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We would like to announce the upcoming release of Worn Out Gorgeous by Aaron Ambrose, the second of three chapbooks which were chosen for publication from our 2020 Chapbook Open Call. Originally scheduled for release in June, the pandemic has pushed our release date to October, 2020.
An additional note to our followers:
The ability to publish is a luxury which should not be the top priority of our society at the moment, and it has not been the top priority for our staff. However, we have every intention of fulfilling the contracts we made before the pandemic.
Due to the pandemic we have postponed this year’s Open Call for chapbooks and the Weekly Write. After the new year, in 2021, we will reevaluate our business model and decide on our next steps.
Although we have no idea what the future holds for our small press, we have our fingers crossed that we will survive this difficult time and come out on the other side but it is far too soon to know what we will look like in the next year.
We still have one more chapbook from last year’s Open Call which we hope to release before the end of 2020 and are hoping to still be able put together our 2020 anthology. We have extended our timeline for these publications and we appreciate the patience of our followers and poets.
You can continue to support us by supporting our poets and supporting independent bookstores.
A Review of Courtney A. Butler’s Wild Horses
By Beau Williams
Like the name suggests, Wild Horses is the struggle of an unbridled soul ready to escape from the reins. Courtney A. Butler dissects the intricacies of a fierce heart under stress and scatters them through this collection in twenty-two poems.
This collection is a frustrated soul screaming from behind a crumbling barrier. In the book’s introductory poem, “Words, Like Meat,” the first line reads:
“I scrape words
like meat
from the inside of my ribs
They have hung there
clinging desperately to what
oxygen they could”
This line summarizes why this book exists. Butler portrays a person that has had this “meat”, these weighing parts of her that needed to be released, and Wild Horses is that release. Butler tackles the delicate topics of loss of a loved one, being the “other” girl, carrying secrets, searching for love, and (like true wild horses) learning to break free. This collection has the longing and reflection of Plath, the fierceness of Ke$ha, the nature influences of Wordsworth, with a hint of zany like Lewis Carroll.
This book has hidden its structure quite well. There are no full-stops, though there are commas, hyphens, italics, and capitalized letters to subliminally guide the reader’s eye through the pages. The lack of full-stops gives the book a sense of uncertainty that Butler carries with grace; a slight unease that really sets the tone ahead of time and prepares the reader for the topics soon to follow. There are no sections, no interludes, and no quotes, Butler just gets straight to it and gives you exactly what you came there for.
As previously mentioned, the introductory poem seems to be Butler giving herself permission to write the rest of the work; “Words, like Meat” is Butler strapping the bomb to the dam, once the switch is flipped, whatever has been pushing itself against the walls will finally be released, and it was.
After that, the book really dives into relationships between the subject and the people closest to them. The second poem: “DNR,” lays out the concept of the book. It is about a person who is trying to come to terms with a situation in a relationship that neither of the participants have any control over. This is a recurring theme throughout the book. In “DNR,” the topic is death. In later poems the topics are love, lust, miscommunication, and distance.
It can be argued that one of the most intimate, relatable, and touching poems in the collection is “The Importance of Being Broken (Or Sitting in a Bathtub with Your Clothes On and the Lights Off).” Here, Butler describes the deafening moment of collapse; the moment where all the stress and all the worry has finally become too much.
“because all the shit has been hitting all the fans”
This poem gets into the mind of a person who has reached a breaking point and literally crumples into a ball, fully clothed, in their bathtub with the lights off; contemplating turning the water on, the light on, removing their clothes, finding strength but ultimately doing none of these. The content of this poem is relatable to nearly everyone. Everyone has hit rock bottom. Everyone has given up hope. Everyone has crawled into an unlikely place in an awkward fashion in search of any sort of comfort. Butler doesn’t sugarcoat anything about this mental state.
“Maybe you were pushed off that cliff
Maybe it was your fault
or maybe you got caught in the landslide
The reality is
everything you were was on that cliff
and now everything you are is
broken in a bathtub?”
Though raw and heavy, Butler ends the poem on a strong note; describing how, at the end of this, you will start to mold your new shape together like a carved bar of soap — highlighting the brand new you that will finally be able to stand up and turn on the light.
Butler also has a fun, cutesy side which is apparent in her poem “The Long Slow Huzzah! (or Tea Time Going Over a Cliff).” This one has a very surreal feel, like Salvador Dali meets Alice in Wonderland. In this poem, the author describes falling in love as a metaphor for having a tea party… while tumbling off a cliff.
