Weekly Write: “What is Precious is Never to Forget” by Bill Nevins

Publisher Note:

The team at Swimming with Elephants Publications was greatly saddened to hear of the passing of one our authors, Bob Warren. We are dedicating this week’s Weekly Write to a poem by Bill Nevins which honors him.

To learn more about Bob and his poetry, head over to: https://swimmingwithelephants.com/2019/12/18/r-b-warren/

What is Precious is Never to Forget

Eulogy or Elegy for the Living Poet, Ever Near this Poor Man’s Ear

Dear teacher Stephen Spender taught me long ago
“Near the snow, near the sun, in the highest fields . . .
The names of those who in their lives fought for life . . .
And left the vivid air signed with their honor.”
Soour poet of Litanies Not Adopted singed and signed the air here with his fierce honor
His love of life, of even poor Christ
Whom he saw in every parched or vibrant face he found
In this weary land, in Detroit City, and in this dry desert town.

As Donne told us the toll sounds for each however mean
SoBob preached love too would ring in us every one
If we found that buried note that stream
It might be blood of the lamb, flowing free in our deeds
It might be only buried deep in our unborn seeds
It might need be wrested forth
By words of fire, touch of light, fury, oh cold star- light.

Bob wrestled with God, he did, and surely still does,
and no holds barred.
When and where none but angels saw.
No one won. None lost. The Holy Ghost, Bob’s second, called a draw.
“Why dost thou hide thyself in clouds
From every searching Eye?”
With Blake, Bob challenged the coy deity to Be HERE Now!

I think the sky god only laughed and saw itself in the house of store among the lost,
In the mirror of Bob, son of man, and knew revelation needed no more
Knew no airy sky god need be found when Bob and such walk solid ground.

But that’s just me, agnostic mystic disrespectful American rebel son.
I would not mess with Bob nor Barbara, armed lovers ever, love in arms.
And that warning applies to the god of grief, that holy thief-
-Don’t mess. Best, just bless.
And move along, now, Daddy-O. You done your best and worst.
Bob abides. Bob never hides.
Bob may go, but Bob is here, right here. We know.

Ah won’t Detroit howl and mourn when they hear?
Ah won’t Sonny that strong hero of Motor City laugh and cry for the tall brave man called Whitey X—who knew Black Lives Matter deep in his heart and needed no one to tell him so?
And won’t this second tier rhymester raise his beer, shed a tear?
And won’t sweet Jesus smile to know that Bob is near? Always near.

Bill Nevins grew up Irish Catholic near and in New York City in the 1950’s and 60’s. He moved to northern New England and raised his three children, one of whom, Special Forces SFC Liam Nevins, died in combat in Afghanistan in 2013. Bill has lived in Albuquerque, New Mexico since 1996.

 

 

Weekly Write: “The Sunflower Song” by KilhaPoetry

The Sunflower Song

I dreamed that I stumbled upon a field full of giant sunflowers
And lay my head there down to die.
While the heavens gathered up all their stormiest rain clouds
That fell from the tubular sky’s.
Too great was my sadness to fight.
Too lost to the tragedy now begun.
Alone in my field full of sunflowers
With no life to wish to carry on.

I dreamed that the earth consumed me.
My wretched body decaying outwardly in.
Until there was no memory of my presence or being
And no one could remember even who I had been.

I dreamed that sunflowers grew wilder and strong,
Their mighty stalks growing thicker with height.
They grew into the horizon and up into the sky’s,
There petals looming with grandiose might.

Cocooned in my deathly slumber,
From the peace in which I now lay.
A curiosity stirred awaking a part of me,
A part no earthly death could just wash away.
And deep in that place of unexistance,
deep in my transient state,
I felt such heavenly beauty
Breath new life into the loneliness place.

Adrift on the wings of salvation,
With courage retuning and restored.
I marvelled at the world so vivid and true
With enough beauty and love for us all.
Now in my field full of sunflowers
that mourned for the life I couldn’t save,
I dreamed of a love to unfold without tragedy.
Without fearing loss or fear itself to be the reason for blame.

I dreamed that I died in a field full of sunflowers,
With such beauty that I had never seen.
And deep in my field full of awesome giant sunflowers,
I’m rebirthed each night in my dreams.

 

MMKilha is a London born poet with Egyptian and English/Irish heritage. She started writing when she was very young as a way of processing and surviving an abusive environment. She says, “I started writing because I couldn’t talk about what was going on. I wasn’t trying to be creative, I just needed a way to communicate”.

She has continued to use it as a method of reflection ever since. 

With a back catalogue of work big enough to fill her garage, she only became public in 2017 after a friend encouraged her to overcome her insecurities being dyslexic and having ADHD.

She says the impact of writing means she no longer feels the need to apologise for herself; “If people like the work that’s great. I’m over the moon when my words speak to another person but if they don’t, that’s fine too. Since being open about these issues I have received so much support from other dyslexic writers who tell me how much my honesty has meant to them.”

MMKilha is currently in her final year of her Masters in Childhood and Adolescent

Psychotherapy working with children from abusive backgrounds to help them make sense of their own stories though creative interventions. 

MMKilha performs independently on the London spoken word scene as well as with the @Poetical_Word collective  poeticalword.org providing them with a vital Therapist in Residence service for their outreach programmes.

For a selection of her work or to get in contact she can be found on Instagram @kilhapoetry. 

Please feel free to get in touch.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “Habitual Healing” by Timothy Kelly

Habitual Healing

The body has a way of remembering
the habits that we create.

Some call it muscle memory,
While others say they are instinctual,

Like the way I hold her hand:
With mine covering her thumb and index finger

Because my hand is so much larger.
We can’t hold them any other way,

It doesn’t feel right otherwise.
One day, I drove the streets I knew

Remembering the charred house
That has been replaced.

I can still feel the dresser, the carpet,
And the heat on my back

As I searched the way since I was taught:
Crawl, Reach, Sweep. Crawl, Reach, Sweep.

Habits are created because they’re obvious
And they are easy.

The dishes are easier to place in the sink
Rather than wash them right away

And laundry is best left in the basket
Because who actually has time to fold it?

Flaws are simple to infuse into my thoughts
because they stare me in the face

Who wants to have a scavenger hunt
For the things they like about themselves?

Habits are a thought process
Built over time, cues and triggers

A call for help, is a call for help,
No matter where you are.

Which is why “off duty” does not exist
And work does not stay at the office.

The back of a plane simply
becomes a much smaller ambulance

The whining engines now sirens
Descending upon our destination

This does not mean that you cannot change
But that it needs to become more obvious.

Gradual steps create new patterns
on a journey to a reward:

Acceptance, that overflowing dishes are okay
Laundry will be folded in time

That you are okay the way you are
And you will become who you need to be

 

Tim is a Healing Artist, social worker and volunteer Firefighter/EMT. As an Introvert trained to appear extroverted, he creates to share in the human experience with you and is always interested in hearing your story.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: 2.0 by Sahar Fathi

2.0

Today, midday
While walking down the street
I inhaled and smelled Iran
And for a moment
I forgot my people were
Banned 2.0
Travel restricted
With bills pending for
Sanctions
And preemptive force
To rain bombs
On my cousins
For a moment
I forgot the hate and
Instead
I smelled the honeysuckle
In my grandmother’s front yard
And I was
Transported to the bazaars
Filled with people
Who look like me
Who tweeze one eyebrow
Into two
Like me
Who can pronounce my name
Properly
People descended
From poets like Rumi
And super hero attorneys
Like Shirin Ebadi
For a moment I forgot
My blood shot eyes
And my pounding headache
From restless nights
And aggressive headlines
Spewing lies
For a moment
I was just me
Unapologetically
Bound between two countries
Me

Previously published in ‘ARTS by the People’ on March 21.

