Saltwater Under Brittle Sky: A Review by SaraEve Fermin

Saltwater

Saltwater Under Brittle Sky: A Chapbook of Poetry
Lori DeSanti

A Review by SaraEve Fermin

 

They say that we are made of about sixty percent water, give or take.  Some of us more—babies, men, maybe water signs.  Imagine a world of blues and greens.   Close your eyes, water everywhere—lapping at your feet, falling gently into your cupped hands, misting gently to envelop your face.  Water warm and gentle, water cleansing and bright.

Lori DeSanti’s Saltwater Under Brittle Sky is a lot like taking a walk through a  sun shower on your own island, like waiting for the clouds to break and dry any wet that remains on your cheek—from dew to tears.  This collection of poems is compact but beautiful, unpretentious in their succinct on page presentation.  Each of the nineteen pages is no more than two pages long, and the collection is small enough to tuck into a back or inside coat pocket, a collection asking to be read in the open air, under trees and next to running streams.

In ‘The Artist’, DeSanti manages to capture the sharp beauty of South Shore, Bermuda.  She gives the cove a personification that renders this land ancient and begging to be discovered, reminding us of how small we are in God’s palms-

…hurricane
god cupping teal water in his palm as it

dripped in big gulps from his chin.

There is a vein of darkness that runs through this collection, shadows that hide among the breeze.  These poems temper the lightness of DeSanti’s work; keep the poems from floating away.  The ‘Brittle’ of the title can be found in ‘Disclosure’-

I am full of sin and it’s growing.
How can you not know what
I’ve let his hands make of me?

Still, we return to water, like a stream empties into the ocean, like tears evaporating.  There is a reminder that sadness can be all encompassing, that sorrow can be the beginning of healing-

Sometimes the rain is cathartic—sometimes I find myself
drowning in a puddle without even getting wet.

-The Continuum

LoriThere is a triumph to this collection, my favorite part.  There is a reminder that in the mess of a struggle sometimes you have to ground yourself.  Sometimes the only thing that you have to rely on is yourself.  DeSanti reminds us that survival is attainable by metamorphosis, like in ‘Metaphor’:

We can grow scales in
the darkness or we can forget
there is venom building
up

in our teeth.

DeSanti reminds us to revolt against the water in our bodies.   This brave collection carefully examines relationships with the earth, the self, with love and with her wild ocean heart.  For who are we if not people constantly thrown into a current of emotions, forced to navigate the waters of humanity, each of us paddling our own boat madly, looking to make a connection with another?  DeSanti reminds us that there are islands out there, waiting to be inhabited and perfumed with love.  All you need to do is reach for them.

Let the ocean beat you
down to size.  It teaches us.

-Bury That Moment

Saltwater Under Brittle Sky is available now from Swimming by Elephants Publishing. Order from Amazon here.  To learn more about the author visit loridesantipoetry.wordpress.com.

 

Book Reviews by SaraEve Fermin:

SaraEve is a performance poet and epilepsy advocate from New Jersey.  A 2015 Best of the Net nominee, she has performed for both local and national events, including the 2013 Women of the World Poetry Slam and for the Greater Los Angeles Epilepsy Foundation 2015 Care and Cure Benefit to End Epilepsy in Children. The Editor in Chief of Wicked Banshee Press, a Contributing Editor for Words Dance Magazine and Book Reviewer for Swimming With Elephants Publications,  her work can be found or is forthcoming in GERM Magazine, Words Dance Magazine, Drunk in a Midnight Choir and the University of Hell Anthology We Can Make Your Life Better: A Guidebook to Modern Living,, among others. Her first full length book, View From The Top of the Ferris Wheel, will be published be Emphat!c Press in 2016. She believes in the power of foxes and self publishing.  Learn more here: http://saraeve41.wix.com/saraevepoet

REVIEW: JESSICA HELEN LOPEZ – CUNT. BOMB.

A review of Albuquerque Poet Laureate Jessica Helen Lopez’s chapbook with Swimming with Elephants Publications.

JHL

I’m not a woman, not a mother, never had breasts, or a child growing inside me, but thank you Jessica Helen Lopez for writing this chapbook, and making me want to thank my mother for everything she’s done for me, and apologize for every remotely bad, or disrespectful encounter we might have had.

The simple fact that I am a human, with a heart, who came from a woman, and loves a woman who is a mother of a daughter, allows me to wrap myself  in the words of this book. It helps me understand just a little bit of the world I’ll never really know. It makes me pay more attention to the words that leave my mouth. It makes me pay attention.

