates on every door
for godssake even the
sorry looking palm trees long for
the suburbs to try and get out of
this shithole. California is its own kind of
gecko changing colors without warning
and laying motionless in the hot sun.
It seems we’ve got to go through
hell to get to Hollywood.

“LA is a jungle.”
— Jack KerouacOn the Road

 

Setting Place by Jim Landwehr

 

road-endless-straight-longSetting PaceThe first entry from the On a Road poem series

Sitting at the bar in southwest Minneapolis
the boys and I realize we’re starting the trip
out with recklessness and wonton disregard for schedule
as we sip our beers, talk and contemplate
the estimated forty hour trip we have in front of us.
Dean raises his glass and declares, “to California, boys!”
Sal and I echo back “to California.”
and take long draws from our
watered down American pilsners.
We’re just three twenty-somethings
with highly uncertain futures doing what we do best at
this point in our lives; drinking, hanging out and
living in the immediate because, if nothing, else
we’ve got each other, these drinks and dreams
of palm trees, the pacific ocean and So Cal girls
on this grey day in March and
I guess that will have to do for now.
At the moment, everything is alright by me
as the beer squelches the uncertainty of the road ahead
and the jukebox plays Def Leppard’s
counsel to the lost boys of minnesota

 

“All right
I got somethin’ to say
Yeah, it’s better to burn out
Yeah, than fade away…”*

 

“I was halfway across America, at the dividing line between the East of my youth and the West of my future.”
― Jack KerouacOn the Road

 

*Lyrics courtesy of Def Leppard, “Rock of Ages” from the album Pyromania

Submissions for Monthly Feature have Closed

BookmarkOur call for submissions to the Swimming with Elephants Publications Monthly Feature project has concluded. Much to our surprise and enjoyment, we received far more submissions than expected. Our editing staff has been very busy reading the vast assortment of submissions.

When creating an anthology, we may receive a hundred submission and grant publication to anywhere from 25-50%. Unfortunately, with this project we only have six slots to fill. With the overwhelming number of submission, this made our publication rate at about 6% (Yes, we really received that many).

We are working diligently to review submissions and send responses by the end of the month. Please do not be dismayed if your collection was not chosen.

We plan on attempting this project again in six months. If your work wasn’t chosen, please consider resubmitting at that time. You may resubmit some of the same material or create a completely new submission.

We invite you to continue to following Swimming with Elephants Publications. Within the next year we will be running several chapbook competitions, as well as other possible publication opportunities through anthologies.

Remember: Writers need readers. Please support your fellow artists by reading, sharing, and commenting on their work. Pick up a poetry book, swing by an open mic, or follow a blog or two. If you want to have an audience, you need to be an audience.

Thank you for your time and have a wonderful day!

Happy Birthday by Sarah Allred

Happy Birthday

It didn’t take my mother long to comment on how quiet I am, today.

“Awfully quiet, Sar.”

“I’m a pretty quiet person,” I replied, as mildly as I could. Sometimes I am surprised she hasn’t noticed this yet, or assimilated it into her understanding of who I am as a person, in the twenty-seven years we’ve known each other.

I refocused on getting ready for our hike, making sure I had water, stretching my hips.

We started out and it was a lovely day for hiking. My mother kept plowing of onto side paths, wrong ways, and I had to redirect her a few times before I decided to walk a few paces ahead of her and my father. My me about some plants he saw on the trail that were also at the stable where they keep their horses.

“That’s fennel,” I said. “It grows wild around here, and it’s edible.” I pointed out a couple more plants I knew, an invasive species, castorbean, that was abundant in the area, before I went back to walking quietly ahead. My mother kept up a steady chatter behind me, telling the lizards how much she loved them and yelling at the truck doing construction a few hills away, across the highway.

“Get outta here, you trucks, you’re blocking my view of nature!” A Chicago native turned Californian. She was also very upset by the presence of a water drainage pipe, a property boundary sign, and some telephone cables.

We stopped to take pictures at least three times on the way up, and at about eighty percent of the way there was a lone wind cave where we stopped to rest and, of course, take more pictures. I took some of my parents, watching their dynamic through the lens. My father stoic, a trouper, as mom grabbed his hand four photos in and wrestled him gently into a more affectionate pose for photos five through eight. I even got him to smile for the last one.

My turn came; Dad and I switched places. I leaned next to Mom on the low oak branch and smiled at my dad and the camera.

“Look Gav, Sarah’s in one of her ‘I don’t like to be touched’ moods,” my mother announced as she proprietarily threw her arm over my shoulder, pulled me in and put her other hand on my closer shoulder. I allowed it, it was her birthday, and what did it cost me? I could let go of somethings and be nice, on her birthday. And then I thought we were done, I made a move to get up, but she stopped me, put her arm further up my neck and used her palm to turn my cheek so that I was facing her.