Sahar graduated from the University of Washington Law School and is a member of the New York bar. She also earned a Masters in International Studies from the University of Washington, and graduated cum laude from the University of Southern California with a dual Bachelor of Arts in French and International Relations. Additionally, Sahar attended the Sorbonne Université in Paris, France from 2003-2004 and received a diploma in International and European Law from the Université Jean-Moulin in Lyon, France in 2008. She has served as adjunct faculty at both Seattle University and the University of Washington School of Law. Sahar is a past president and co-founder of the Middle Eastern Legal Association of Washington, as well as the founder of its Legal Clinic – the first Middle Eastern Legal Clinic in the country. She is a past board member for the ACLU, the Northwest Immigrant Rights Project, and the UNA – USA. She is a current board member for One America Votes. She has been published in the Seattle Journal for Social Justice, the Seattle Journal of Environmental Law, and the Gonzaga Law Review. Her poetry has been printed in ‘Writers Resist’ and the ‘Writers Resist: Anthology (2018).’ It has also been featured in the Feelings journal and Not Your Mother’s Breastmilk. Her favorite Persian dish is Fesenjoon, and in 2016 she finally mastered her Tadiq technique.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “Predicated” by M. Eileen

Predicated

now I sit
with eyes on my wrists
thinking they’re real
thinking they’ll heal
protect and deflect all
ill will, thinking
they’re true, swallowing
pieces of light, staining my smile
and I have to fight battles
that are not easily won.
I fight. and I win.
repeat. repeat. repeat again.
and I do not rest.

so the words bursting from my mouth
volcanic with syllables
and traceable soundwaves
heavy vowels and consonants
slipped and hissed are
suitable signs of a life that’s alive
slightly displeased with boundaries.
blanched like a cloud,
stained with scars of blood vessels, ruptured,
raw my voice creases like
fistfuls of paper
I am swallowing sobs and
choking in the process
my timing precise
I don’t desire condolences while
wishing the guilty the worst

nothing protects against villainy
stomach revolts from hypocrisy

 

“Predicated” was previously published in S/tick.

M. Eileen writes near water. Her work has been featured in Hanging Loose, Monkeybicycle, and others. She can be found @m_e_g_writes.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “Brown’s Legacy” by Amoja Sumler

Brown’s Legacy

“Fouding Fathers” are the school lunch
today. The patriotism was a bit salty
but the homies were bred on fatback
so we just added hot sauce
and slurped it down anyway.
John took eight years of spoonfuls and walked away hungry
for the flash of the D-boys,
’cause they were ’bout dat ‘rithmetic,
and a little homie had to get paid. He lurks late.

The rest of us stayed
juxtaposed between firm expectations and indoctrination,
Between “I can not tell a lie”, and “I have a dream”
between uniform day and my brother’s passed down shoes.
High I.Q.’s mean little to attention starved kids on test day.
The homie Rob is an alarm startled eye. I am an empty belly.
Mike is field tripping acid,
We are a collective: failing.

Teacher does what she can
a mumble of breath & disappointment.
We bring her apples anyway,
(by way of confiscated smart phones).
The science lesson today was “matter”.

We learned.
We don’t.

A current resident of Washington, DC. Amoja Sumler is a nationally celebrated poet and social activist known for fusing the art of the intellectual into the familiar. As “The Mo-Man,” he has headlined spoken word festivals such as the Austin International Poetry Festival, the Bridgewater International Poetry Festival, Write NOLA in New Orleans and Rock the Republic in Texas. A member of Arts in Education rosters all over the South for over a decade has seen Amoja serve as a 5 time Poetry Out Loud final judge and an artist in residence to universities and literacy nonprofits across the country. Amoja has also presented at social advocacy conferences like Long Beach Indie Film Pedagogy Conference and Furious Flower as a panelist with The Watering Hole.

Currently pursuing an MFA at the University of Baltimore, he graduated from the University of Arkansas in Little Rock with a Bachelor of Arts in English/Creative Writing a William G. Coopers English Scholar and a Ronald McNair Fellow. H has dedicated himself to the concepts of knowledge, action, and voice.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “The Cuff of That One Sweater” by Mycah Miller

The Cuff of That One Sweater

one day in our future I’ll paint for you in a room filled with more color than I can see right now and you’ll come in to greet me and after we’ve kissed hello we’ll realize I left paint on the collar of your favorite shirt and I’ll laugh and you’ll sigh and I’ll tell you not to worry because in all these long years I know now to paint only with that that can be washed away, I’ve learned now the importance of solubility because what good is love if it doesn’t teach you how some things need to be dissolved sometimes in order to savor the self-professed blessed and you’ll remind me of that one sweater that I have with paint on its wrist in an entirely different color than your new additions but you’ll call it the same anyway and remind me how you’ve learned that while you’ve loved this holy thing you’ve always seen how my ink bleeds seem to leave behind more than I think they will and this too, is a type of compromise.

 

Mycah Miller is a Santa Cruz, CA-based poet, artist, and student, and most recently was a member of the 2018 Legendary Collective Slam Team, the winners of the 2018 Southwest Shootout held in Albuquerque. She currently attends SJSU as an English major. She creates art as an escape from and commentary on the outside world in a continuous attempt to both understand and connect with others. Her poetry is done on whatever paper, napkin, or phone is closest, and her art is done with various materials in various places in various bursts of sudden inspiration. In her free time, she can be found not writing enough, drinking tea, and riding her motorcycle(s). Her work is a protest, a love letter, and a canvas she has weaved herself thoroughly into. She can be contacted through her facebook page “Mycah Miller Art,” Instagram @MycahMillerArt, or emailed at mycahmillerart@gmail.com.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “Bloodletting” by Rene Mullen

Bloodletting

When someone bleeds
the brakes of a car, nobody asks
“What’d you do to your arm?”

When a levy is drained
to keep the floods from destroying
that which it protects, nobody
says, “Hey, you know that ain’t healthy.
That ain’t natural.”

Painting on your body is both beautiful
and telling.

When I see a new tattoo
I praise the artist savior
keeping dams from giving in.
I thank the still breathing canvas
for allowing the pressure
to be bled out.

I thank my lucky stars
at least one more canvas
knows there’s a difference
between drawing out dark pigments
and tearing the canvas apart.

Rene Mullen is managing editor for a public relations company in Albuquerque, a performance and traditional poet, and a mental health advocate. Mullen is also one of two 2018 Albuquerque Slam Champions and member of three slam teams that have been on multiple regional and national stages. Their poetry and fiction has been featured in Peachfish Magazine, Poetry Quarterly, 50 Haikus, and Stronger Than Stigma: Poetry from the 2019 Mindwell Poetry Slam Team. Their poetry focuses primarily on mental health and family.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “Red Mist” by Scott Wiggerman

Red Mist

Home is but a footprint
hardened deep in his heart.
Not a word from family
since he left Georgia for Texas
two decades ago as a teen,
not a chance he’ll seek them out—
pride tenacious as nutmeat to a shell;
his disease, the stain on the fingers.

Some nights his ache for love
is so labored, he wakes
with blood on his tongue,
a sour excretion on the sheets.
He lies for hours in moonlight,
a barren stretch of rock,
watching clouds murk away the glow.

Mornings, with arms
that can barely lift his torso,
with legs unsteady without a cane,
he stumbles to the bathroom
and slouches naked before a mirror.
Though the flesh is sexless,
a patchwork of sags and sores,
he puckers his lips
like a grand Southern belle,
stares disaster in the face,
and reaches for his favorite lipstick.

