Weekly Write: “Tommy Gun Boy” by Haolun Xu

Tommy Gun Boy

Haolun Xu

it’s a remarkable thing, to see a town that trusts.
i come in to thame street with all the shining people
wearing my dirty yakuza-suit and my face looking like a tommy-gun.
i’m the only foreign man, walking through this area and i pass by white families
that all collectively wear the same khaki flag. and yet,
they don’t see me in their happiness.

now within the town is a small building by the sea, and to my horror i can walk right in.
i don’t need an invitation, so i waltz in,
where the small staircases lead to a beautifully empty library.
it’s a demonstration by the whole town,
because who would steal or ruin such dusty and venerable naval books,
and alongside the library is a small room with no people in it.

when i walked in i notice pillows on the floor and gasped,

gasped because it’s a room for praying and it’s open to everyone.
who owns this room, i say out loud, a ghoul lost within a safe-house –
who takes it upon themselves to make such a small study,
an altar within a library
within a town
within a person’s heart
within a person to violate in privacy

 

Haolun Xu is 24 years old and was born in Nanning, China. He immigrated to the United States in 1999. He was raised in central New Jersey and is currently studying Political Science and English at Rutgers University. Transitioning from a background in journalism and activism, he spends his time between writing poetry and the local seashore.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “Unbending” by Betsy Littrell

Unbending

Betsy Littrell

Her fingers, long and lean—
a piano player’s.

She finds her hands strumming
dark notes — adagio.

This is who I am.

The notes become wild, ferocious,
without giving her body warning — vivacissimo.

That is who I am.
She smells
blue in the air.

Fingers relax, unbending.

 

Betsy Littrell is a whimsical soccer mom to four boys, working on her MFA in creative writing at San Diego State University. Her recent or forthcoming publications include Little Patuxent Review, Adanna, San Diego Poetry Annual, The Road Not Taken, Prometheus Dreaming and Literary Mama among others. In addition, she volunteers with Poetic Youth, teaching poetry to underserved elementary students.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “An Open Letter to 5 AM” by Jessica Parascandola

An Open Letter To 5 AM

An open letter to 5 am
Dear you
You are the hour of early commuters and hungry college students
The hour of sleepy sex and
Am I still…. Drunk?
People rarely roll over and smile into the stars in your eyes
You are more regularly met with raspy groans and a marathon of snooze buttons
Dear you
You are the hour of book worms
And the last 100 pages of a six book series
You hold the lonely people of the world against your chest and offer as much comfort as you
can
Brush tears from cheeks with whispers of a few more minutes of sleep
Dear you
You are nervous
Wrapped around the comfort of the night like a child clinging to a mother’s leg
You are restless
Arms outstretched eyes wide
Fumbling in the dark
Tripping over dreams that rolled out of heads some time around three
You are sweaty palms
Swiped briskly across tangled sheets
And gasping into consciousness
Dear you
You are the hour of sitting cross crossed on the couch and rolling eyes at the news
You smell like coffee and exhaust pipes
You are full of angry crimson tail lights and bleary eyed confusion
Dear you
Thank you
For being the hour that I most easily remember the way my grandfather used to greet you
noisily
For keeping him tucked gently between his palms
And allowing me to cry for all the times he will never wake me for you
You are the hour of bittersweet memories
Of salt trails on cheeks
Of rough hands
And callused feet
The hour of sitting on window seats and wishing on stars
And hoping to God that today does not break us
You are the hour of quiet contemplation
And questioning of judgment
Of emotional breakdowns and putting ourselves back together again
Dear you
Thank you
Sincerely
Me

 

I wrote this poem after I lost people that I thought I couldn’t live without, and I had to learn how to rebuild myself without them. It was early in the morning and I was angry. Angry that I was awake and angry that I felt as weak as I did. I wrote it to remind myself to focus on the moment, to take things one step at a time and that every day has the potential to better than yesterday.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “Elegy for My Brother-in-Law” by Robin Scofield

Elegy for My Brother-in-Law

Your baby learned to wave bye-bye at lunch today;
of course, he doesn’t know what it means as he giggles
in his yogurt the day your left ventricle seized,
and you fell as you were by the kitchen sink
where you left your lighter. You left my sister,
your 13 month-old son, and another in the womb.
Your six-year relationship ends here with her holding
your hand after they pronounce you dead before
you finished falling. Your cousin Eileen is six.
She’s had her share: little brother run over by a van,
and her mother almost died after bariatric surgery.
Your baby could learn a lot about bye-bye from her.
Greg, your mother collapsed sobbing:
Oh Gregory what have you done
Oh Gregory what have you done
and more in her liturgical Hungarian.
Your father died the same way at the same age, 48.
I’m going to be a different dad this time around,
you said, the day before when you hoisted the baby
in your arms or put him on your knee as you played
piano and wrote a letter to your teenage daughter.