“I want to take one like this, with us looking right at each other.”

I looked her in the eyes a moment, light green, ringed in makeup. I’m sure I pulled back from the thought before I made a conscious decision.

“No, this is too much,” I said. I got up and flapped my hands at her, like that might lessen the blow. “You’re making me uncomfortable.”

She gave a heavy sigh. “Can’t say I didn’t try,” as if that was something people accuse her of often.

Say you didn’t try what, I wondered. Didn’t try to make your daughter take an awkwardly staged photo? Didn’t decide to violate someone’s boundaries even though you made it clear you were aware of them?

“All right,” I said, clapping my hands together. “Are you guys ready to go to the top?”

“Let’s just go back,” my mom said, smoking her e-cigarette and facing away from us, to the mountains.

“What?” my Dad.

“Let’s just go back. I’m good.” She repeated.

“Well,” I said, “We’re really close. Like ten minutes from the top. I’d really like to go all the way up.”

“Okay, fine. I’ll wait here.” She puffed away, still not looking at us.

“I feel like you’re being passive-aggressive,” I ventured, slightly terrified of a mountain-side blowout and the subsequent silent hike down to the car where I would be both irritated and terrified that my mother would stumble in her anger and roll off a cliff.

“No, I’ll wait here, I’m fine.” she said again.

My dad and I mentally shrugged at each other and mosied up to the top, chatting about the best path, indigenous plants, my recent trip to the Grand Canyon with a boyfriend of whom I am unsure of their approval. It was pleasant, the view was lovely, I was satisfied with the completion of the hike.

We found our way back to Mom who was sitting on a rock, blowing bubbles. She apparently always has them in her purse. Most people don’t leave the house without their keys, cellphone; my mother: bubbles.

“How was it?” She is still not looking at us.

“Pretty cool.” My father is perennially nonchalant. “Really nice view.”

“Blow some bubbles.” She hands the tube and wand to Dad.

“I’m good for now, maybe later.”

“They make you happy.”

“I’m already happy,” he says, but he blows the bubbles. Makes some jokes about them causing airplane accidents. I marvel at his patience.

We make our way back to the car, pretty uneventfully, and make our way to the beach twenty minutes away where we have planned to picnic.

We get there and it is gorgeous. I jump in the ocean before I grab a chicken leg and eat with my parents.

“I can’t believe I didn’t bring a swimsuit!” Mom exclaims.

“Go naked,” Dad says. He still has his boots on.

“I have leggings on, and a sports bra.”

“I’ve gone in in a sports bra before,” I shrugged. I am smoking at a remove now, so as not to affront my parents who have been off cigarettes for a year. Graciously neither of them comments on my bad habit.

My mother says, “Is that a dare?” She is already stripping off clothes.

I said, “No, I’m just saying it can be done. I’ll join you in a minute.”

She runs in, screaming at the cold and flailing in the shallows. I walk in after her, past the breakers, and I glide around, doing my water dance, letting the ocean buoy and cradle me. I am chilly but at peace, I watch the water ripple through my fingers. This is the happiest I’ve been all day, and I am glad my mother is in the ocean with me. I look back at her.

She is still thrashing in the break line, yelping, plowing her body into the waves. She is smacking at the water as if she can beat it down. She reminds me of a child, specifically a boy child, aggressive for no discernable reason. “These waves are attacking me!” She yells.

And suddenly I realize, this is how it is for her. In her eyes, she is always under attack, she always has to fight, and if there isn’t anything to attack she must create it. Maybe she can’t feel strong on her own, there must always be an oppressor, she is the underdog, the caboose.

And I wonder why she bothers me so much, with that victim mentality; her fibromyalgia, her little toe that moves separate of her cognitive command, the way she views cancer as an evil force reaping strong, sweet people from her life, that time she had lupus, her restless leg syndrome, her recent diagnosis of bipolar disorder and subsequent bout of mood-stabilizing drugs that did everything but and in her words, ‘were going to kill her’.

How can I be so irritated by someone who has been diagnosed with mental illness. Shouldn’t I, as much as anyone who has struggled with depression, be more loving and compassionate? Or is this just the way of it with mothers and daughters, with parents and their children? Is it one of those things I won’t understand until she is dead and buried?

I don’t know when I will know.

The Book You Need to Have

Language of CrossingWhen the manuscript of Language of Crossing first crossed my desk, I immediately knew it was an important work which profoundly reflected upon some of the most disturbing issues concerning immigration in America. In light of recent events, the building of “the wall” and American relations with Mexico, it is even more important than ever.