 

Scott Wiggerman is author of three books of poetry, Leaf and Beak: Sonnets (finalist for the Texas Institute of Letters’ Helen C. Smith Memorial Award), Presence, and Vegetables and Other Relationships; and editor of several volumes, including the best-selling Wingbeats: Exercises & Practice in Poetry (I & II) and three anthologies of Southwestern poetry, most recently, Weaving the Terrain.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “49 years of bargaining” by Scott Ferry

49 years of bargaining

8: I don’t believe in Santa Claus anymore, so why
should I believe in you? Old man with a white beard
holding a stick. One has a red coat, one has a golden coat.
I know my dad doesn’t think you are real.
Are you also the God of aliens? Of dolphins?

12: I will have better luck in a swim race if I do good things,
like pick up gum wrappers, discarded A & W cans
on the pool deck before the race. I don’t care
if people think I am weird if it makes me go faster.
God, that race did not feel different, it felt terrible.
I did those things and I didn’t better my time. Where did I get
the idea that God rewards good deeds? I’m never doing that again.

17: There has to be something more
than just praying to get things. Everyone
is so focused on their chicken sandwiches, or their car’s new rims,
or their Ivy Leagues. I am rarely lucky and I have to grind
my ass off in the pool to get a scholarship and maintain a 4.0
and try to ask out Katy but I know she doesn’t like me
because I look like I am 14. I roll the rock up…

18: The sky is clicking and the incense tastes
like lemon lavender and the asphalt ripples under my legs.
How do I speak with this LSD silvering my sinuses?
When do the doors open to see the Grateful Dead?
The sky blooms inside veins and cherry stems pulse.
Someone looks at me and she looks like God with echo pupils.
I was wrong. Every molecule springs with words.

21: I can’t have a baby now. Please, whatever Old Man
with whatever robe. Forgive me. I am going to ask her to end it.
I will have to find money. She cries, I harden and dry in the parking lot
next to her car. I know people do this. I never thought I would be one.
Now I have something to cut off my body to repay.
I bury my reasons for praying. I promise nothing.
I blame and remember, even though I leave myself for a while.

24: Father, you are going. Where? I saw you deflate
as I gripped your shoulder. Your presence around me
deafens the blinking machines and crow-call alarms.
Let him go, nurses. Let him go to wherever he is going.
He rejoins where nothing can be broken.

28: I have tried to open every image for my students
by reading novels out loud, by using all of my light
to shine out until, Lord, my liver and lungs and kidneys
lie empty as damp shells and my hands shake.
This is not why I came here, is it?

35: My wife cheated on me
and I have been a good husband and she loves someone else.
God damn you! Why did I love and waste years?
We did laugh but she never wanted to have sex.
Why didn’t I realize? Why, God, did I have to witness
every vow starve on the ends of wires?

36: This glowing girl? She is interested in me?
The starlings bring each crushed bit of wing into
a bright body, three hundred birds turn in unison
over the rocks of the jetty at Westport,
our feet red and brown in the evening sun.

41: Nausea and waking to a well
that bounds with heartbeats. If this anxiety persists,
I don’t know if it is feasible to continue.
Why did you place me in this terrible workplace?
Do I believe in you enough to blame you?
I cannot reason with the howling and thrashing. I cannot eat.
This is the only time I don’t want to live.
And every morning I wake again.

42: My daughter, pink twisted scream of glass
coming out of her uterus and into our hands.
Thank you, God. I can’t swallow all the passion.
Our boat tips in the swell, tears and milk pour off the deck.
I forgive by virtue of drowning.

45: The screen cracks because of my addiction.
All lies open and darken our new house,
the windows full of flies, the basement and attic
full of rats chewing on our bonds like spies.

46: I will clean and promise again.
Salt into gums, rat feces under nails.
Years of telling the real truth
and tearing the groin from its fixations.
My love, my God, all the soiled covers come off the words.
I did this myself, God. Don’t take credit.

49: Pregnant again?
I don’t know whether to curse you or praise you
for delivering on our wishes so quickly.
Please God, let the child be healthy and whole.
I won’t tell you what I am willing to sacrifice to make that so.
You might just demand it.

 

Scott Ferry helps our Veterans heal as an RN. He has recent work in Cultural Weekly, KYSO Flash, Slippery Elm, Prometheus Dreaming, and many others. He was a finalist in the Write Bloody Chapbook Contest in 2019. His first collection The only thing that makes sense is to grow comes out in January 2020 from Moon Tide Press.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “The Dimensions of Your Soul” by Gary Beaumier

The Dimensions of Your Soul

Your body ate itself in your final days
temples hollowed as
food diverted to your lungs
the doctor said it’s like drowning
–shallow panicked breaths–
morphine pumps to soothe your passage
administered by your children
I kissed your forehead
and told you I loved you
hoping it would get past the drug haze
so you’d take my feeble expression
with you

Then I drove to open spaces
and followed a braiding of clouds
at the far edge of the lake
that made me think of your spine
when I washed your back a week before
each knot of clouds
your vertebrae
I watched you join the sweep of sky
as it made its procession North
to a dark unpeopled land
elk herds migrating across starlit tundra
and you there in all of it
I spoke to the moon that took your face
and the constellations that outlined you
and this time I felt like you could hear me…

 

Gary Beaumier has a degree in English Literature from the University of Wisconsin-Milwaukee. He has been a finalist for the Luminaire Award for his poem titled “Ten Cents” as well as the Joy Bale Boone Award for his poem “The Migratory Habits of Dreams in Late Autumn”. His chapbook “From My Family to Yours” has been published by Finishing Line Press. His poem “The Rio Grande” was nominated for the “Best of the Net” award and he won first prize for Streetlight Magazine for his poem “Night Train to Paris.” He was a finalist for the New Millenium Writings for his poem “From Certain Distances in Space I Still See My Brother”. He was recently shortlisted for the Charles Bukowski contest from Raw Arts Review for his poem “Ghosting”. He has been a teacher, a bookstore manager and a gandydancer for one summer a long time ago. He used to build wooden sailboats.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “Adrift” by Gina Marselle

Adrift

I lost a world the other day.
Has anybody found?
You’ll know it by the row of stars
Around its forehead bound.
—Emily Dickonson

an entire moon cycle of loneliness
colliding in quiet array.
Standing here, inside an art gallery—
in a room, full of people—
she’s holding a cup of ginger tea,
a page of poetry.

She looks brave.

She’s in a box
trapped
inside a midnight sky without stars.

Over there—
a lone cottonwood stands
on the banks of the Rio Grande.
It looks strong, capable of holding common ravens
or shading a weary runner.
But if you touched it, it is hollow inside.

How can one explain
loneliness
to someone who has never felt alone?

You can’t, it’s one of those things that
can’t be explained.
When wrapped in anxiety
or depression
or anything, categorically.

There isn’t anything more sad
than in bed with a pristine white,
goose down comforter over her head
imaging her coffin nailed shut.

NPR’s headlines don’t help.
The divide of the country doesn’t help.
The lost souls of immigration don’t help.
Her husband fighting alcoholism doesn’t help.
You’d never know the sadness
felt inside her battle.
Unless she wrote about it
and read it out loud.
Allowed the words
to blast the page.

But only if she does that.
She’s vulnerable, alone on a stage.

an entire moon cycle of loneliness
colliding in quiet array.
Standing here, inside an art gallery—
in a room, full of people.
She’s holding a cup of ginger tea,
a page of poetry.

She is brave.