“Pale yellow tablecloth rippling in the breeze
taking all the fine china with it (…)
Well then, I’ve gone and fallen in love with you ”
This might be the most animated piece in the collection. Short and sweet, “The Long Huzzah!” is quaint and joyful, with underlying tones of terror. There is no mention of fear, no imminent crash to end the plummet, just weightlessness. The mention of a cliff face insinuates it is connected to a ground and with no mention of the ground throughout the poem or plans to get out of this situation, one can only assume the postscript is bloody and riddled with shattered porcelain.
Wild Horses is a solid collection that would find home on the bookshelves of the strong-of-heart. “Closer to One” is one of the last poems in the book and sums up the target audience very well. Here, the subject considers themself as two people: the untamed animal in a cage, and the caregiver.
“Yes! I say, finally
Yes to your thirst
Yes a thousand times
to the nectar you crave (…)
You are right to thirst
and I will answer you”
This book is for any static heart who has ever felt tied down or unheard. This book is for the wild of spirit; for anyone who has needed to scream and doesn’t have the haven. Wild Horses lets you know that you are never alone in these places, and that others have been where you’ve been and (like you) survived to ride free.
Review by Beau Williams:
Beau Williams is a fairly optimistic poet based out of Portland Maine. He co-runs a weekly poetry class at Sweetser Academy and facilitates workshops at high schools and colleges around the New England area. His work has been published in numerous poetry websites and journals.
Beau has performed internationally and nationally both as a solo artist and with the performance poetry collectives Uncomfortable Laughter and GUYSLIKEYOU. He was the Grand Slam Champion at Port Veritas in 2014 and was the Artist in Residence at Burren College in Ballyvaughan, Ireland in January of 2017. Beau’s book, Rumham, is available for purchase on Amazon.com.
Whether you have a chapbook, short collection, or just a couple of amazing pieces seeking a home, Swimming with Elephants Publications might have a spot for you.
Visit our website and under the submit tab you will find our current Open Calls. The specific guidelines for each call can be viewed on our Submittable page or contact us with any questions.
We do charge a submission fee. To find out why: Click Here.
To learn more about this year’s guidelines for our Chapbook Open Call and meet our guest judges, click here. To be considered for publication during 2020 you must submit before December 15, 2019.
To learn more about the Weekly Write series for the 2020 publication year, and find out how to be our Weekly feature, click here.
Swimming with Elephants Publications, LLC (SwEP) is hosting a chapbook open call to find some fresh work and new voices. With over 70 publications under our belt, SwEP works hard to represent our authors and create publications of which our authors are proud. Please visit our website and check out some of our publications to see if we are a good fit for your writing, then polish up your best pieces to submit.
From our submissions, our guest judges will choose three chapbooks for publication. All our publications include an ISBN, Swimming with Elephants Publications, LLC contract, and creative control over cover and production (including release date, cover artwork). For more information on what SwEP provides its authors or to see a general contract, please contact us.
There will not be a ranking system for chosen submissions (1st place, 2nd place, etc), instead, our judges will choose three (3) to publish. All three chosen publications will receive the same award of 25 author copies.
SwEP is seeking previously unpublished manuscripts of poems 25-75 pages in length. We are looking for well-crafted, visceral and daring material. We are looking for diverse voices and are particularly interested in poetry that promotes an innate intersectionality of social issues and a deep respect for humanity. We like our poetry achingly raw and true to who YOU are as a writer. We have a goal of promoting marginalized voices and those who are most often overlooked. If you feel your work doesn’t have a place to ‘fit,’ it may be perfect for us.
Open to writers worldwide, the open call is facilitated as a blind submission process via SwEP Submissions Manger. Additionally, only submitted will be considered for further SwEP publications and features. Even if our judges don’t choose your manuscript, you must submit to be considered by SwEP.
Get to know our press to make sure we are a good fit for you and your publication goals. Explore our website, stalk our Facebook, Twitter, and Instagram, order some of our publications, review our works on Amazon, Barnes & Noble, and Goodreads.
Swimming with Elephants Publications accepts submissions and payment of the entry fee ($25) exclusively through our online submission manager, Submittable. We are not able to accept submissions via email or postal mail. The submission fee is strictly to cover the price of production and pay our guest judges for their time and hard work. To learn more about why we charge a submission fee, click here.