Through poetry, Liza Wolff-Francis tells the stories, demonstrates the horrors, and gives a human face to those people who are so greatly affected by the immigration. The struggle continues. This is not a reflection of what is past, but a collection of what continues. If you want to truly understand the strife of the undocumented, start here.

Order the Language of Crossing from Amazon for only $10.95 by clicking here.

About the Publication:

Liza Wolff-Francis’s Language of Crossing is a collection of poetry that mirrors the true heart-stories along the US/Mexico border. Giving face, voice and humanity to all those who make their way across fronteras, her work is that of a necessary endeavor. She writes of a reality that must be ignored no longer. It is the struggle, strife, and violence that is endured by those who flee their country in hopes of a better life. Her poems, brutally honest and minute, rouse compassion as all good poetry must and begs the question of accountability. Language of Crossing is a political outcry, a finely tuned collection of endurance of a people, and a passionate advocacy for all to take notice. Wolff-Francis is a real activist planting poetic prayer flags across the vastness of a desert.

Reviews from Amazon.com:

By Francois Pointeau

“In Brownsville there’s a hundred
stash houses where they keep the immigrants
once they’ve crossed over in north heaven.
The coyotes take their shoes from them,
take their clothes so they don’t run, keep them
behind locks. Quiet. Callados.
En silencio, until the next trek
on into the land of the free.

(from the poem “In Brownsville there’s a stash house where they keep the immigrants”)

The poems in Language of Crossing by Liza Wolff-Francis will break your heart. Is this the America we live in? Yes it is. Is this the way we treat the poor and the needy? Yes it is.

Whatever happened to: “Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!” –The New Colossus, by Emma Lazarus

These words have become the Myth of America. Wolff-Francis brings the tragedy, the reality of the true faces of the immigrants to life, not the myth…she paints us a picture of what is going on right now on our southern borders. She gives individuals crossing our borders a human face, a human heart, and a human longing for a better land, a better place, a simple place where you can raise your family without the fear of death at every corner. And for many of these immigrants, what they find is everything but. Wolff-Francis doesn’t pull any punches. What she writes about, we can not ignore, we can no longer turn a blind eye to. This is an important collection of poems, and you need to read it.

By hanginwithlewis

I’m so glad I was able to get a copy of Language of Crossing. As I’ve been listening to NPR and hearing about humanitarian crises in Africa and the Middle East, I’ve kept wondering at how strong our national political policies must be, that we turn a blind eye to what’s happening at our threshold. Before the book launch reading at La Resistencia Bookstore in Austin, I knew there were people crossing the border, and many if not most of those journeys did not have a happy ending. But I hadn’t realized there was a humanitarian crisis in progress, so I feel that I’ve at least had my eyes opened in a way that allows me to look at what’s going on more critically and realistically. Not that I’ve saved any lives yet, per sé, but I’m glad to be able to read about your perspective, rather than only hear the President’s. And the found poem that opens the collection, “Border Trauma,” is still haunting me months later.

LizaHeadShotAbout the Author:

Liza Wolff-Francis is a poet and writer with an M.F.A. in Creative Writing from Goddard College. She was co-director for the 2014 Austin International Poetry Festival and a member of the 2008 Albuquerque Poetry Slam Team. She has an ekphrastic poem posted in Austin’s Blanton Art Museum by El Anatsui’s sculpture “Seepage” and her work has most recently appeared in Edge, Twenty, unseenfiction.com, Border Senses, and on various blogs. As a social worker, she has worked with Spanish speaking immigrant populations for twenty years. She wrote the play “Border Rising” from interviews with undocumented Mexican immigrants in Los Angeles. She currently lives in Albuquerque, NM.

New Release from Swimming with Elephants Publications

book-cover22
Poetry by Gigi Bella
Available at Amazon for 12.95

This is Gigi Bella’s first full length collection of poetry. Encompassing many of her most popular performance pieces and a few new additions, this collection is a perfect representation of her current accomplishments as a young writer.

Pick up a copy today to help her get to WOWPS 2017, and don’t forget to leave a review on Goodreads and Amazon.com.

GiGi Guajardo//{gigi bella} is an award-winning poet, musical theatre actress, and educator of the arts. She recently earned the title of Albuquerque’s Woman of the World 2017 representative. She was named a group piece champion at the 2016 National Poetry Slam and a National Semi-Finalist at the 2013 National Poetry Slam as a member of the Albuquerque Slam Team. She is a student at the University of New Mexico pursuing a bachelor’s degree in American Studies with a Theatre minor. She loves marshmallows, sparkling purple lipstick, and Wes Anderson movies. She continues to be a hopeless roma

Coming Soon: 22 by Gigi Bella

flip-2GiGi Guajardo//{gigi bella} is an award-winning poet, musical theatre actress, and educator of the arts. She recently earned the title of Albuquerque’s Woman of the World 2017 representative. She was named a group piece champion at the 2016 National Poetry Slam and a National Semi-Finalist at the 2013 National Poetry Slam as a member of the Albuquerque Slam Team. She is a student at the University of New Mexico pursuing a bachelor’s degree in American Studies with a Theatre minor. She loves marshmallows, sparkling purple lipstick, and Wes Anderson movies. She continues to be a hopeless romantic.