Robin Scofield, author of Flow (Street of Trees Projects), winner of the Southwest Book Award from the Border Regional Library Association, has poems appearing in Ponder Review, The Main Street Rag, and Mocking Heart Review. She writes with the Tumblewords Project in El Paso and attends the San Miguel Poetry Week.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “A Moth is Lying Dead” by James Redfern

A Moth is Lying Dead (Reflections on Saint Teresa)

a moth is lying dead
on the windowsill
of a rented room.

her wings are singed
and blackened
with the same sickness
ailing me.

a moth is lying dead
on the windowsill
of a rented room.

fuzzy thorax and little legs
no longer serving
a purpose
save collecting dust
blown in
through the window screen.

a moth is lying dead
on the windowsill
of a rented room.

still trying for a little more light
even as her mind
has moved on to another place,
still trying for one last fix
her wings burnt
and blackened already.

a moth is lying dead
on the windowsill
of a rented room.

the elegant patterns
of black and brown
on the backs of her wings
still visible
within the stinging chorus
of sirens’ seductive singing
telling tales of Icarian glory.

a moth is lying dead
on the windowsill
of a rented room.

lifeless and still,
no more flying and flittering
around blinding light
burning through sockets,
no more prison
inside the screen
feeling the sun from so very far away,
no more thoughts divine,
no more musing
on the way
the planets go round,
no more love
in her tiny, broken,
dusty little heart,
no more singing
in chorus with other wingéd
creatures crazy and running the skies,
no more nothing
save the final slow decay.

no more black-eyed friendships,
no more trying to score,
no more understanding
the loss of god on earth,
no more leaning into fire
until the fuzz and flesh burn off,
no more chains,
no more gravity,
no more waiting on death,
no more contemplation
of the longing
for an elsewhere messiah,
no more flying in circles
betraying subtle imperfections
as they grow ever smaller and tighter,
unflinching and closing in upon destiny
approaching the killing fire
to test the mettle of her soul incarnate
to test the truth of her spiritual love
to see how much she can take
before the burning really takes hold,
no more miscalculation,
no more blues suspended
in aching arching agony flight
somewhere between land and salvation,
no more of this,
no more moth obligations
and no more moth dues to pay,
no more got-no-place-to-land worries,
no more friends
no more expectations
no more ego
no more eyes feeding consciousness
no more living heart pumping blood
no more life
no more nothing.

the fire’s all gone.

a moth lies dead
on the windowsill
of a rented room.

James Redfern was born and raised in Long Beach, California. Redfern is a graduate of Grinnell College. His work has been published by Whizdome Press, Great Lakes Poetry Press, Transcend, Fear and Loathing in Long Beach, and elsewhere. He is the author of several novels (most recently HECATOMB) and several volumes of poetry (most recently Catfish in a Bowl Redux).

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “God and Death” by Darryl Lorenzo Wellington

God and Death

God is a long-time neighbor who you used to imagine could become a closer friend – someone that you have become accustomed to judging at a distance.

***

Death is a beautiful woman, infamous, inviolable, sans emotional  attachments. She is too beautiful for human emotions. No one remains surprised anymore. No one doubts her majestic impersonality. Strange, then, because tears, cries, and hysterical lamentations accompany her arrival.

***

Death advises. Please marry, or fall in love, or make love in fantasy to shadows lacking corporeal reality. This will lessen the disappointment, the final loss, the bitterness, at the end.

***

Be wary. Stranger.

Life, the felicitous wife; Death, the less kind, less forgiving mistress.
Love yourself less openly. If you love your wife too passionately, too intensely, too proudly, Death, the cryptic, closeted mistress, becomes jealous.

***

Death strews advice like funeral flowers.

 

Darryl Lorenzo Wellington is poet, essayist, performance artist and journalist living in Santa Fe, NM. His poetry has appeared in Pedestal, Boston Review, Matter Monthly, Drunken Boat, N+1, Yellow Medicine Review, and other places. His collection, Life’s Prisoners, received the 2017 Turtle Island Quarterly poetry chapbook award.

Submissions for our 2020 Calendar are Closed

Thank you to everyone who submitted to our Open Call for Chapbooks and the Weekly Write this year. Our wonderful judges are busy going through the submissions and we hope to have our publishing line up established by the New Year.

If you were not able to submit this time around. Keep your eye open for our next submission period, beginning in October 2020 (unless the world ends).

In the meantime, check out our latest anthology, Trumpet Call, catalog and pick up some of our publications through Bookworks Albuquerque.

Weekly Write: Paralleled by Christopher Watson

Paralleled

Chill of late-summer storms ripples from
a paralleled creek. Vermicular shadows—
elms and cottonwoods—stream-seep.

So, piecemeal, the ebony-gleam
of a cast iron pan comes to me.

An incident from childhood—one of those charged,
ferocious spats between my father and a lover-
friend. So that, the lithe and clamped-lipped
child is conjured, again: ducked spectator,
inconsequential and hardly noticed.

(Or so I’ve always assumed.)

Fucking bastard!

What my father yelled from the living room,
after hurling a skillet through a window
at his lover’s well-groomed pate.

Seven? Nine? Eight?

Ragged line of the scudding pan through fallen blossoms brings
a lost summer’s light, the lilacs’ shade and an emptiness
back to me, now—how it just remained there
for the rest of the day, unclaimed.

Its absence, the following morning:
the familiar feeling this drew: someone
shutting a door, drawing a blind.

Trees are left behind, as the car picks up speed.
Sere rift, valley—piñon-and-juniper-pocked,

                                                                           fanning out before me.

 

Though his roots are in Santa Fe, New Mexico, Chris spent his first years in Mexico City. After graduating from St. John’s College, he studied classics at post-graduate level, before moving to Barcelona’s gothic quarter, where he wrote and made organic olive oil in the countryside of Tarragona. Both of his sons were born in Barcelona to his British wife. He completed an MA in Creative Writing at Middlesex University (UK) in 2007. And since moving back to Santa Fe, in 2013, he has dedicated himself to writing poetry, having published in the Malpais Review, Pasatiempo, Silver Needle Press, Cathexis Northwest and Cagibi. He also volunteers as a translator for Somos Un Pueblo Unido and Santa Fe Dreamers Project, as well as serving on the board of Santa Fe Pro Musica and the development committee of the Rio Grande Mindfulness Institute. 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Now Available from Swimming with Elephants Publications

The latest release from

Swimming with Elephants Publications

is now available

Click the link below to order from Bookworks Albuquerque.