All entries are read blind. All manuscripts should include a title page (listing only the title of the collection). Manuscripts should be paginated and formatted in an easy-to-read font such as Times New Roman. (More creative fonts may be incorporated during production.)
Identifying information for the author should not be included anywhere on the manuscript itself, including in the name of your file or in the “title” field in Submittable. Please include a brief bio and your publication goals in the cover letter on Submittable, which will be made accessible to the editorial panel only after the Finalist manuscripts have been chosen. It is important to include your publication goals. We are a small press and have limited abilities. If your goals are outside of our abilities, we will let you know.
Simultaneous submissions are acceptable and encouraged, but please notify us by withdrawing your manuscript from Submittable immediately if it is accepted for publication elsewhere.
Multiple submissions (the submission of more than one manuscript to the open call) are permitted. A separate submission fee is required for each submission.
SaraEve Fermin (she/her) is a performance poet and epilepsy/mental health advocate from northeast New Jersey. A 2015 Best of the Net nominee, she has performed for both local and national events, including the Epilepsy Foundation of Greater Los Angeles 2015 Care and Cure Benefit to End Epilepsy in Children, as a reader for Great Weather for MEDIA at the 2016 NYC Poetry Festival on Governors Island, and in 2019 was a part of the viral #FreeChurroProject. A poetry editor, contributing blogger, and book reviewer, her work can be found or is forthcoming in GERM Magazine, Words Dance, Rising Phoenix Press, Great Weather for MEDIA’s Birds Fall Silent in the Mechanical Sea, and Homology Lit, among others. Her first full length poetry anthology, You Must Be This Tall to Ride, was published by Swimming with Elephants Publishing in 2016 and her follow up, View from the Top of the Ferris Wheel, was publish by Clare Songbird Publishing House in 2017. Her third book of poetry, Trauma Carnival, was released in March 2019 (Swimming with Elephants Publications). She believes in the power of foxes, hair dye and living #furiouslyhappy. She loves Instagram and follows back: @SaraEve41
Kat Heatherington was delighted to join the SwEP Parade in Fall 2017 with the publication of The Bones of This Land (available from amazon.com), which was the first-place winner in the chapbook open call that year. As a guest judge for 2019, she is looking forward to reading a wonderful variety of poetry, ideas and styles. She has been writing her whole life, and performing and publishing poetry for longer than she wants to think about. She lives in Sunflower River intentional community south of Albuquerque. Kat can be found online at sunflowerriver.org, and on instagram at @yarrowkat (photography) and @sometimesaparticle (poetry).
Zachary Kluckman, the National Poetry Awards 2014 Slam Artist of the Year and 2015-2016 Slam Organizer of the Year is a Scholastic Art & Writing Awards Gold Medal Poetry Teacher, Red Mountain Press National Poetry Prize recipient and a founding organizer of the 100 Thousand Poets for Change program, now recognized as the largest poetry reading in history. Kluckman has appeared multiple times at the National and Individual World Poetry slams and tours the nation as a spoken word artist. Recently he was one of 3 poets invited to represent the United States at the Kistrech International Poetry Festival in Kenya. He previously served as Spoken Word Editor for Pedestal magazine and has authored two poetry collections; The Animals in Our Flesh, Red Mountain Press 2012 and Some of It is Muscle, Swimming With Elephants Publications 2014.
Bookworks ABQ has been a long time supporter of Swimming with Elephants Publication, LLC hosting various events and supporting our local authors throughout our six years in business. But now we are taking it one step further.
We are happy to say, that Swimming with Elephants Publications, LLC is now an official affiliate of Bookworks ABQ. What does this mean? It means Bookworks is our go-to for all online book orders. Although all of our books will still be available via Amazon, Barnes and Nobel, and other major distributors, we encourage our audience both local and national to purchase directly from Bookworks ABQ. Doing so will support small businesses, both Swimming with Elephants Publications and Bookworks Albuquerque.
Click on the pictures below to order some of our latest publications directly from Bookworks and keep your eyes open for our next Bookworks event on Small Business Saturday, November 30, 2019.
Gërvalla, Jusuf
Hirshman, Jack and Justin Desmangles
Hotlry, Mercedez & Eva Crespin
Kluckman, Zachary (Editor)
Lambersy, Werner
Lopez, Jessica Helen & Katrina K Guarascio (Editors)
Oishi, Mary and Aja Oishi
Rottschafer, S.L., Ph.D.
Swimming with Elephants Publications 