Gina Marselle resides in New Mexico with her husband and children. She is a teacher, poet, and photographer who happily owns a rescue horse and dog. She has published a number of poems and photographs in many local anthologies and has a full length published book titled, A Fire of Prayer: A Collection of Poetry and Photography (Swimming with Elephants Publications, 2015). Please find more information about Gina’s work from her publisher at https://swimmingwithelephants.com/ and/or follow her on Instagram @gigirebel.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “Tommy Gun Boy” by Haolun Xu

Tommy Gun Boy

Haolun Xu

it’s a remarkable thing, to see a town that trusts.
i come in to thame street with all the shining people
wearing my dirty yakuza-suit and my face looking like a tommy-gun.
i’m the only foreign man, walking through this area and i pass by white families
that all collectively wear the same khaki flag. and yet,
they don’t see me in their happiness.

now within the town is a small building by the sea, and to my horror i can walk right in.
i don’t need an invitation, so i waltz in,
where the small staircases lead to a beautifully empty library.
it’s a demonstration by the whole town,
because who would steal or ruin such dusty and venerable naval books,
and alongside the library is a small room with no people in it.

when i walked in i notice pillows on the floor and gasped,

gasped because it’s a room for praying and it’s open to everyone.
who owns this room, i say out loud, a ghoul lost within a safe-house –
who takes it upon themselves to make such a small study,
an altar within a library
within a town
within a person’s heart
within a person to violate in privacy

 

Haolun Xu is 24 years old and was born in Nanning, China. He immigrated to the United States in 1999. He was raised in central New Jersey and is currently studying Political Science and English at Rutgers University. Transitioning from a background in journalism and activism, he spends his time between writing poetry and the local seashore.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “I’m holding our memories alone, and suddenly they are so heavy” by Frankie Kubena

I’m holding our memories alone, and suddenly they are so heavy

We stopped talking in the same way I quit smoking; eventually you must outgrow the toxic thing. I don’t think of cigarettes much since quitting, but sometimes when walking by someone who is smoking, I breathe deeply. In other words, I still love you, but at times when you weren’t around, I forgot you ever were. If I have to be a type of lonely, this is as good as any. And, if someone had to die, lord knows you tried hard enough. When I found out, the first thing I did was smoke, and I haven’t stopped since. What is mean is; my head is still spinning, and I am tired of breathing you in. Grief is less how I imagined it would be, more hysterical laughter. Sometimes it is smiling at apologies and saying “we weren’t that close,” and sometimes it collapsing. It is no explanation. It is picturing what your body must look like now, and wondering if it is any different than the ghost I used to know.

 

Frankie Kubena is an emerging performance poet based in New York City, currently a college student at Pace University. Their style of poetry could be described as nonconventional and I write in freestyle. Kubena grew up in several European cities and their work is created through a multicultural, feminist lens. View Frankie’s blog at frankiespoetry.com.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “Adobe Fires” by S.A. Leger

First published in Issue 8 of 2 Bridges Review, Summer 2019

Adobe Fires

Used to sing a song about him, maybe hum. Used to serve it
around Bridge Street, call him Leatherface or some such Ruthism.
Used it wrong again, didn’t I? Anyhow, he made ends meet
butchering hogs for corporate cook-outs & whittling—assisting
kids with whittling I mean. And lighting fires. ‘Dobe fires. Blest,
canonized with not one but two sickly wives & never, not once

breathe anything but pure lemon-sweet oxygen. I, the always
embers, I, the tongue that licks the clay. Hold me up, eighty-twenty
aspen shrapnel/help-wanted ads from the Sentinel, show me wretched
objects & I’ll show you the void that falls in line behind chastity
behind you. Your shadow and its void. It’s void & I’m the vacuum
that clears a room, fills it with smoke. I am feared, I am not alive

in 37 years did ole Deeprivers stay home. He lit fires. He lived
for that shit. Sometimes he walked back alleys collecting—when
pigs fly, we’d say, he’ll stop lighting ‘dobe fires—anyhow, he held
prob’ly six stems of dried tumbleweed, squeezed his fists, split
his knuckles just about. Walking alleys with stickers making love
to his leaking capillaries. See, tumbleweeds weren’t tinder. Hallowed

but empty, not really there at all. Unless you channel back, magnify
original thermodynamic laws. Then hold me. Then feel my record
sear. Lace up wounds from thorns. Cauterize the matrix of fish &
wasps forming new scar tissue as we speak. Perhaps I am never
the real enemy of white blood cells, plasma—at least, less selfish
than an infection. In my dreams they call me a fever, now disease

fuel for his fires, but again, never tinder. Maybe sagebrush feeds
his fires. I’m not even sure sagebrush will burn. He might’ve invoked
god’s favour by lighting those fires because he was carving up
a good piece of dirt with ash. No city folk ever complained. Exist
is all he did—that’s just ole Dinosaur bones—skin ratcheted certain
to the canyon walls of his sternum. Shirtless. There. Genderless

but not as shapeless as I appear. White then choked red with sex
with magnesium & minerals that colour me like water. Sustained
doubled by dry crackling splintering empty cellulose matter, not
once silent. Not once. I am all mouth & all teeth & all spit—sacred
tongue. I’ll take no credit for my discovery. You found me, ignited
my pain. I am all face, anguished with soot & you never have

mated with those sickly wives or wolves or the black starless part
of the night & of air-nursed sustenance & of exhaled dwellings.
Where is he now? Haven’t you heard a word I said? Frozen-holy

 

S.A. Leger is a biologist and writer from Colorado. After studying zoology and English at Colorado State University, she spent time researching the flora and fauna of Tasmania, of the islands of Puget Sound during her masters, and for the last six years, of Newfoundland. Leger currently works as a biology instructor at Memorial University.

Weekly Write: “To Keep Away Crows Feet” by Tyler Dettloff

To Keep Away Crows Feet

I watched a dozen red wing black birds
fight over a single maggot in the church parking lot
as funeral barkers repeated the priest.
The birds smeared that crawler into a grease
to bake on the blacktop. Maggot resin
waxed their beaks. Soon I will gather fiddle head ferns
and place their fuzz on my tongue.
I thought about paving my driveway,
left it dirt instead.
I won’t reseed the lawn either.
I can smell the bog’s breath.
Thickets are not fallow.

Last winter I crept to the crawlspace
slept away four moons. When I awoke
I could only stomach tubers and a few berries.
But I wanted meat in my mouth.

Mayflies hatch and we tie bait
to match. Fingertips gaunt and sharp
from feathers and thread, a tight quilt
knit to moisten trout tongues.
Fly rod flits cast spells over swamp streams.
I do not understand trout rising in the thaw
but I damn sure know the comfort
in the underbelly of a bog.
Worms and maggots ask questions
all winter long between roots and decay.
I plug my ears with mourning dove songs.
I tilt with the earth away from the sun.
Together we burrow blindly
like voles chase winter grubs.

If we traveled like birds we’d grow fat and pretty.
My hands would soften.
I’d moisturize my crows feet and fallow heart.
At every funeral I’d say the same thing.
I’d knead spruce sap against my gums
and ask the needles to have mercy on my tongue.