 

Cement

 

Sarah Menefee has helped found a Union of the Homeless in the ’80’s and currently is a co-founder of the homeless-led ‘First they came for the homeless.’ She has written articles and published poems on the homeless and their struggles in the People’s Tribune, the newspaper of the League of Revolutionaries for a New America (LRNA).

In this volume she reveals the underlying depth and compassion in her poetic pen for the most vulnerable people in this society. Her method or “style” is to epiphanize the bare fragments of perception seen or felt along the streets, and of the voices she hears there.

The reader will recognize himself and herself immediately in relation to their own fears about the possibility of becoming homeless in the richest of all the thieving governments on earth, and that’s the key to the r e v o l u t I o n a r y intent behind Sarah Menefee’s words.

 

          —Jack Hirschman

from the Introduction to Cement

          Emeritus Poet Laureate of San Francisco

          June 2019

 

Weekly Write: “The Yellow Bird” by Katrina K Guarascio

The Yellow Bird

one should not be
too careless with love

when the yellow bird perches
on fingertip, do not flick
it away; do not be crass

thank it for coming
ask it to stay

birds flutter and fly
they shift and peddle
small jerks and shifting eyes
they are not meant to keep still

let it stay

as long as it likes
and allow it the sky
when it chooses to take wing

 

A writer and teacher living in Albuquerque, NM, Katrina remains an active member of the local poetry community. She has worked as an editor for various literary magazines and small presses, along with hosting poetry workshops and producing various poetry performances.  Although her work has taken her into the realm of publishing and fiction, she continues to publish her poetry under her maiden name and keep a separation between her poetry and publishing endeavors.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

 

 

Now Accepting Submissions!

Swimming with Elephants Publications is now accepting submissions!

Whether you have a chapbook, short collection, or just a couple of amazing pieces seeking a home, Swimming with Elephants Publications might have a spot for you.

Visit our website and under the submit tab you will find our current Open Calls. The specific guidelines for each call can be viewed on our Submittable page or contact us with any questions.

We do charge a submission fee. To find out why: Click Here.

To learn more about this year’s guidelines for our Chapbook Open Call and meet our guest judges, click here. To be considered for publication during 2020 you must submit before December 15, 2019.

To learn more about the Weekly Write series for the 2020 publication year, and find out how to be our Weekly feature, click here. 

We can’t wait to read your work!

Weekly Write: “Upon this Altar” by Gina Marselle

Upon this Altar

Upon this altar for healing,
I place the morning sun with prayers blessed
by my blue glass beads rosary.

Upon this altar for healing,
I place morning meditations—
breath exhales anxieties.

Upon this altar I place time.
The yellow tinged fall morning doesn’t wait,
as the hour passes my son wakes.
He begins his list of questions,
his almost five-year-old self doesn’t rest,
and his first question, “Is today a school day?”

Upon this altar I place husband’s snores,
thankful he is safe, loved, healing—a recovering alcoholic.

Upon this altar of healing,
I place my 17-year-old daughter’s ballet shoes,
her dreams to become a pediatrician or a ballerina.

Upon this altar I place newly learned guitar chords A and E,
sore fingers and encouragement. I place this dream of playing Bach
on classical guitar into reality.

Upon this altar for healing,
I place prayers that this stabbing pain I feel in my gut
will leave. Will find remission. Upon this altar I pray that
this newly diagnosed autoimmune disease will not win.
It is invisible to everyone, but my joints, eyes, intestines are attacked.
How do I fight something unpredictable like Mount Saint Helens erupting?

Upon this altar for healing I place hope
blooming with vibrant colors of teal and opal and red—
for healing breath, life and love.

Upon this altar of healing, I baptize water
from the Pacific ocean—purify it, drench this brittle desert land
into soulful breath, healing body.

Upon this altar, I leave my animal brain that wants to flee, fight, and freeze
for my human brain that reasons, plans, and processes and move from just surviving to mindfully LIVING. Before my autoimmune disease, I took for granted sips of my espresso, dark chocolate, salad drenched in blue cheese dressing, a simple pasta dinner—now food is my enemy. For three months now, a simple diet of rice, broth, bananas—
as I battle for health. All I drink is water. It sustains me. It gives me life. It is beautiful, truly. I’m here. I’m given a chance to fight, survive, live.

Upon this alter for healing,
I place my prayer, my thanksgiving, and my beating heart.
Namaste.

© Gina Marselle
Inspired by a Writing Workshop with Poet Jessica Helen Lopez
House on the Corner Worshop

Gina Marselle resides in New Mexico with her family. She’s a high school teacher, poet, and photographer. She has a full length published book titled, A Fire of Prayer: A Collection of Poetry and Photography (SwEP, 2015). Please find more information about Gina’s work at https://swimmingwithelephants.com/. Follow her on Instagram @gigirebel.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “I’m holding our memories alone, and suddenly they are so heavy” by Frankie Kubena

I’m holding our memories alone, and suddenly they are so heavy

We stopped talking in the same way I quit smoking; eventually you must outgrow the toxic thing. I don’t think of cigarettes much since quitting, but sometimes when walking by someone who is smoking, I breathe deeply. In other words, I still love you, but at times when you weren’t around, I forgot you ever were. If I have to be a type of lonely, this is as good as any. And, if someone had to die, lord knows you tried hard enough. When I found out, the first thing I did was smoke, and I haven’t stopped since. What is mean is; my head is still spinning, and I am tired of breathing you in. Grief is less how I imagined it would be, more hysterical laughter. Sometimes it is smiling at apologies and saying “we weren’t that close,” and sometimes it collapsing. It is no explanation. It is picturing what your body must look like now, and wondering if it is any different than the ghost I used to know.