Jessica Helen Lopez’s Cunt. Bomb. (Swimming With Elephants Publications) is powerful. There’s an intense clarity in Lopez’s vision throughout this book. A body belongs to the individual, and…

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Shameless Promotion Weekly Feature: September

SeptemberThank you to everyone who checked out and reviewed last week’s Shamless Promotion of Some of it is Muscle by Zachary Kluckman.

This week, SwEP will be shamelessing promoting the work of Katrina K Guarascio and Gina Marselle in their collection of poetry and photography entitled September: traces of letting go.

There are two editions of this book currently available via Amazon.com, or for those of you in the Albuquerque are you can pick up a copy of September at Bookworks Albquerque and support not only a small press but a local independent bookstore.

Special pricing is available via Amazon and Createspace.

Check the links below for availablity:
Bookworks
Amazon
Createspace

 

Amazon Review of September:

Katrina K Guarascio is a personal favorite. This collection of hers is something I am extremely proud to own. The addition of Gina Marselle, and her photography, makes for a well balanced book,and a nice assortment of emotions. I would recommend this to anyone in love with words, because the context in which Guarascio sets hers is unlike the majority of poets I’ve experienced. This is definitely a positive thing, too. It shipped without any complications, very quickly, and arrived in perfect condition.

Emily Bjustrom

Pic pick threeEmily Bjustrom is a sad lonely French girl who enjoys green tea, wearing black T-shirts and reading philosophy to her cat, Mr. Kitty Whiskers.

She still lives with her parents, but hopes to rectify that situation soon. She’s working towards a very practical and useful degree at the University of New Mexico.

Pick up Emily’s first chapbook Loved Always Tomorrow upon it’s release this April.

Coming Soon: Loved Always Tomorrow

Loved Always Tomorrow

Swimming with Elephants Publications is excited to release the announcement of a new chapbook by Albuquerque Poet, Emily Bjustrom. Entitled Loved Always Tomorrow after the drunken scrawlings on the bottom of a living room stool, this is Emily’s first chapbook publication and SwEP could be more excited to represent this young author on her poetic endeavors.

Loved Always Tomorrow will be released during the month of April and made available via Amazon and CreateSpace.

Pic pick 1About Emily:

Emily Bjustrom is a sad lonely French girl who enjoys green tea, wearing black T-shirts and reading philosophy to her cat, Mr. Kitty Whiskers. She still lives with her parents, but hopes to rectify that situation soon. She’s working towards a very practical and useful degree at the University of New Mexico. 

September: a review by Mark Fischer

September
poetry by Katrina K Guarascio
photography by Gina Marselle

Review by Mark Fischer

WP_20140218_001

September is a book in three parts, three phases of letting go. The majority of poems in this collection speak to fleeting moments, a restlessness in the character, a yearning for something –  more realized in exquisite experience of the current moment. The words cascade down the pages in short, clean lines making effective use of crisp white space that many poets underutilized. In this effect, I feel a sense of impermanence, like snapshots taken in temporary bivouacs on a road trip through young adulthood. The never-ending summer. The last days of youth.

SeptemberThere is sadness, insight, worry, and relief sprinkled throughout this collection. Ruminating on love amid campfire smoke or the morning breeze on clean sheets, I am able to feel the conflicts and contemplations. In “Impermanence” Guarascio expertly describes internalizing the past and what it means to not let go when she writes “Like a sunburn, I know you will absorb into me and fade into memory. You cut me under the skin.”  September is full of vivid images like this that develop into a cohesive flickering film of transition. The poet is ever seeking sense out of hardships, patterns in roadkill.

The photography that accompanies this collection is superb. Images are well paired with poems. The many super close-ups speak of parts, the shapes of the body, and match the introspection of the poems. Gina Marselle has a great eye for emotion and her work is a well chosen accent to the book. Both Guarascio and Marselle are teachers in New Mexico. It is something to appreciate to discover your children’s lives are being enriched by the likes of strong artists as these women.

September is a strong collection. It’s like a dreamy short film shot on 38MM with a soothing shoegaze soundtrack playing in the background. If you were to make your crush a poetry mix-tape, Guarascio would be on it – twice. Wake me up when September ends.

Guarascio is an active member in the poetry slam scene in Albuquerque. She is responsible for establishing a poetry and spoken word community in Rio Rancho and coaching a youth poetry slam team. She is the founder of Swimming with Elephants Publications which is bringing the talents of many exceptional spoken word poets to print. Order September: traces of letting go from Amazon or Createspace.