Our Year, Our Future

YouMustBeThisTallFront CoverThank you to everyone who have followed Swimming with Elephants Publications and to all those whom we met in 2016.

This year meet with some rocky times, and SwEP did not escape some of that downfall. We slumped in sales which lead to fewer publications than in past years. We had to end our quarterly anthology series due to lack of funds and low submissions. Also, a powerful project, entitled “Woke,” fell through which lead to disappointment for this Editor in Chief.

Quitting SmokingHowever, the year can not be denied some excellent successes. We have had some amazing author’s join our Parade including Wil Gibson, SaraEve Fermin, and Jennifer E. Hudgens.

One of our most popular titles, They Are All Me by Dominique Christina, has been picked up by the Women’s and Gender’s Studies, Sociology, Public Health, and Gender/Cultural Studies Department at Simmons College in Boston, MA. Also, one of our authors, Manuel Gonzalez of …But My Friends Call Me Burque, was named ABQ Poet Laureate and continues to perform prolifically around the New Mexico.

We also continue with our charitable causes by participated in putting together anthologies for All Access and Voces, an ABQ based youth program. We continue to work closely with various members of the community to create publications to spread awareness and give the youth a voice.

Most importantly haven’t gone bankrupt yet and are hopeful that we will be able to fund future projects.

51aybmbjcsl-_sx311_bo1204203200_The new year looks promising with an upcoming release from Gigi Bella, a chapbook contest guest judged by Jessica Helen Lopez, along with some other hopefuls projects peaking around the corners.

We have also started a new monthly feature series and have already received a grip of submissions. Learn more about this series here and keep those submissions coming.

If you are one of our authors, please remember that your success does depend on your hustle. We will support you in every way possible, but the best (and most profitable) way to get your books into people’s hands is to place them there yourself. Share your work publicly by booking features or mini tours.

If you are one of our readers, please continue to check out our latest publications and submit reviews to Amazon, Goodreads, or send us a review for the website. We are always looking for more reviews and more readers.

Thank you to all for your support. We will be seeing you in 2017.

 

Looking for a Little Inspiration?

interactive writing journalSometimes we all need a little inspiration in our journaling and creative writing endeavors. If you are feeling a little stuck in the mud, check out Swimming with Elephants Publications Interactive Writing Journal Vol 1. More than just a book of blank lined pages, this journal includes various prompts and challenges to inspire and affect your writing. Expect a new Journal 2-3 times a year.

The Interactive Writing Journal is available through Amazon and is priced as close to cost as allowable in order to give more value to the writer.

You may also consider ordering the Interactive Journal for a creative writing class or writing workshop. For discounts on bulk orders, contact Swimming with Elephants Publications directly at swimwithelephants@gmail.com. Use “Interactive Writing Journal Bulk Order” in the subject line for a quicker response.

Any proceeds from this publication will be donated to the New Mexico Coalition for Literacy.

 

It’s ALIVE

Now Available: You Must be This Tall to Ride

by SaraEve Fermin

Now available on Amazon.com, SaraEve Fermin’s second full length collection, You Must be This Tall to Ride. Order your copy today and keep your eyes open for the official book release happening soon.

What is being said about You Must Be This Tall to Ride

YouMustBeThisTallFront Cover“This is how I make myself better. Measure flour, sugar, room temperature butter,” is one of the many fantastic lines from the roller coaster of emotions that is, You must be this tall to ride. SaraEve has found a way to to make us laugh while crying. The last time I felt like this is when we when SaraEve and I were baking our emotions in an oven and then sticking our heads in to see if it would make our poetry better. Thanks SaraEve. And thanks Sylvia Plath.

-Thomas Fucaloro poet: Depression Cupcakes and Mistakes Disguised as Stars

My God, this book. Thank you. My God. I loved it. The brilliance and tissue-tender resilience of (Fermin’s) words show the reader a beautiful brutality. The tears of joy in my eyes made it painful, if not impossible, to read each page more than once.

I am grateful for this experience.

– Sam Bassam, international performance poet and activist

In her second book, “You Must be This Tall to Ride” SaraEve Fermin does hard work with that which so many poets avoid; the poems here are not merely “how I got through/behold my strength” but rather, the nuanced and measured stories that happen after life’s big moments. In defiance of a life filled with so many “one-step-back” erosions, she shows us how simple actions can be the victories that enable us to move one-step-forward; she shows us how everyday, just-showing-up love means more, in the long run, than capital L fireworks ever can.

