Weekly Write: Your Mind Tricks Won’t Work on Me, Jedi by Shanna Alden and Erin Schick

Your Mind Tricks Won’t Work on Me, Jedi

There’s a kind of music
often played by the sort of therapists
who think EMDR is a panacea for everything
or by the sorts of “doctors”
who think sticking needles into you
while you consume 5lbs of raw broccoli
will cure cancer.
Slow, beatless, meandering treble
just on the mass-produced side
of spiritual
or soothing
The kind of music some executive
with a bottom line hanging over his head
engineered from a formula
of a thousand songs
someone called “calming” once.
A cacophonic story telling the sick
and the dying that
“everything’s going to be fine”

Every time I’ve been admitted to an ER
I stare in terror
at the curtains in the trauma rooms
usually some sort of pastel gradient
just on the institutional side of
easter egg
or sunset
faded towards beige
from the industrial sorts of detergent
needed to turn a biohazard
back into a privacy screen
yellowed from iodine and vein rust
The kind of durable, stain-hiding pattern
some executive, with a bottom line hanging over his head
engineered from a thousand surveys
distilling down the 5 or 6 colours
people call “calming”.
Rows of visible barriers
between the sick or dying
and the world
a cacophony
of “everything’s going to be fine”.

A story whose moral is only denial.
But the oldest fairy tales,
don’t have happy endings.

Once upon a time,
you will die.
When you die, you will be alone.
Even if you are surrounded by loved ones,
or the arms of a person you’ll call your soulmate
until the very moment you start to fade,
and start to doubt whether souls even exist.
Even if someone dies right next to you at the very same second,
in a car crash,
or an explosion, or holding your hand,
you will still go through death alone.
Alone and dying will be the last things you ever are.

And for so many people
these curtains
are the last image
they’ll ever see.
Swinging softly in the bustle
As calming music plays over a p.a.
In a hospital with a bottom line hanging over its head,
as someone whispers in their ear,
“everything is going to be fine”

 

Shanna Alden (they/them) is a queer poet, photographer, barista, and bartender living in Seattle, WA with their chosen family and a couple very soft cats. They sit on the board of Rain City Poetry Slam and consistently host weekly poetry shows.

Erin Schick (they/them) is a queer, trans, and multiply disabled social worker living in upstate New York and focused on disability justice and queer liberation. Their interests include the Pacific Northwest, women’s soccer, and sled dogs.

Find this poem and many others in SwEP’s latest release: A Duet of Dying

Now Available!

 

“A Duet of Dying is a poignant and honest approach to surviving terminal sickness, living disabled, and the constant navigation of the healthcare system of the United States. From honest confessions like remaining with somebody caught cheating “Because I was on his health insurance,” in Why Did You Stay? part 3, to the foreign and familiar feeling of not knowing yourself apart from the “alien” in Pathogen, this collection is a special one for its approach through — and more aptly: with — sickness. Then there is the raw cruelty that is given a voice so aptly in Ringtones into Dirges; here, at last, are words for the battle with collections calls for MRIs and diagnostic tests; those which are necessary to life, but the collected debt of which could easily drive somebody to death. And I think, finally, finally, here is an honest testament — of love, of life (while actively dying), of death (and still living). And wonderfully, a narrative from two powerful queer voices, who offer this bittersweet collection, so purely.”

~Reviewed by Maxine Peseke

As always, we encourage ordering the collection from the authors personally or through an independent bookstore, but the collection is also available through Amazon and other distributors.

Click here to order today!

Now Available: A Duet of Dying

The latest release from

Swimming with Elephants Publications

is now available!

 

“A Duet of Dying is a poignant and honest approach to surviving terminal sickness, living disabled, and the constant navigation of the healthcare system of the United States. From honest confessions like remaining with somebody caught cheating “Because I was on his health insurance,” in Why Did You Stay? part 3, to the foreign and familiar feeling of not knowing yourself apart from the “alien” in Pathogen, this collection is a special one for its approach through — and more aptly: with — sickness. Then there is the raw cruelty that is given a voice so aptly in Ringtones into Dirges; here, at last, are words for the battle with collections calls for MRIs and diagnostic tests; those which are necessary to life, but the collected debt of which could easily drive somebody to death. And I think, finally, finally, here is an honest testament — of love, of life (while actively dying), of death (and still living). And wonderfully, a narrative from two powerful queer voices, who offer this bittersweet collection, so purely.”