 

Tyler Dettloff is an Anishinaabe Métis, Italian, and Irish writer, professor, musician, gardener, and water protector raised on the edge of the Delirium Wilderness. He currently lives in Gnoozhekaaning (Bay Mills, Michigan) and teaches College Composition at Lake Superior State University. He has earned a B.S. in English and a dual track M.A. in Literature and Pedagogy from Northern Michigan University. His work has been featured in Voice on the Water, Crab Fat Magazine, and Heartwood Literature Magazine. Mostly, he enjoys walking along rivers with his wife Daraka and through swamps his dogs Banjo and Fiddle.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “Afterlife” by Anna M. Spears

Afterlife

After he passed, I saw him
Born in a field of dormant corn
Amid papery stalks and a gentle breeze
A shadowed sunset with too heavy clouds
Faded mile markers on Old 16
Smiled at him through the window and knew
The air smelled of tears
I breathed it in anyway.
A flicker of wings and a toss of hair
Dancing with fireflies into the twilight
Lighting the way with tiny iridescent bulbs
Betraying leathery wings tinged with gold

It’s not so scary now, I think
This fragile peace permeating the ground
The darkness closing in
Betrayed by the blinking
The sorrow and fear and anger and disbelief
And you knew. Something in you knew.
How could you?
Your tear would unravel the whole fabric,
Bare us to the wind chill.
In a moment it was gone
The air, calmed and lighter, and something
Something is there, and I know it
Hiding in the field among the tall grass and hay bales
The dried out reeds swaying to the bird song
And I found myself in the back seat
We are the only car here for miles
Stopped at a traffic light.

Anna M. Spears is a poet with a bachelor’s degree in English with a specialty in Creative Writing from Denison University in Granville, Ohio.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “rest here” by Zoe Canner

rest here

i always approach
the person in the

room who holds
the least power

and turn my
hands into a cup

and listen to them
& try to hear

and turn my head
at an angle and

turn my shoulders
down and my

sternum inward &
try to bow

and turn my nose
into a swamp & try
a silence

and turn my cheeks
into a great plain &
try to lift

and turn my
forehead into a

contemplative
landing pad for
hands & fingers

rest here

and turn my eyes
into still waters
and turn my mouth
into a brace
a carriage

i care
i care

 

Zoe Canner’s writing has appeared or is forthcoming in SUSAN / The Journal, Naugatuck River Review, The Laurel Review, Arcturus of the Chicago Review of Books, Storm Cellar, Maudlin House, Occulum, Pouch, Indolent Books’ What Rough Beast, and elsewhere. She lives in Los Angeles.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “John Muir Sprains his Ankle” by Scott Ferry

John Muir sprains his ankle

I landed oblong on that fawn-shaped round of granite
by the Yosemite Creek, just down the path from my cabin.
Thank God I did not injure myself 20 miles from here
down Bridalveil Creek. But I would have made it back,

by the grace of the elderberry, service berry, wild cherry
and would have had to thump deliberately through
the sage with a numb limb. Reading Emerson
doesn’t help directly with the pain, yet being able

to float upward, distinct from my frame
to list willowy in the black oak and afternoon
scent of incense-cedar, this can be useful.
When I write about light, I don’t know if I am understood,

nor believed. People can see the swollen club
of my naked ankle, people can understand agony,
seeing many thousands slaughtered by this
country tearing at itself, not civil at all. People

can steal, can be stolen from; can hold an infant,
can weep as their mother slides away. But most
cannot comprehend joy and glory to the degree
of breaking, straining the daily thought forms apart

until the capsule cracks. Saint Teresa and I
recline on these sheepskins, listening to God’s
blood run through the cabin floor and the ferns
reach to the light and twine together.

And when the peregrine swings down and sears
its vibrating laugh across the valley the glow
from inside of the white fir stretches into the
air around it and weaves with the glow of elk

of sequoia of raccoon until it bathes the entire
flight with tears. This is too uncomfortable, the weeping.
I have been attempting to describe it in words,
as the letters open like moths and drift

into this same glory, unseen.

Scott Ferry helps our Veterans heal as a RN. In former lives he taught high school and practiced acupuncture. Recent work can be found in Chaleur, Cobalt, Bitter Oleander, and Cultural Weekly, among others. His collection “The only thing that makes sense is to grow” will be published by Moon Tide Press in early 2020. You can read more of his work at HTTPS://FERRYPOETRY.COM

Weekly Write: “Pretty in a Hard Way” by Michelle Brooks

Pretty in a Hard Way

The ground moves with snakes,
and the sky bleeds red streaks,
as if the night couldn’t leave
without a fight, and all your dreams
are tragedies where no one dies,
but everyone suffers. In your past
life when you woke up hungover, you’d
think, Anything is better than this.

You were a confection, a little
dead around the eyes, the kind
of woman people describe as
pretty in a hard way. And you
refuse to go gently into that good
night. And let’s face it. Not all
of them were good ones. You don’t
care. There is nothing you can do
about it now. Gather the pieces
as best you can even if they cut you.

Michelle Brooks has published a collection of poetry, Make Yourself Small, (Backwaters Press), and a novella, Dead Girl, Live Boy, (Storylandia Press). Her poetry collection, Flamethrower, will be published by Latte Press in 2019. A native Texan, she has spent much of her adult life in Detroit.

Available on Kindle Unlimited: Nail Gun and a Love Letter

Now available on Kindle Unlimited: Nail Gun and a Love Letter by Beau Williams.

Click here to view Kindle Unlimited as well as find buying options for the paperback.

Heralding from Portland, Maine, Beau Williams describes himself as a “fairly optimistic” poet, and what better way to describe his newest collection of poetry from Swimming with Elephants Publications than as “fairly optimistic.” Bittersweet journeys to bar floors and the bottoms of bottles, Nail Gun and a Love Letter is reminiscent of beat poetry days and the pilgrimages we must take to find ourselves.

“This collection of poems alternately pierces the reader with astute and heartbreaking observations (Good Drums is a particularly devastating musing on white, male American-ness) while at the same time using evocative language to spar with and challenge the ideas of belonging and connection and love. These poems invite the reader to contemplate what it means to come from somewhere, and how it feels to long for a place that isn’t home, but could be. They invite us to see the mundane as essential, and to see and celebrate the things that connect us to our identity. The title of this collection is apt; like a nail gun, these poems violently pierce, but do so in service to building something sturdy and sheltering, and every one is a love letter to the dance that makes us who we are.”

– Sherry Frost, Educator

Click here to learn more about this collection by reading the review by Maxine Peseke.

Many of Swimming with Elephants Publications, LLC titles are now available on Kindle Unlimited. Explore additional titles on Our Catalog page.

Weekly Write: “You Are My Symphony” by Adriana Estrada

You Are My Symphony

I hear you loud and clear
not obtrusive or ear-deafening
not at all like a three -man band

at first

just small notes
when you walked into my life
I didn’t know music could be made so easily
like every laugh, sound and noise
you made
was part of an echo.
like you made sure
that every note could only be heard
by me.
audience for one.

the chimes came in first

suddenly
your joy
and how you make the room listen to you
as if you were the concert master
and your baton was the way
for the air waves to direct music
to only my ears

then came the woodwinds

your likes
and dislikes,
the swiftness and easy-going attitude from a relationship
then came the brass
every factor that comes with new beginnings,
unexpected surprises,
and the early stages of
“look at me, love me!”

every note is different

and by what you play
and how you play it,
brings me that much closer to you

then come the strings

like a piano,
you create soothing melodies that I fall into peace
at first note

like the cello,

you show me man-made strength
that requires all of you
at all times
you don’t show me hollowness or emptiness
instead,

your music keeps playing-

in the crevices of my heart I didn’t know existed
in the most profound hallways to my soul
that I have never let anyone else walk through

last come the percussion,

with bangs
with eruption
with cymbal
and pitch
I’m here.
I love you.

I LOVE YOU.

with that much intensity
with that much passion
I don’t know how you manage to play them all
I didn’t even know you could.
not that I underestimated your talents
but when you show me
how your love is just for me

I found myself without words.

I didn’t have a ticket to enter
I didn’t even have a reserved seat
yet you gave me the entire room
to hear you play
I managed to book a concierto that bears my love
in its entirety

I only came in to hear the first note
and I was given the whole symphony.