-Ryk McIntyre, performance poet, editor and author; After Everything Burns

So often in poetry collections, we read work that bear witness to the conflict, whether that be Poet vs. The World, Poet vs. Nature, or even Poet vs. Themselves. However, in You Must Be This Tall To Ride, we’re gifted with a unique perspective – namely, what happens after the battle is fought? Contained in these pages are poems that bear witness to the afterwards; to the fighter, post-victory & battle-wearied, who must carry on with their lives, with matters of day-to-day existence. If we consider the myth of Sisyphus, cursed for eternity to push the boulder up a never-ending hill, then we must look at this work as an exploration of what may have been, had Sisyphus ever found a way to finish his task.

– William James, author, rebel hearts & restless ghosts

CLICK HERE TO ORDER YOUR COPY TODAY!

RIGHT NOW! DON’T WAIT!

 

About SaraEve Fermin:

13417398_10209760937403890_1827274899169128038_n
SaraEve is a performance poet and epilepsy advocate from northeast New Jersey. A 2015 Best of the Net nominee, she has performed for both local and national events, including the 2013 Women of the World Poetry Slam, the Epilepsy Foundation of Greater Los Angeles 2015 Care and Cure Benefit to End Epilepsy in Children and as a reader for Great Weather for MEDIA at the 2016 NYC Poetry Festival on Governors Island. You might have met her volunteering at various national poetry slams. A Contributing Editor for Words Dance Magazine and Book Reviewer at Swimming with Elephants Publishing, her work can be found or is forthcoming in GERM Magazine, Yellow Chair Review, Drunk in a Midnight Choir and the University of Hell Press anthology We Can Make Your Life Better: A Guidebook to Modern Living, among others. Her second full length anthology, You Must Be This Tall to Ride, will be published by Swimming with Elephants Press in fall 2016. She believes in the power of foxes and self-publishing.

Learn more: http://saraeve41.wix.com/saraevepoet

She loves Instagram: SaraEve41

Coming Soon: You Must be This Tall to Ride

YouMustBeThisTallFront CoverSo often in poetry collections, we read work that bear witness to the conflict, whether that be Poet vs. The World, Poet vs. Nature, or even Poet vs. Themselves. However, in You Must Be This Tall To Ride, we’re gifted with a unique perspective – namely, what happens after the battle is fought? Contained in these pages are poems that bear witness to the afterwards; to the fighter, post-victory & battle-wearied, who must carry on with their lives, with matters of day-to-day existence. If we consider the myth of Sisyphus, cursed for eternity to push the boulder up a never-ending hill, then we must look at this work as an exploration of what may have been, had Sisyphus ever found a way to finish his task.

William James, author, rebel hearts & restless ghosts

 

Coming Soon: You Must be This Tall to Ride

YouMustBeThisTallFront Cover
“In her second book, “You Must be This Tall to Ride” SaraEve Fermin does hard work with that which so many poets avoid; the poems here are not merely “how I got through/behold my strength” but rather, the nuanced and measured stories that happen after life’s big moments. In defiance of a life filled with so many “one-step-back” erosions, she shows us how simple actions can be the victories that enable us to move one-step-forward; she shows us how everyday, just-showing-up love means more, in the long run, than capital L fireworks ever can.”

Ryk McIntyre, performance poet,

editor and author;  After Everything Burns

Meet SaraEve Fermin

13417398_10209760937403890_1827274899169128038_nSaraEve Fermin is a performance poet and epilepsy advocate from northeast New Jersey.  A 2015 Best of the Net nominee, she has performed for both local and national events, including the 2013 Women of the World Poetry Slam, the Epilepsy Foundation of Greater Los Angeles 2015 Care and Cure Benefit to End Epilepsy in Children and as a reader for Great Weather for MEDIA at the 2016 NYC Poetry Festival on Governors Island.  You might have met her volunteering at various national poetry slams.  A Contributing Editor for Words Dance Magazine and Book Reviewer at Swimming with Elephants Publishing, her work can be found or is forthcoming in GERM Magazine, Yellow Chair Review, Drunk in a Midnight Choir and the University of Hell Press anthology We Can Make Your Life Better: A Guidebook to Modern Living, among others.  Her second full length anthology, You Must Be This Tall to Ride, will be published by Swimming with Elephants Press in fall 2016.  She believes in the power of foxes and self-publishing.