 

Frankie Kubena is an emerging performance poet based in New York City, currently a college student at Pace University. Their style of poetry could be described as nonconventional and I write in freestyle. Kubena grew up in several European cities and their work is created through a multicultural, feminist lens. View Frankie’s blog at frankiespoetry.com.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “neither are the sunflowers” by Kat Heatherington

neither are the sunflowers

under the bluegreen door
a girl is dancing
barefoot on the sidewalk,
her long white legs
in the sunlight,
surefooted,
ignoring the passersby
while her friend
plays accordion.
her brown hair & dress cry out,
it is autumn,
and i can’t believe
it’s already autumn
the maximillians
have only begun to bloom but
it’s autumn
even in the green grass
i’m not ready yet
and neither are the sunflowers
or the barefoot girl i wish i could be,
dancing
between the sycamores.

 

Kat Heatherington is a queer ecofeminist poet, sometime artist, pagan, and organic gardener. She lives south of Albuquerque, NM in Sunflower River intentional community, sunflowerriver.org. Kat’s work primarily addresses the interstices of human relationships and the natural world. Her work can be read at https://sometimesaparticle.org.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “My Body Hasn’t Been Mine” by Michelle Dodd

My Body Hasn’t Been Mine

My body hasn’t been mine
since the pregnancy test.
I can’t stop apologizing for it.
I didn’t learn what warmth feels like,
the sun doesn’t shine underneath my skin.
My body wants to apologize
for not shining from the inside out
Yet, my body is not sorry for resembling yours,
destructive and breathing,

keeping this life line alive.

 

Michelle Dodd is a spoken word artist based out of Richmond, Virginia. She has performed for TedxWomenRVA in 2016. She is a fellow of The Watering Hole Writing Retreat. She was a member of The Writer’s Den Slam Team in 2016 and 2017; a team placing among the top teams in the USA. Dodd has been published in Whurk Magazine, K’in Literary Journal, The Scene and Heard Journal, SWWIM, and Wusgood online magazine. She has self published two chapbooks of poetry in 2017. She is one of the coaches, for the Virginia Commonwealth University (VCU) CUPSI slam team for 2018, that placed 3rd internationally.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “Memories Elude Him” by Hollie Ziskind

Memories Elude Him

Preacher speaking in tongues inside his brain
I haven’t decided whether it’s a disability,
or survival skill, but he can’t remember the name

of the blue tick hound, or where to turn,
what they did for his last birthday,
in the tequila bottle with a worm

folds of cortex hold his days,
still there, waiting for him to return,
to ease them along, onto the page

 

 

Hollie Ziskind is an AWA-certified writing instructor living in Memphis, Tennessee. She’s the founder of Pen & Portal, an online outlet where people can celebrate shared experiences through the exploration of creative writing prompts. Hollie is a mother, a wife, a celebrator of life and a promoter of kindness.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “Adobe Fires” by S.A. Leger

First published in Issue 8 of 2 Bridges Review, Summer 2019

Adobe Fires

Used to sing a song about him, maybe hum. Used to serve it
around Bridge Street, call him Leatherface or some such Ruthism.
Used it wrong again, didn’t I? Anyhow, he made ends meet
butchering hogs for corporate cook-outs & whittling—assisting
kids with whittling I mean. And lighting fires. ‘Dobe fires. Blest,
canonized with not one but two sickly wives & never, not once

breathe anything but pure lemon-sweet oxygen. I, the always
embers, I, the tongue that licks the clay. Hold me up, eighty-twenty
aspen shrapnel/help-wanted ads from the Sentinel, show me wretched
objects & I’ll show you the void that falls in line behind chastity
behind you. Your shadow and its void. It’s void & I’m the vacuum
that clears a room, fills it with smoke. I am feared, I am not alive

in 37 years did ole Deeprivers stay home. He lit fires. He lived
for that shit. Sometimes he walked back alleys collecting—when
pigs fly, we’d say, he’ll stop lighting ‘dobe fires—anyhow, he held
prob’ly six stems of dried tumbleweed, squeezed his fists, split
his knuckles just about. Walking alleys with stickers making love
to his leaking capillaries. See, tumbleweeds weren’t tinder. Hallowed

but empty, not really there at all. Unless you channel back, magnify
original thermodynamic laws. Then hold me. Then feel my record
sear. Lace up wounds from thorns. Cauterize the matrix of fish &
wasps forming new scar tissue as we speak. Perhaps I am never
the real enemy of white blood cells, plasma—at least, less selfish
than an infection. In my dreams they call me a fever, now disease

fuel for his fires, but again, never tinder. Maybe sagebrush feeds
his fires. I’m not even sure sagebrush will burn. He might’ve invoked
god’s favour by lighting those fires because he was carving up
a good piece of dirt with ash. No city folk ever complained. Exist
is all he did—that’s just ole Dinosaur bones—skin ratcheted certain
to the canyon walls of his sternum. Shirtless. There. Genderless

but not as shapeless as I appear. White then choked red with sex
with magnesium & minerals that colour me like water. Sustained
doubled by dry crackling splintering empty cellulose matter, not
once silent. Not once. I am all mouth & all teeth & all spit—sacred
tongue. I’ll take no credit for my discovery. You found me, ignited
my pain. I am all face, anguished with soot & you never have

mated with those sickly wives or wolves or the black starless part
of the night & of air-nursed sustenance & of exhaled dwellings.
Where is he now? Haven’t you heard a word I said? Frozen-holy

 

S.A. Leger is a biologist and writer from Colorado. After studying zoology and English at Colorado State University, she spent time researching the flora and fauna of Tasmania, of the islands of Puget Sound during her masters, and for the last six years, of Newfoundland. Leger currently works as a biology instructor at Memorial University.