 

Adriana Estrada is a writer (poet) who uses her craft and poetry to create recollections of poetry that illustrate experiences. She is currently enrolled as a second-year graduate student at Augsburg College in Minneapolis, Minnesota under their MFA Low-Residency Creative Writing program. She is from Texas.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “This Body Will Not Carry” by Annie Elizabeth Cigic

This Body Will Not Carry

I go on long drives–childless–
a loud peace. An empty backseat,

ignoring seatbelts & airbags. No bodies
traveling at the same speed as mine.

No questions about the sky–why the clouds hang
low & heavy some days. No one to count the broken

white lines or ask why the roads light up
at dark. I drive until I see barren

landscapes–hurricanes won’t touch
this wasteland.

 

Annie Elizabeth Cigic is a poetry MFA candidate at Bowling Green State University. She teaches first-year writing and plans to pursue a PhD in Rhetoric and Composition to study how to merge creative thinking and pedagogy together. She is currently working on a poetry chapbook.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Bookwork Book Release: Mary and Aja Oishi’s Rock Paper Scissors

Mother daughter poets, Mary & Aja Oishi, read from their new Swimming With Elephants Publications collection, Rock Paper Scissors.

 

“…this collection carries both the beauty of human resilience and the searing pain of postatomic burning carnage. The poetry, like hope, is an obstinate and sturdy survivor, for ‘what could i do but write songs.’ These verses often push the envelope, asking questions that make more sense than our grammar. ‘are you out there in the stealth night on the edge of blue? listening/ are you loving me for sending you this fix of heartbreak/ slid down metal, taut and wound. electric. are you?’ …haunting, resonant odes and the rhythmic power of promises and truth, poems spread across Hiroshima and Barcelona, Laos and Albuquerque. These poems bring the world into a familial embrace, but spit out the naked power of truth, both personal and political, as if it were a well-chewed chicken bone, gnawed raw. Through it all, this mother-daughter poetic duo reminds us that, in the beauty of human hope, ‘nothing sacred can be lost.’”

–Carmen Tafolla, State Poet Laureate of Texas

 

Mary Oishi has two poetic voices: one stark and simple like that of her Japanese ancestors, and one that echoes the rhythms of preachers from her upbringing by her American father’s fundamentalist relatives. Both voices sing her songs of truth and social justice. She is the author of Spirit Birds They Told Me (2011) and is one of twelve U.S. poets in 12 Poetas: Antologia De Nuevos Poetas Estadounidenses (2017), a project of the Mexican Ministry of Culture. Her poems have appeared in Mas Tequila Review, Malpais Review, Harwood Anthology, Sinister Wisdom, and other print and digital publications. Oishi is a public radio personality since 1996, most at KUNM-FM Albuquerque, where she hosts The Blues Show.

Aja Oishi lives in northern New Mexico. Her writing draws from ecology, anthropology, and the years she spent in Spain, Japan, and New Zealand. She revels in the uncaged world and makes a living (and a life) by fighting for prisoners as an appellate public defender. This is her first collection of poetry.

 

Event date:
Friday, June 8, 2018 – 6:00pm
Event address:
4022 Rio Grande Blvd NW
AlbuquerqueNM 87107

Pick up this new release from Bookworks ABQ or order from Amazon or Barnes and Noble today!

Already own a copy? Please write a review on Amazon, Barnes and Noble, or Goodreads, or submit a review to swimwithelephants@gmail.com for publications on this site.

 

Beau Williams Live in ABQ

Join New England poet Beau Williams on his Nail Gun and a Love Letter tour as he performs at El Chante: Casa de Cultura on Monday, June 4, 2018 from 7pm-9pm.

Heralding from Portland, Maine, Beau Williams describes himself as a “fairly optimistic” poet, and what better way to describe his newest collection of poetry from Swimming with Elephants Publications than as “fairly optimistic.” Bittersweet journeys to bar floors and the bottoms of bottles, Nail Gun and a Love Letter is reminiscent of beat poetry days and the pilgrimages we must take to find ourselves.

Click here to learn more about this collection by reading the review by Maxine Peseke.

The show will be at El Chante Casa de Cultura (804 Park Ave SW, Albuquerque, NM 87102) on June 4, 2018. It will begin at 7 pm with a short Open Mic, following by the featured performer, Beau Williams.

Copies of his latest release, Nail Gun and a Love Letter, will be available for purchase and signing.

You may also pick up Beau Williams’, Nail Gun and a Love Letter, from Bookworks ABQ or order from Amazon or Barnes and Noble today!

Already own a copy? Please write a review on Amazon, Barnes and Noble, or Goodreads, or submit a review to swimwithelephants@gmail.com for publications on this site.

Keep your eyes open for Beau Williams as he continues his tour across the country. He may soon be coming to a town near you!

 

 

 

 

Swimming with Elephants Poets in Public Service: Katrina Crespin

During the month of April, the City of Albuquerque created a video series called Poets in Public Service to recognize the work local poets do in the community.  Several of the poets interviewed are authors with Swimming with Elephants Publications.

Check out this video of Katrina Crespin.

She is published with Swimming with Elephants Publications as Katrina K Guarascio.

Click here to find her publications.

Click here to find Swimming with Elephants Publications on Facebook and ‘Like’ our page.

Find more videos and information regarding poetry events in ABQ at ABQtodo.com.

 

Swimming with Elephants Poets in Public Service: Mary Oishi

41tZfdBwh8L._SX322_BO1,204,203,200_During the month of April, the City of Albuquerque created a video series called Poets in Public Service to recognize the work local poets do in the community.  Several of the poets interviewed are authors with Swimming with Elephants Publications.

Check out this video of Mary Oishi.

Mary Oishi is one of the authors of Rock Paper Scissors, one of Swimming with Elephants Publications most recent releases.

Click here to find Swimming with Elephants Publications on Facebook and ‘Like’ our page.

Find more videos and information regarding poetry events in ABQ at ABQtodo.com.

 

Featured SwEP Author: Wil Gibson

Swimming with Elephants Publications, LLC would like to reintroduce to you to Wil Gibson.

Wil Gibson’s full length poetry collection, Quitting smoking, falling in and out of love, and other thoughts about death, was published by Swimming with Elephants Publications in April 2016.

Listen to Wil Gibson perform his poetry here:

Wil Gibson’s full length poetry collection, Quitting smoking, falling in and out of love, and other thoughts about death, from Bookworks ABQ

or order from Amazon or Barnes and Noble today!

Already own a copy? Please write a review on Amazon, Barnes and Noble, or Goodreads, or submit a review to swimwithelephants@gmail.com for publications on this site.

 

Wil Gibson

WilWil Gibson was born from a good idea and a bottle of bourbon and raised in some of the poorest communities in northern Illinois and eastern Arkansas. He has had work appear with Midwestern Gothic, Radius, Yellow Chair Review, Drunk in a Midnight Choir, and Electric Cereal (among others), was nominated for a Pushcart Prize and Best of the Net 2015. He would like to talk to you for hours on end about lighthouses and random other things. (also, in the interest of full disclosure, he has already started smoking again) He currently lives in California, but the locals call it Jefferson.

Featured SwEP Author: Matthew Brown

Swimming with Elephants Publications, LLC would like to reintroduce to you to Matthew Brown.

Matthew Brown’s collection, Verbrennen, was published from Swimming with Elephants Publications in January 2014 marking it one of the earliest publications by SwEP.

Listen to Matthew Brown perform a poem from his collection here:

Pick up Matthew Brown’s collection, Verbrennen, from Bookworks ABQ

or order from Amazon or Barnes and Noble today!