~Reviewed by Maxine Peseke

As always, we encourage ordering the collection from the authors personally or through an independent bookstore, but the collection is also available through Amazon and other distributors.

Click here to order today!

About the Authors

 Shanna Alden (they/them) is a queer poet, photographer, barista, and bartender living in Seattle, WA with their chosen family and a couple very soft cats. They sit on the board of Rain City Poetry Slam and consistently host weekly poetry shows.

Erin Schick (they/them) is a queer, trans, and multiply disabled social worker living in upstate New York and focused on disability justice and queer liberation. Their interests include the Pacific Northwest, women’s soccer, and sled dogs.

Weekly Write: “Upon this Altar” by Gina Marselle

Upon this Altar

Upon this altar for healing,
I place the morning sun with prayers blessed
by my blue glass beads rosary.

Upon this altar for healing,
I place morning meditations—
breath exhales anxieties.

Upon this altar I place time.
The yellow tinged fall morning doesn’t wait,
as the hour passes my son wakes.
He begins his list of questions,
his almost five-year-old self doesn’t rest,
and his first question, “Is today a school day?”

Upon this altar I place husband’s snores,
thankful he is safe, loved, healing—a recovering alcoholic.

Upon this altar of healing,
I place my 17-year-old daughter’s ballet shoes,
her dreams to become a pediatrician or a ballerina.

Upon this altar I place newly learned guitar chords A and E,
sore fingers and encouragement. I place this dream of playing Bach
on classical guitar into reality.

Upon this altar for healing,
I place prayers that this stabbing pain I feel in my gut
will leave. Will find remission. Upon this altar I pray that
this newly diagnosed autoimmune disease will not win.
It is invisible to everyone, but my joints, eyes, intestines are attacked.
How do I fight something unpredictable like Mount Saint Helens erupting?

Upon this altar for healing I place hope
blooming with vibrant colors of teal and opal and red—
for healing breath, life and love.

Upon this altar of healing, I baptize water
from the Pacific ocean—purify it, drench this brittle desert land
into soulful breath, healing body.

Upon this altar, I leave my animal brain that wants to flee, fight, and freeze
for my human brain that reasons, plans, and processes and move from just surviving to mindfully LIVING. Before my autoimmune disease, I took for granted sips of my espresso, dark chocolate, salad drenched in blue cheese dressing, a simple pasta dinner—now food is my enemy. For three months now, a simple diet of rice, broth, bananas—
as I battle for health. All I drink is water. It sustains me. It gives me life. It is beautiful, truly. I’m here. I’m given a chance to fight, survive, live.

Upon this alter for healing,
I place my prayer, my thanksgiving, and my beating heart.
Namaste.

© Gina Marselle
Inspired by a Writing Workshop with Poet Jessica Helen Lopez
House on the Corner Worshop

Gina Marselle resides in New Mexico with her family. She’s a high school teacher, poet, and photographer. She has a full length published book titled, A Fire of Prayer: A Collection of Poetry and Photography (SwEP, 2015). Please find more information about Gina’s work at https://swimmingwithelephants.com/. Follow her on Instagram @gigirebel.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “Adobe Fires” by S.A. Leger

First published in Issue 8 of 2 Bridges Review, Summer 2019

Adobe Fires

Used to sing a song about him, maybe hum. Used to serve it
around Bridge Street, call him Leatherface or some such Ruthism.
Used it wrong again, didn’t I? Anyhow, he made ends meet
butchering hogs for corporate cook-outs & whittling—assisting
kids with whittling I mean. And lighting fires. ‘Dobe fires. Blest,
canonized with not one but two sickly wives & never, not once

breathe anything but pure lemon-sweet oxygen. I, the always
embers, I, the tongue that licks the clay. Hold me up, eighty-twenty
aspen shrapnel/help-wanted ads from the Sentinel, show me wretched
objects & I’ll show you the void that falls in line behind chastity
behind you. Your shadow and its void. It’s void & I’m the vacuum
that clears a room, fills it with smoke. I am feared, I am not alive

in 37 years did ole Deeprivers stay home. He lit fires. He lived
for that shit. Sometimes he walked back alleys collecting—when
pigs fly, we’d say, he’ll stop lighting ‘dobe fires—anyhow, he held
prob’ly six stems of dried tumbleweed, squeezed his fists, split
his knuckles just about. Walking alleys with stickers making love
to his leaking capillaries. See, tumbleweeds weren’t tinder. Hallowed