Weekly Write: “To Keep Away Crows Feet” by Tyler Dettloff

To Keep Away Crows Feet

I watched a dozen red wing black birds
fight over a single maggot in the church parking lot
as funeral barkers repeated the priest.
The birds smeared that crawler into a grease
to bake on the blacktop. Maggot resin
waxed their beaks. Soon I will gather fiddle head ferns
and place their fuzz on my tongue.
I thought about paving my driveway,
left it dirt instead.
I won’t reseed the lawn either.
I can smell the bog’s breath.
Thickets are not fallow.

Last winter I crept to the crawlspace
slept away four moons. When I awoke
I could only stomach tubers and a few berries.
But I wanted meat in my mouth.

Mayflies hatch and we tie bait
to match. Fingertips gaunt and sharp
from feathers and thread, a tight quilt
knit to moisten trout tongues.
Fly rod flits cast spells over swamp streams.
I do not understand trout rising in the thaw
but I damn sure know the comfort
in the underbelly of a bog.
Worms and maggots ask questions
all winter long between roots and decay.
I plug my ears with mourning dove songs.
I tilt with the earth away from the sun.
Together we burrow blindly
like voles chase winter grubs.

If we traveled like birds we’d grow fat and pretty.
My hands would soften.
I’d moisturize my crows feet and fallow heart.
At every funeral I’d say the same thing.
I’d knead spruce sap against my gums
and ask the needles to have mercy on my tongue.

 

Tyler Dettloff is an Anishinaabe Métis, Italian, and Irish writer, professor, musician, gardener, and water protector raised on the edge of the Delirium Wilderness. He currently lives in Gnoozhekaaning (Bay Mills, Michigan) and teaches College Composition at Lake Superior State University. He has earned a B.S. in English and a dual track M.A. in Literature and Pedagogy from Northern Michigan University. His work has been featured in Voice on the Water, Crab Fat Magazine, and Heartwood Literature Magazine. Mostly, he enjoys walking along rivers with his wife Daraka and through swamps his dogs Banjo and Fiddle.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “Afterlife” by Anna M. Spears

Afterlife

After he passed, I saw him
Born in a field of dormant corn
Amid papery stalks and a gentle breeze
A shadowed sunset with too heavy clouds
Faded mile markers on Old 16
Smiled at him through the window and knew
The air smelled of tears
I breathed it in anyway.
A flicker of wings and a toss of hair
Dancing with fireflies into the twilight
Lighting the way with tiny iridescent bulbs
Betraying leathery wings tinged with gold

It’s not so scary now, I think
This fragile peace permeating the ground
The darkness closing in
Betrayed by the blinking
The sorrow and fear and anger and disbelief
And you knew. Something in you knew.
How could you?
Your tear would unravel the whole fabric,
Bare us to the wind chill.
In a moment it was gone
The air, calmed and lighter, and something
Something is there, and I know it
Hiding in the field among the tall grass and hay bales
The dried out reeds swaying to the bird song
And I found myself in the back seat
We are the only car here for miles
Stopped at a traffic light.

Anna M. Spears is a poet with a bachelor’s degree in English with a specialty in Creative Writing from Denison University in Granville, Ohio.

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “rest here” by Zoe Canner

rest here

i always approach
the person in the

room who holds
the least power

and turn my
hands into a cup

and listen to them
& try to hear

and turn my head
at an angle and

turn my shoulders
down and my

sternum inward &
try to bow

and turn my nose
into a swamp & try
a silence

and turn my cheeks
into a great plain &
try to lift

and turn my
forehead into a

contemplative
landing pad for
hands & fingers

rest here

and turn my eyes
into still waters
and turn my mouth
into a brace
a carriage

i care
i care

 

Zoe Canner’s writing has appeared or is forthcoming in SUSAN / The Journal, Naugatuck River Review, The Laurel Review, Arcturus of the Chicago Review of Books, Storm Cellar, Maudlin House, Occulum, Pouch, Indolent Books’ What Rough Beast, and elsewhere. She lives in Los Angeles.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “John Muir Sprains his Ankle” by Scott Ferry

John Muir sprains his ankle

I landed oblong on that fawn-shaped round of granite
by the Yosemite Creek, just down the path from my cabin.
Thank God I did not injure myself 20 miles from here
down Bridalveil Creek. But I would have made it back,

by the grace of the elderberry, service berry, wild cherry
and would have had to thump deliberately through
the sage with a numb limb. Reading Emerson
doesn’t help directly with the pain, yet being able

to float upward, distinct from my frame
to list willowy in the black oak and afternoon
scent of incense-cedar, this can be useful.
When I write about light, I don’t know if I am understood,

nor believed. People can see the swollen club
of my naked ankle, people can understand agony,
seeing many thousands slaughtered by this
country tearing at itself, not civil at all. People

can steal, can be stolen from; can hold an infant,
can weep as their mother slides away. But most
cannot comprehend joy and glory to the degree
of breaking, straining the daily thought forms apart

until the capsule cracks. Saint Teresa and I
recline on these sheepskins, listening to God’s
blood run through the cabin floor and the ferns
reach to the light and twine together.