Learn more: http://saraeve41.wix.com/saraevepoet
She loves Instagram: SaraEve41

Book Review: Observable Acts


Observable ActsObservable Acts: A Collection of Poetry

By Kevin Barger
Review by SaraEve Fermin

     This is a public service announcement to all my future
lovers
Come prepared…

I have a great appreciation for poets who hold nothing back in their writing, for poets who say exactly what they mean, who write narratives of their own heart and life.  The opening lines of Kevin Barger’s first collection of poetry do just that—let you know that you are holding not just a story, but a personal storytelling, almost a bloodletting.  In Public Service Announcement, Barger goes on to let readers know he has-

     …looked into the core of your soul
And found a light there
That they wish to make brighter.

Barger, a North Carolina native, has divided this collection into eight Observable Acts, which come together in the final poem of the book.  Each act sets the tone for the following section and covers a wide scope of topics including love, lust, sexuality, race and economics.  Most importantly, it is a study in words, and how we apply them to ourselves and others.

Observable Acts #3 bring us poems of love lost and what we can learn from them.  In Lessons, Barger brings Faith into the practice of love, something that people often forget that is missing but necessary–

This is a poem for those
Who have loved
And lost,
And wished to God they had never loved at all.

It is easy to forget that Barger was once a performance poet, as his writing is so sincere and does not seem to target a specific audience.  Still, there is a cadence that can be recognized here and there, a familiar pattern of words, a rhyme scheme that is not overt but flows throughout some of the poems, a graceful dance.

Love is a lot like religion
It requires faith to grow;
Belief I had plenty of
But faith I never showed.

In Lullaby, Barger states very clearly- ‘I don’t want to write this poem.’  It is the bloodletting that I mentioned earlier.  Some ghosts eat at us, fester and kill from the inside out.  Poetry is a balm for the soul because it so often allows us to create small wounds and let these ghosts out when necessary, allows us to create bonds with others and let them know they are not alone in their experiences and trauma–

I don’t want to write this poem
but I do want to tell this story
For the cathartic numbness to quiet
The pain of the child locked in me
And that child wants to write this poem
To be his lullaby
Not for the applause
Or for the scores
But for a thousand voices in a harmony of understanding
And he will sleep…

…I’ve said all the words.

Still, Barger apologies repeatedly for crimes of love and nature, crimes one cannot be charged for committing—crimes of the heart.  He apologies for a childhood he did not choose, and later, in Dear First Crush, he apologizes for the crime of wanting what one can never have.

I’m sorry for my wide eyed stare
And unwanted finger messing up your hair
But I swallowed my lungs every time you were near
Forcing my voice into
A mold that my misguided 18 year old self thought
Might somehow change you
Into the embodiment of my family

Observable Act #5 speaks to the climate of today’s society, is the most powerful of the micro-poems in the book, both as a writer and a human.

A shot
Destroyed a boy’s life
I cried
And then I wrote
And then I screamed

This micro-poem is followed by the poem Little Brother, a poem dedicated to Lawrence King, who died at age 15, victim of a hate crime for being openly gay.  He was shot to death in his computer lab by a fellow student, only 14 years old.  Barger writes–

We have grown complacent in imagined normalcy
They gave us a cable channel
And we felt equal
In a world where the phrase
That’s so gay
Is thrown around in everyday conversation
To deride that which is inferior
And the word faggot is justified by those
Who claim not to be homophobic
By announcing they just use it as a term for those they don’t
like
We have failed you

Barger insists on celebrations—celebration of the self, of love and acceptance, of who we are in this world.  He talks about life in North Caroline, a stifling upbringing and a straight-jacketed town where there is only one normal.  Still he proclaims that we are who we are, that we sing high praise to what we are made of and to stop fighting both the self and each other.  How else can we overcome tragedy if we don’t learn to celebrate ourselves and others?

Amen to all the heterosexuals.
Amen to all the homosexuals.
Amen to all bisexuals
Amen to all transsexuals
Amen to all try sexuals
Amen to all people
Of all sexual orientation

For God is all love…

…A philosophy based solely in belief and hatred
Has no right proclaiming who I should love
-Amen

With Focus, he tells the reader to cast all doubt aside, to understand that lust is not so much an animalistic act but a human one, something that we return to—the touch, the need to connect to others, the way another person can level you with just a look.  Yes, sex can be a drug, but who are we to deny the need for companionship, the need to feel a warm body on the coldest nights?  Barger brings all these questions to light, surfaces the needs that drive us to unnamed faces and beautiful but sometimes devastating acts.