but empty, not really there at all. Unless you channel back, magnify
original thermodynamic laws. Then hold me. Then feel my record
sear. Lace up wounds from thorns. Cauterize the matrix of fish &
wasps forming new scar tissue as we speak. Perhaps I am never
the real enemy of white blood cells, plasma—at least, less selfish
than an infection. In my dreams they call me a fever, now disease

fuel for his fires, but again, never tinder. Maybe sagebrush feeds
his fires. I’m not even sure sagebrush will burn. He might’ve invoked
god’s favour by lighting those fires because he was carving up
a good piece of dirt with ash. No city folk ever complained. Exist
is all he did—that’s just ole Dinosaur bones—skin ratcheted certain
to the canyon walls of his sternum. Shirtless. There. Genderless

but not as shapeless as I appear. White then choked red with sex
with magnesium & minerals that colour me like water. Sustained
doubled by dry crackling splintering empty cellulose matter, not
once silent. Not once. I am all mouth & all teeth & all spit—sacred
tongue. I’ll take no credit for my discovery. You found me, ignited
my pain. I am all face, anguished with soot & you never have

mated with those sickly wives or wolves or the black starless part
of the night & of air-nursed sustenance & of exhaled dwellings.
Where is he now? Haven’t you heard a word I said? Frozen-holy

 

S.A. Leger is a biologist and writer from Colorado. After studying zoology and English at Colorado State University, she spent time researching the flora and fauna of Tasmania, of the islands of Puget Sound during her masters, and for the last six years, of Newfoundland. Leger currently works as a biology instructor at Memorial University.

Weekly Write: “You Are My Symphony” by Adriana Estrada

You Are My Symphony

I hear you loud and clear
not obtrusive or ear-deafening
not at all like a three -man band

at first

just small notes
when you walked into my life
I didn’t know music could be made so easily
like every laugh, sound and noise
you made
was part of an echo.
like you made sure
that every note could only be heard
by me.
audience for one.

the chimes came in first

suddenly
your joy
and how you make the room listen to you
as if you were the concert master
and your baton was the way
for the air waves to direct music
to only my ears

then came the woodwinds

your likes
and dislikes,
the swiftness and easy-going attitude from a relationship
then came the brass
every factor that comes with new beginnings,
unexpected surprises,
and the early stages of
“look at me, love me!”

every note is different

and by what you play
and how you play it,
brings me that much closer to you

then come the strings

like a piano,
you create soothing melodies that I fall into peace
at first note

like the cello,

you show me man-made strength
that requires all of you
at all times
you don’t show me hollowness or emptiness
instead,

your music keeps playing-

in the crevices of my heart I didn’t know existed
in the most profound hallways to my soul
that I have never let anyone else walk through

last come the percussion,

with bangs
with eruption
with cymbal
and pitch
I’m here.
I love you.

I LOVE YOU.

with that much intensity
with that much passion
I don’t know how you manage to play them all
I didn’t even know you could.
not that I underestimated your talents
but when you show me
how your love is just for me

I found myself without words.

I didn’t have a ticket to enter
I didn’t even have a reserved seat
yet you gave me the entire room
to hear you play
I managed to book a concierto that bears my love
in its entirety

I only came in to hear the first note
and I was given the whole symphony.

 

Adriana Estrada is a writer (poet) who uses her craft and poetry to create recollections of poetry that illustrate experiences. She is currently enrolled as a second-year graduate student at Augsburg College in Minneapolis, Minnesota under their MFA Low-Residency Creative Writing program. She is from Texas.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Are you ready for the Weekly Write?

Starting next Sunday, January 6 2019, follow this site for a new featured work of writing every week.

The Weekly Write will post a variety of poetry and prose. Each week, read our new addition and if you like it and share it, it may be featured in the 2019 Swimming with Elephants Print Anthology.

The twenty pieces with the most “likes” and “shares” get a spot in our 2019 anthology, so don’t be shy about promoting the work you like, especially if it is your own work.

If you would like to learn more about our yearly anthology, click here to check out Parade: Swimming with Elephants Publications Anthology 2018 for the current low price of $7.95 plus free shipping through Amazon Prime. This collection features a variety of poetry from around the world and would make a great addition to any poetry lovers collection.

Tune in next Sunday and every following Sunday until October 2019, for the Weekly Write.