And when the peregrine swings down and sears
its vibrating laugh across the valley the glow
from inside of the white fir stretches into the
air around it and weaves with the glow of elk

of sequoia of raccoon until it bathes the entire
flight with tears. This is too uncomfortable, the weeping.
I have been attempting to describe it in words,
as the letters open like moths and drift

into this same glory, unseen.

Scott Ferry helps our Veterans heal as a RN. In former lives he taught high school and practiced acupuncture. Recent work can be found in Chaleur, Cobalt, Bitter Oleander, and Cultural Weekly, among others. His collection “The only thing that makes sense is to grow” will be published by Moon Tide Press in early 2020. You can read more of his work at HTTPS://FERRYPOETRY.COM

Weekly Write: “Pretty in a Hard Way” by Michelle Brooks

Pretty in a Hard Way

The ground moves with snakes,
and the sky bleeds red streaks,
as if the night couldn’t leave
without a fight, and all your dreams
are tragedies where no one dies,
but everyone suffers. In your past
life when you woke up hungover, you’d
think, Anything is better than this.

You were a confection, a little
dead around the eyes, the kind
of woman people describe as
pretty in a hard way. And you
refuse to go gently into that good
night. And let’s face it. Not all
of them were good ones. You don’t
care. There is nothing you can do
about it now. Gather the pieces
as best you can even if they cut you.

Michelle Brooks has published a collection of poetry, Make Yourself Small, (Backwaters Press), and a novella, Dead Girl, Live Boy, (Storylandia Press). Her poetry collection, Flamethrower, will be published by Latte Press in 2019. A native Texan, she has spent much of her adult life in Detroit.

Weekly Write: “Growth” by Daniel Perez

Growth

The sun doesn’t kiss my lips anymore
The breeze does not say hello
when it walks by on its way
to wherever it goes when it’s missed

The things I felt would never leave,
a stroke of the hand
on the small of my back,
a head of hair
splayed across my stomach,
have roots in the earth
Their stems have grown past me
into the sky and toward every star

And as those stems burn,
turning to white ash,
I dig microscopic graves
for every piece that falls back down

Stay with me in the black dirt
Stay with me and dig holes
Don’t grow,
so I can feel beautiful again.

Daniel Perez writes poetry, short stories, and plays. He currently lives and writes in Boston, where he enjoys hearing the shrill scream of the Green Line from his bedroom.

Now Available: “Sell Me Insanity” by Marcial Delgado

Swimming with Elephants Publications, LLC is excited to announce the release of “Sell Me Insanity,’ a chapbook of poetry by Marcial Delgado.

“The brujo knows that magic is not a series of complex alchemical spells or mathematical formulas, but comes from the soil, from the people around him, from the roots and connections to the earth he can draw on. This is what Marcial Delgado does with this collection of poetry. He drinks deep from the wellspring of his own history, and the ties that bind him to his community, and his people. These poems breathe with a rare magic that is at once soft spoken and fierce. This is a wonderful collection of poems from one of New Mexico’s most authentic voices.”

-Zachary Kluckman

Join Marcial this Saturday, June 22 at El Chante Casa de Cultura for the “Voices Of The Barrio: Sell Me Insanity Book Release.” This will be an open mic event so please bring a poem to share or just come and listen. There will also be a potluck. This is a free event and all are welcome.

Marcial will have copies for sale at the release, but his book is also currently available through most major distributors. Find it on Amazon.com by clicking here and it can be Primed to you by Saturday for the event.

Weekly Write: “through the cracks” by Kat Heatherington

through the cracks

once on impulse, i planted a hollyhock seed
in a crack between flagstones
near the spigot, where the swamp cooler
dripped erratically in the summer.
the first spring, it put up
four small sturdy leaves,
and i watered it whenever i remembered.
that winter came new love and large changes,
and what with it all, i moved away
leaving the hollyhock to live or die in that crack.
most of the rest of the garden
died of inattention.
two years later, i drive down that street
and glance by reflex toward my old front door,
and i can’t even see it
for the height of that deep green hollyhock,
big leaves bushing up from the flagstones,
not just alive,
but thriving.

 

Kat Heatherington is a queer ecofeminist poet, sometime artist, pagan, and organic gardener. She lives south of Albuquerque, NM in Sunflower River intentional community, sunflowerriver.org. Kat’s work primarily addresses the interstices of human relationships and the natural world. Her work can be read at https://sometimesaparticle.org.

Weekly Write: “Birth Mother” by Michelle Dobbs

Birth, Mother

“I drew my first breath,
went back to work the next day,
walked through the threshold,
and never came back.”

– A Figment Of My Imagination
 

Wednesday
September 19th, 1990
2am,
I drew my first breath,
in a room full of strangers.
No one there wanted me.

I was purged,
as if my mother was absolved from me,
as if one night stand was rewritten to just one night,
as if she was pure again,
after the umbilical was severed.

My mother,
went back to work the next day,
I was hours old.
She left,
and never came back,
for me.
I rendered her breathless.
I knew nothing,
of breathing,
just that it had to be done.

I dreamt of it as if I remember
seeing her
get out of the hospital bed,
put clothes on,
tie shoes,
kiss my forehead goodbye,
she                  walked through the threshold
not my mother,
just a passerby.