Focus on me now
And I’ll focus on you
Turning attention to the warmth of another body
In order to melt the chill of loneliness
That dragged me from bed
To bar
Then back again

Not all of these poems are a celebration.  There is mourning and loss scattered throughout the collection, a reminder that this is a fully fleshed manuscript, not a one sided conversation about buzz-worthy topics.  In the graceful but haunting Dementia (In Memory of Katherine), Barger uses repetition to echo the loss of memory and relationships one encounters when dealing with persons living with the disease that steals so much–

It’s lunch time now
And she wheels herself down the white halls
To the dining room
Forgetting that we spoke
But she’ll be back at my desk
In a couple of hours
And we’ll do this again

And it’ll be the first time I’ve heard it
Through all of this, Barger wants you to remember that we are all human.  That there is a thread that connects us, from the blood in our veins, the air in our lungs, the love in our hearts and the emotions that drive our every impulse, we are connected in our humanity.  Barger strives to remind us of this, no more so in the poem Fingernails

And in our shared am-ness
We represent a universe
Constantly growing
And trying its best to shine
Light in its own darkness
By creating stars
And planets
And hearts

Observable Acts is an honest and refreshing collection of poetry.  It is a reminder that touch is necessary, that with just a few words, so much can be said, that we are here to do more than just observe.  It is a reminder that the mere act of being present is a celebration.

 

Book Reviews by SaraEve Fermin:

SaraEve is a performance poet and epilepsy advocate from New Jersey.  A 2015 Best of the Net nominee, she has performed for both local and national events, including the 2013 Women of the World Poetry Slam and for the Greater Los Angeles Epilepsy Foundation 2015 Care and Cure Benefit to End Epilepsy in Children. The Editor in Chief of Wicked Banshee Press, a Contributing Editor for Words Dance Magazine and Book Reviewer for Swimming With Elephants Publications,  her work can be found or is forthcoming in GERM Magazine, Words Dance Magazine, Drunk in a Midnight Choir and the University of Hell Anthology We Can Make Your Life Better: A Guidebook to Modern Living,, among others. Her first full length book, View From The Top of the Ferris Wheel, will be published be Emphat!c Press in 2016. She believes in the power of foxes and self publishing.  Learn more here: http://saraeve41.wix.com/saraevepoet

Saltwater Under Brittle Sky: A Review by SaraEve Fermin

Saltwater

Saltwater Under Brittle Sky: A Chapbook of Poetry
Lori DeSanti

A Review by SaraEve Fermin

 

They say that we are made of about sixty percent water, give or take.  Some of us more—babies, men, maybe water signs.  Imagine a world of blues and greens.   Close your eyes, water everywhere—lapping at your feet, falling gently into your cupped hands, misting gently to envelop your face.  Water warm and gentle, water cleansing and bright.

Lori DeSanti’s Saltwater Under Brittle Sky is a lot like taking a walk through a  sun shower on your own island, like waiting for the clouds to break and dry any wet that remains on your cheek—from dew to tears.  This collection of poems is compact but beautiful, unpretentious in their succinct on page presentation.  Each of the nineteen pages is no more than two pages long, and the collection is small enough to tuck into a back or inside coat pocket, a collection asking to be read in the open air, under trees and next to running streams.

In ‘The Artist’, DeSanti manages to capture the sharp beauty of South Shore, Bermuda.  She gives the cove a personification that renders this land ancient and begging to be discovered, reminding us of how small we are in God’s palms-

…hurricane
god cupping teal water in his palm as it

dripped in big gulps from his chin.

There is a vein of darkness that runs through this collection, shadows that hide among the breeze.  These poems temper the lightness of DeSanti’s work; keep the poems from floating away.  The ‘Brittle’ of the title can be found in ‘Disclosure’-

I am full of sin and it’s growing.
How can you not know what
I’ve let his hands make of me?

Still, we return to water, like a stream empties into the ocean, like tears evaporating.  There is a reminder that sadness can be all encompassing, that sorrow can be the beginning of healing-

Sometimes the rain is cathartic—sometimes I find myself
drowning in a puddle without even getting wet.

-The Continuum

LoriThere is a triumph to this collection, my favorite part.  There is a reminder that in the mess of a struggle sometimes you have to ground yourself.  Sometimes the only thing that you have to rely on is yourself.  DeSanti reminds us that survival is attainable by metamorphosis, like in ‘Metaphor’:

We can grow scales in
the darkness or we can forget
there is venom building
up

in our teeth.

DeSanti reminds us to revolt against the water in our bodies.   This brave collection carefully examines relationships with the earth, the self, with love and with her wild ocean heart.  For who are we if not people constantly thrown into a current of emotions, forced to navigate the waters of humanity, each of us paddling our own boat madly, looking to make a connection with another?  DeSanti reminds us that there are islands out there, waiting to be inhabited and perfumed with love.  All you need to do is reach for them.

Let the ocean beat you
down to size.  It teaches us.

-Bury That Moment

Saltwater Under Brittle Sky is available now from Swimming by Elephants Publishing. Order from Amazon here.  To learn more about the author visit loridesantipoetry.wordpress.com.