Already own a copy? Please write a review on Amazon, Barnes and Noble, or Goodreads, or submit a review to swimwithelephants@gmail.com for publications on this site.

 

MattMatthew Brown

Matthew Brown is a young poet born and raised in Albuquerque, New Mexico. Though relatively new to slam poetry, he has preformed alongside some of Albuquerque’s most seasoned poets, and represented New Mexico two years in a row as a member Unidos Poetry Collective at Brave New Voices. Matthew Brown’s poems expose social, racial, and economic inequalities from both a Hispanic and African American perspective.

Featured SwEP Author: Liza Wolff Francis

Swimming with Elephants Publications, LLC would like to reintroduce to you to Liza Wolff Francis.

Liza Wolff Francis’s chapbook, Language of Crossing, was published in the fall of 2015 by Swimming with Elephants Publications, LLC.

Liza Wolff-Francis’s Language of Crossing is a collection of poetry that mirrors the true heart-stories along the US/Mexico border. Giving face, voice and humanity to all those who make their way across fronteras, her work is that of a necessary endeavor. She writes of a reality that must be ignored no longer. It is the struggle, strife, and violence that is endured by those who flee their country in hopes of a better life. Her poems, brutally honest and minute, rouse compassion as all good poetry must and begs the question of accountability. Language of Crossing is a political outcry, a finely tuned collection of endurance of a people, and a passionate advocacy for all to take notice. Wolff-Francis is a real activist planting poetic prayer flags across the vastness of a desert.

 

Liza Wolff Francis’s chapbook, Language of Crossing, from Bookworks ABQ

or order from Amazon or Barnes and Noble today!

Already own a copy? Please write a review on Amazon, Barnes and Noble, or Goodreads, or submit a review to swimwithelephants@gmail.com for publications on this site.

 

Liza Wolff-Francis

Liza Wolff-FraLizaHeadShotncis is a poet and writer with an M.F.A. in Creative Writing from Goddard College. She was co-director for the 2014 Austin International Poetry Festival and a member of the 2008 Albuquerque Poetry Slam Team. She has an ekphrastic poem posted in Austin’s Blanton Art Museum by El Anatsui’s sculpture “Seepage” and her work has most recently appeared in Edge, Twenty, unseenfiction.com, Border Senses, and on various blogs. As a social worker, she has worked with Spanish speaking immigrant populations for twenty years. She wrote the play “Border Rising” from interviews with undocumented Mexican immigrants in Los Angeles. She currently lives in Albuquerque, NM.

 

Coming Soon: “from below/denied the light” by Paulie Lipman

Welcome, Paulie Lipman, to the Swimming with Elephants Publications family!

Out of Denvthumbnail_BW Promo Picer, Colorado, Paulie comes “from below” and rises to join our parade of writers.

A two time National Poetry Slam finalist, Paulie Lipman is a loud Jewish Queer poet, performer, and writer. His work has appeared in the anthology ‘We Will Be Shelter’ (Write Bloody Publishing) as well as The Emerson Review, Drunk In A Midnight Choir, Voicemail Poems, pressure gauge, and Prisma (Zeitblatt Fur Text & Sprache).

A magical individual, I’ve had the chance to share at least one meal with Paulie in a group setting during the 2015 Denver 40 oz. regional slam; from there, I can recollect Paulie’s genuine kindness, their welcoming spirit, their talent in writing and performing, their endless inspirations and ideas, and their sort of soft loudness that allows others to be heard while their voice lifts in passionate intervals. At the time, I was a “newbie” to competitive slam, but it was with that interaction that Paulie, a veteran to slam to my eyes, made me feel heard throughout the group conversation, going so far as to ask me questions personally so I might be involved in the busy-ness that often overwhelms when you’re sat at a table full of poets.

Their upcoming title with SwEP, “from below/denied the light,” is a deep exploration o317P2HxRehL._SX311_BO1,204,203,200_f addiction, sobriety, spirituality, and identity. With micro-poem interludes, Paulie captivates with self-recognized flaws from the beginning, sharing with readers:

I am a snob when I have no right to be

I judge people who don’t read

Even though I’m a recovering junkie, I have
little tolerance for current ones

I love and help those who deserve it, don’t
ask me how I determine that

Nevertheless, he shines as an example in this brutal self-recognition of knowing he may be “horrible to love”; and still, his work is so easy to fall into as he touches on subjects of his queer identity and how it conflicts with his Jewish blood, and his path into recovery as he addresses past self-destruction.

Of course, with all this to consider, as the title may suggest, Paulie’s book is not a “light” read. Combatting demons throughout, Paulie has managed to create a subtle journey into sobriety and spirituality without overwhelming in its occasional anger and the quiet sadness of providing his own funeral dirge (in a poem aptly named Dirge). And even then, there is a tenderness on the final, lamentful line (but I’ll leave that to mystery).

Beautifully worded and artfully ordered, “from below/denied the light” is available for pre-order on Paulie’s site.

You can also follow them on Facebook or catch them on Instagram.

 

Book Review: They Are All Me by Dominique Christina

They Are All Me by Dominique Christina
Book Review by SaraEve Fermin

They are all me
Dominique Christina is a woman who wears many hats—activist, poet, performer, educator, author. Emblazoned across all of those titles one word sticks out, clearer than the rest: mother. Nowhere is that more of a celebration than in her newest book, They Are All Me. Please, don’t expect a book of sing-song rhymes or lullabies. Christina is here to sharpen her tongue and pen on the rarely explored edges of humanity, dealing with race, genocide, and womanhood.

In the books introduction, Jack Hirschman describes his reaction to first hearing and then reading Christina’s work ‘…I saw PAGE, I saw BOOK—which is not usually the case when it comes to a lot of so-called Slam or spoken word poetry I’ve heard.’ What makes Christina’s work so readable and relatable is the intensity as well as the connection to content. The first poem in the book is aptly titled Summer of Violence, words that ring heavy and true in our time, cutting into the heart of what is killing us–

Your tomorrow has a bullet in it.
Ask Trayvon Martin.
Your tomorrow has a bullet in it.
Ask Jordan Davis.
Your tomorrow has a bullet in it.
Ask Michael Brown.

Christina dares the entire country to look at what it has done, to ask what is happening to all the black and brown bodies disappearing into the open mouths we call graves, guns, cells. No one is off the hook—not the president (A Letter To Obama, Which Means Nothing), not Hollywood (Bad Blood, For Whitney Houston and Her Daughter Bobbi), certainly not White Men (The Sons of Oil Men), even the Country has to answer for it’s inexcusable course in Oh, America:

I went out looking for
what you promised and
found a toothless grin,
an empty pot,
boneyard lullabies,
sweet-less shores,
witches burnt to cinder,
little black girls bombed in churches,

they are all me.

…See how incurably permanent I am.

Many of the poems in this book are dedicated to the mothers or family members of people who have been murdered for simply living. From the Civil Rights Movement to #BlackLivesMatter, Christina refuses to turn a blind eye to the cruel treatment of African Americans, will not swallow the phase ‘post-racial’ no matter what you chase it with. She remains vigilant in the struggle to keep many of these names relevant in today’s clickbait and celebrity status driven world. A mother herself, the rage she feels over these losses as well as the heartache can be felt in every carefully placed word. She examines the devastating violence of the Civil Rights Movement in poems such as Birmingham Sunday and A Poem For Coretta:

They need me to do something about it,
wrestle the past down to a fairy tale and affix
‘And they all lived happily ever after’ at the end.