That day,
I breathed in all the goodbyes I could ever need.

 

Michelle Dodd is a spoken word artist based out of Richmond, Virginia. She has performed for TedxWomenRVA in 2016. She is a fellow of The Watering Hole Writing Retreat. She was a member of The Writer’s Den Slam Team in 2016 and 2017; a team placing among the top teams in the USA. Dodd has been published in Whurk Magazine, K’in Literary Journal, The Scene and Heard Journal, SWWIM, and Wusgood online magazine. She has self published two chapbooks of poetry in 2017. She is one of the coaches, for the Virginia Commonwealth University (VCU) CUPSI slam team for 2018, that placed 3rd internationally.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “From Certain Distances In Space I Still See My Brother” by Gary Beaumier

From Certain Distances In Space I Still See My Brother

Somewhere mother holds you against her breasts in a Chicago flat
— the war winding down —
while she warms a bottle and tests the milk on the tender of her wrist;
“you are my sunshine,” she sings.

Somewhere you sit in a quilted coat
upon a tricycle in front of a red house,
and later still your fastball hisses over
home plate into the strike zone.

Somewhere a man says we all derive from stars,
while a holy person declares we will live forever.

You still succor your fractious babies as you pace a midnight floor.

Only just now a distant planet watches you bend to help a student
or soften your embrace to your wife in the utter dark.

Somehow you glide out of a fifth floor hospital room into a painted twilight,
into streams of cars and trucks and exhaust
as your family holds your emancipated body and rides with you to the edge of life

and somewhere a medical student
peels back what remains of you
to learn the human clockwork.

 

Previously published in Third Wednesday and also The Esthetic Apostle.

In his later years Gary Beaumier has become something of a beachcomber and has self diagnosed with “compulsive walking disorder.” On a number of occasions he has cobbled together wooden sailboats. He is a finalist and semi finalist for the Luminaire Award for several of his poems. He has had three poems published in Flumes Winter 2017 and one poem in Third Wednesday as well as one poem in Chaleur Magazine, The Piltdown Review, The Esthetic Apostle, The Internet Void, an upcoming issue of Raw Arts Review and a recording in Lit_Tapes. He taught poetry in a women’s prison.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “Leavened Bread” by Katie Barnes

Leavened Bread

Under the fog of mountains high and cold
My mom decided we would go to mass.
We drove far up the well beaten path of old
To the stone church above the rocky pass.
The congregation stared as we walked in
And lit our melting candles for the dead
Just in time for the service to begin.
The priest screamed out that we were beloved;
Men in the chorus wailed to God their prayer
While folk in the pews tried to reach His ear.
White smoke from the incense strangled the air;
All of us were struck dumb with holy fear.
The priest brought out the icon and I bent
But did not want to take the sacrament.

 

Katie Barnes is currently pursuing an undergraduate degree at Boston University. She splits her time between Boston and New York, but her family is from Greece.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “Family Planning in the Twenty-Second Century” by Keith Mark Gaboury

Family Planning in the Twenty-Second Century

Scrub out mutated genes
giving rise to mutated bodies,
bodies we don’t want
circulating in our better society.

Lewy minds and cancered lungs
float in history, twenty-first century
deaths we’ve vaulted beyond.

Are we ready? Start
with the perfect embryo.
Cells divide
into an engineered self

offering cognitive muscle
and equidistant attractiveness.
This will be our son.
We’re no chickens.

Do you want college achievement
or adaptable intelligence? A love
for ghost peppers and ghost stories?
Wisdom in alleyways?
Fluid improv on the jazz floor?

In the reflection of a customer
picking a rooster to consume,
we pick the pure blueprint
promising sidewalk punch.

 

Keith Mark Gaboury earned a M.F.A. in creative writing from Emerson College. His poems have appeared in such publications as Poetry Quarterly, New Millennium Writings, and on the podcast Who Do You Think You Are? Keith is a poet and preschool teacher in Oakland, California.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Available on Kindle Unlimited: The Language of Crossing

Now available on Kindle Unlimited:  Language of Crossing by Liza Wolff-Francis.

Click here to view Kindle Unlimited as well as find buying options for the paperback.

Liza Wolff-Francis’s Language of Crossing is a collection of poetry that mirrors the true heart-stories along the US/Mexico border. Giving face, voice and humanity to all those who make their way across fronteras, her work is that of a necessary endeavor. She writes of a reality that must be ignored no longer. It is the struggle, strife, and violence that is endured by those who flee their country in hopes of a better life. Her poems, brutally honest and minute, rouse compassion as all good poetry must and begs the question of accountability. Language of Crossing is a political outcry, a finely tuned collection of endurance of a people, and a passionate advocacy for all to take notice. Wolff-Francis is a real activist planting poetic prayer flags across the vastness of a desert.

Available on Kindle Unlimited: Nail Gun and a Love Letter

Now available on Kindle Unlimited: Nail Gun and a Love Letter by Beau Williams.

Click here to view Kindle Unlimited as well as find buying options for the paperback.

Heralding from Portland, Maine, Beau Williams describes himself as a “fairly optimistic” poet, and what better way to describe his newest collection of poetry from Swimming with Elephants Publications than as “fairly optimistic.” Bittersweet journeys to bar floors and the bottoms of bottles, Nail Gun and a Love Letter is reminiscent of beat poetry days and the pilgrimages we must take to find ourselves.