 

Book Reviews by SaraEve Fermin:

SaraEve is a performance poet and epilepsy advocate from New Jersey.  A 2015 Best of the Net nominee, she has performed for both local and national events, including the 2013 Women of the World Poetry Slam and for the Greater Los Angeles Epilepsy Foundation 2015 Care and Cure Benefit to End Epilepsy in Children. The Editor in Chief of Wicked Banshee Press, a Contributing Editor for Words Dance Magazine and Book Reviewer for Swimming With Elephants Publications,  her work can be found or is forthcoming in GERM Magazine, Words Dance Magazine, Drunk in a Midnight Choir and the University of Hell Anthology We Can Make Your Life Better: A Guidebook to Modern Living,, among others. Her first full length book, View From The Top of the Ferris Wheel, will be published be Emphat!c Press in 2016. She believes in the power of foxes and self publishing.  Learn more here: http://saraeve41.wix.com/saraevepoet

Book Review: GNARLY

There is beauty in breathing razorblades and exhaling a painted sunset as delicate as it is too much to behold; that’s what Danielle Smith accomplishes in her first publication, GNARLY. And “gnarly” is the perfect description of Smith’s words as she takes you for a rollercoaster through first loves and heartbreaks, all playing out like a soundtrack under the visual madness of a New Mexico skyline. Smith has lit a match that burns just as bright as one of those remarkable sunsets.

And she manages to set the reader on fire, too, turning your heart into the campfire that might light the night as she whispers in your ear bittersweet-everythings; because this is the human experience. It is raw, gritty, soiled, messy, gnarly. From the truth showcased in teenage romance, in poems such as Minerals and Freckles, to the raw and heartfelt honesty of (His) Tie Dye and Making Nothing Out Of Something, Smith manages to take the reader down a new route where so many have tread before. She’s just wearing new shoes and holding a machete, fierce as a bleeding heart, to bushwhack her way through the bramble of her own thinking.

Her book reads like an indie record, but you want everybody to hear this one. Other poems, like Super 8, showcase true artistry, peppering the reader with hidden messages like whisper-kisses, finally ending on the “title track”, Gnarly which is everything and nothing you’d expect upon reaching the end: all madness, all frantic, all knees knocking, lip biting, nail scratching grit.

Overall, both deeply touching as it is a shock that such a young voice could carry so much wisdom and experience.

Her book, as with all Swimming With Elephants Publications, can be found online on Amazon and goodreads, where you can leave a review for this up-and-coming brilliant poeta.

 

Welcome Dominique Christina and her Latest Publication “They Are All Me”

Dominique Christina

DC Bio PicDominique Christina is a mother, an educator and an agitator born and raised in Denver, Colorado 40 years ago. She holds two Masters degrees in English Literature and Education respectively. A licensed educator, Dominique taught in the Denver and Aurora Public school systems in Colorado for ten years, directed college prep programs and taught in an adjunct capacity at Community College of Aurora and Metropolitan State University of Denver. She believes that words make worlds. In the slam world (competitive poetry) Dominique began in 2011. That same year she won the National Poetry Slam Championship. In 2012 she won the Women of the World Slam Championship. She won it again in 2014. She’s the only person to win that honor twice.

She is a Rocky Mountain Women’s Institute fellow. Her work has appeared on TV One’s season 3 Verses and Flow show. She has performed with Cornel West and was an invited guest to Washington DC to read her poem “Emmett Till” for the Till family and the parents of Trayvon Martin, a young man who was killed in Sanford, Florida. Her first book of poetry, The Bones, The Breaking, The Balm, was published by Penmanship Books 2014. Her second book, a collection of poetry, essays, and writing prompts, is set for publication in October 2015 by Sounds True Publishing. Her work also appears in numerous literary journals, anthologies, and magazines and has been featured in Huffington Post and Upworthy several times.

Dominique’s family was critical in the civil rights movement. Her aunt Carlotta Walls-Lanier was one of nine students to desegregate Central High School in Little Rock Arkansas. Her grandfather was a shortstop, Hall of Fame baseball player for the Kansas City Monarchs in the Negro Leagues before baseball was integrated. When he left, Jackie Robinson, who would later go on to integrate baseball, took his place. Dominique’s mother, Professor Jackie Benton, is named for Jackie Robinson. She is mother to four wildly expressive children who never use inside voices…ever. But they are the raw material of possible and give her plenty of reasons to praise.

Best Selling Chapbook: Storm by Kristian Macaron

download (2)Storm
Poetry by Kristian Macaron
Available at Amazon for $10.95

Cover Art by Gwendolyn Prior

Kristian Macaron’s first chapbook of poetry features her various experiences in New England during the midst of some of the most powerful storms to pass through in the last several years. Her poetry is raw, honest, and revealing. This is a wonderful for collection for anyone who has experience the confusing effects of natural disaster as well as those who may have never had such an experience.