It has been almost fifty years since the man who said ‘I Have A Dream’ was assassinated for sharing his ideas of tolerance and peace. Still, Christina opens her heart to those who are murdered, to the black and brown boys we are losing, to the mothers grieving. It is here we see the frustration in being so full of language and still so denied the right to speak, here that Christina howls for the mothers who have only tears. In Mothers of Murdered Sons (For Mami Till, Emmet’s Mother; Sabrina Fulton, Trayvon Martin’s Mother; and Leslie McFadden, Mike Brown’s Mother), she splits open each family drama, again drawing on the juxtaposition between violence and faith:

The prayers of mothers with murdered sons
don’t arrive in heaven anymore.
Could be they never did.
And maybe God’s a charlatan pitching pennies
to the sound of black boys
breaking the world with their bleeding.
Maybe he’s busy with more righteous indignation.
Maybe the melody ain’t right.

Intersecting motherhood and poetry is a woman, a powerful woman who can conjure up words that might make you think twice before hitting send. When an unnamed ‘Dude on Twitter’ made an offputting comment about menstruation and sex, attempting to bring shame to womanhood, Christina wrote The Period Poem, blasting all misconceptions people may have about the resilience of being female–

And when you deal in blood,
Over and over like we do,
When it keeps returning to you,
That makes you a warrior and
While all good generals know not to discuss
Battle plans with the enemy
Let me say this to you, dummy on Twitter:
If there’s any balance in the universe at all…
You’ll be blessed with daughters.

DC Bio PicBecause women ARE strong as HELL! Christina has written a testimony to the women who have been holding it together for years, women fighting for their lives, women who have lost children, women who we have lost to violence. Through each poem, no matter how brutal the content shines a core of love, a central subject that is being a woman of color in today’s world. In Improbable Bird (for Elaine Brown), Christina writes about the fight between patriarchal expectations and the need for independence in order to make change–

You were supposed to grow up to
Be one of them,
To imprison you wanderlust,
In favor of a husband and
A job that asked of you high heels
and long skirts, but you
Knew something about the madness

That revolutionaries have to keep.

They Are All Me is a reminder that the past can not remain silent. That we need to keep digging at the damage until we find the source of what is wrong and fix it, that the band-aids are not working. She addresses national crisis the so many others have shied away from. She covers Vietnam, Katrina, 9/11, Ferguson, all from a personal perspective. These poems are powerful in the way they transport you back in time, how they pulse the blood, remind you there is more at stake than just a title or a prize. Christina is writing to save lives. In No Consonants, No Vowels, she writes

Language is slippery
when you don’t use it,
when nobody speaks to you,
when no letters come.
Language is a graveyard
of carrier pigeons.

The book contains many of Christina’s slam poetry favorites that can be viewed on YouTube—Birmingham Sunday, Karma, The Period Poem, and others. It is a collection of heartbreak and of celebration. A telling of this country from the blood that runs through it, through us. Dominique Christina has given you all of her with this book. Take the gift with hungry hands.

Click Here to Order They Are All Me Today!

 

Book Reviews by SaraEve Fermin:

SaraEve is a performance poet and epilepsy advocate from New Jersey.  A 2015 Best of the Net nominee, she has performed for both local and national events, including the 2013 Women of the World Poetry Slam and for the Greater Los Angeles Epilepsy Foundation 2015 Care and Cure Benefit to End Epilepsy in Children. The Editor in Chief of Wicked Banshee Press, a Contributing Editor for Words Dance Magazine and Book Reviewer for Swimming With Elephants Publications,  her work can be found or is forthcoming in GERM Magazine, Words Dance Magazine, Drunk in a Midnight Choir and the University of Hell Anthology We Can Make Your Life Better: A Guidebook to Modern Living,, among others. Her first full length book, View From The Top of the Ferris Wheel, will be published be Emphat!c Press in 2016. She believes in the power of foxes and self publishing.  Learn more here: http://saraeve41.wix.com/saraevepoet

Manuel González

Manuel González

Mannie PicManuel González is a performance poet who began his career in the poetry slam. He has represented Albuquerque many times on a national level as a member of the Albuquerque poetry slam team. Manuel has appeared on the PBS show, Colores, in “My Word is My Power.” He was one of the founding members of the poetry troupe The Angry Brown Poets.

Manuel teaches workshops on self-expression and poetry in high schools and youth detention centers. He also works with an art therapist to help incarcerated young men express them-selves. He was also one of the coaches and mentors for the Santa Fe High Poetry Slam team from 2006-2010. Manuel is from Albuquerque, New Mexico.

His mother’s family is from Barelas. His father’s family is from a small town in Northern New Mexico called Anton Chico, and his father was the lead singer of the band Manny and the Casanovas. He identifies himself as being Chicano. The history, culture, and spirituality of his people are among his inspirations.

BurqueHis connection to his culture helps him connect to his students. Manuel teaches poetry as a means for self-expression. Looking within oneself and examining ones roots is the essence of the type of poetry he works with emotions, feelings, experiences, and prose in an historical and cultural context is the goal of his workshops. Self esteem, finding something to say, figuring out how to say it eloquently, and letting your voice be heard are just some of the benchmarks in Manuel’s workshop. Manuel resides in Albuquerque, NM with his wife and children.

For information on booking a workshop and/or performance, please send inquiries to: xicanopoet@yahoo.com.

Manuel’s publication: …but my friends call me Burque, is now available from Swimming with Elephants Publications, LLC.

“I’m proud to be from New Mexico, and to me it’s more than just green chile and desert. It’s seeing the value of famila and respect. It’s the Rio Grande valley and Santuario de Chi-mayo. It is feasts, dance, poetry and prayer.”

Bill Nevins

Bill Nevins

 

Bill Nevins grew up Irish Catholic near and in New York City in the 1950’s and 60’s. He moved to northern New England and raised his three children, one of whom, Special Forces SFC Liam Nevins, died in combat in Afghanistan in 2013. Bill has lived in Albuquerque, New Mexico since 1996.

His poetry has been published in Malpaís Review, Green Left Weekly, The Rag, Central Avenue, Sage Trail, Adobe Walls, Más Tequila Review, Special Forces Charitable Trust online, Maple Leaf Rag II, The Heartbreak ridgeCornelian, KUMISS, and other publications. His journalism is found in The Guardian, Forward Motion, Z Magazine, RootsWorld, Hyper Active, Trend of Santa Fe, EcoSource, LOGOS, Thirsty Ear, ABQ ARTS, Local iQ, TM Transmission, The Celtic Connection, Irish American News, An Scathan/Celtic Mirror and other journals.

Bill Nevins hosts second-Wednesday monthly poetry readings at The Range Cafe in Bernalillo, New Mexico. He can be contacted at bill_nevins@yahoo.com and at Bill Nevins on Facebook.

Bill Nevins’ collection of poetry, Heartbreak Ridge, is now available from Swimming with Elephants Publications.

 

author photo credit: Mark Fischer

Now Available: Heartbreak Ridge by Bill Nevins

Heartbreak Ridge

Heartbreak ridgePoems by Bill Nevins
Edited by Pia Gallegos
Available at Amazon and CreateSpace for $10.95.
Also available at Bookworks ABQ  and Cafe Bella Coffee and other Swimming with Elephants events.

“Heartbreak Ridge is a campfire of the resistance, a place where all kinds of poems-from jeremiads, scourgings, and passionate rants to absolutely beautiful works of love and loss-gather between its covers. Bill Nevins is a truth-teller,and what he has to tell us about the last half century of American life and politics is a matter of highly charged poetic urgency.”

~Terence Winch, author of Boy Drinkers,

“When New York Was Irish” and many other works of poetry, music and fiction.