“This collection of poems alternately pierces the reader with astute and heartbreaking observations (Good Drums is a particularly devastating musing on white, male American-ness) while at the same time using evocative language to spar with and challenge the ideas of belonging and connection and love. These poems invite the reader to contemplate what it means to come from somewhere, and how it feels to long for a place that isn’t home, but could be. They invite us to see the mundane as essential, and to see and celebrate the things that connect us to our identity. The title of this collection is apt; like a nail gun, these poems violently pierce, but do so in service to building something sturdy and sheltering, and every one is a love letter to the dance that makes us who we are.”

– Sherry Frost, Educator

Click here to learn more about this collection by reading the review by Maxine Peseke.

Many of Swimming with Elephants Publications, LLC titles are now available on Kindle Unlimited. Explore additional titles on Our Catalog page.

Gold Writing Workshop May 26

Join Swimming with Elephants Publications, LLC and StrangeFlock Gallery for the  a new series of Writing Workshops scheduled for the last Sunday of each month.

The StrangeFlock Gallery will be open from 12pm – 4pm.  Writers of all genres are invited to be inspired by the monthly artwork in the gallery by completing Ekphrastic Writing Prompts or partake in a more constructed workshop hosted by local and national guest writers. The structured writing workshop taking place between the hours of 1pm – 3pm.

Suggestion donation for the workshop is 5$ and can be made in cash at the time of the workshop or through Paypal by clicking here. All proceeds will be split between the workshop guest host and the Gallery. No one will be turned away for lack of funds.

Our guest workshop host for May 26th will be Katrina K Guarascio who will talk about finding inspiration and story with ekphrastic writing. She has three writing prompts prepared which writers of all genres can use,

The featured artwork for the month of May is a group conglomeration called Odd Birds and includes four different artists with a variety of subjects and mediums.

 

Now Available: disaster in die / an overdose sunrise by bassam

Swimming with Elephants Publications, LLC is excited to announce the release of “disaster in die / an overdose sunrise,” a chapbook of poetry by bassam.

“bassam’s ‘disaster in die / an overdose sunrise’ is the third and final installment of a trilogy of poetry collections that I have awaited with bated breath. The first two collections in this trilogy are grim expositions of the intersections of being a marginalized being in an oppressive white supremacist world and the ways that marginalized beings find humour and celebration despite the odds. This final book in the trilogy continues this narrative but, supplies hope for the reader and the world. Hope that in spite and despite of the miseries of oppression, joy and oppression can coexist. Reminiscent of Alicia T. Crosby’s poignant poem ‘If I Should Die Before I’m Woke’ , bassam does not leave their sins and transgressions unexamined. Instead, they cringe at their own missteps and keep themselves accountable, while upholding the standard that they deserve no accolades for this. What they do is simply the bare minimum. ‘disaster in die / an overdose sunrise’ is an authentic, raw and vulnerably poignant book that proves that poetry is magic and that poets are not magicians, but simply vessels for the magic to flow through.”

—Mugabi Byenkya, author of Dear Philomena

Order ‘disaster in die/ an overdose sunrise‘ and ‘bliss in die/ unbinging the underglow‘ from all major book distributors today.

bassam is currently on tour throughout Canada and the United States, promoting their publications. Check out their tour schedule to them in a town near you!

Now Available: I’ve Been Cancelling Appointments with My Psychiatrist for Two Years Now

Swimming with Elephants Publications, LLC is excited to announce the release of I’ve Been Cancelling Appointments with My Psychiatrist for Two Years Now, a chapbook of poetry by Sean William Dever.

In “I”ve been canceling my appointments with my psychiatrist for two years now,” Sean William Dever captures the essence of living with illness on an emotional level. This short collection serves as a testament to many things: the challenges of battling a healthcare system, the challenges of invisible disorders and diseases, and the challenges we face in ourselves as doubt comes in waves. This work is honest and raw, and sure to connect with many readers.

Order your copy of I’ve Been Cancelling Appointments with My Psychiatrist for Two Years Now today from Amazon or other major book distributors.

Weekly Write: “To the Mountain” by Ann Huang

To the Mountain

To the mountain you run from disquiet, listen to the plane overhead,
like road dust on a runway of fallen umbrella-masked men,
all earth’s riddles unite and foreshadow what it contains,
unlike bare maidens with pearl chains on their necks.
The mountains await the animal spoor that might come,
you know a body can expose age and timeless aging,
your mind can dissipate without meeting dark and mundane,
When it hinders a waking soul with whose life it echoes.

Ann Huang is an author, poet, and filmmaker based in Newport Beach, Southern California. She was born in Mainland, China and raised in Mexico and the U.S. World literature and theatrical performances became dominating forces during her linguistic training at various educational institutions. Huang possesses a unique global perspective of the past, present, and future of Latin America, the United States, and China. She is an MFA candidate from the Vermont College of Fine Arts and has authored one chapbook and two poetry collections. Her surrealist poem “Night Lullaby,” was a Ruth Stone Poetry Prize finalist. In addition, Huang’s book-length poetry collection, Saffron Splash, was a finalist in the CSU Poetry Center’s Open Book Poetry Competition. Her newest poetry collection, A Shaft of Light, is set to come out in 2019. Huang’s poems follow the surrealistic gestures that weave between reality and divergent realms of perspective and perception. Her debut experimental short film Palpitations of Dust won Best Experimental Film at the 2017 POPAA (Prince of Prestige Academy Award), Best Film Award at the Los Angeles Film & Script Festival, and Best Experimental Film at the LA Cinema Festival of Hollywood. For more information about the experimental shorts by Ann Huang, visit SaffronSplash.com.