Weekly Write: “Birth Mother” by Michelle Dobbs

Birth, Mother

“I drew my first breath,
went back to work the next day,
walked through the threshold,
and never came back.”

– A Figment Of My Imagination
 

Wednesday
September 19th, 1990
2am,
I drew my first breath,
in a room full of strangers.
No one there wanted me.

I was purged,
as if my mother was absolved from me,
as if one night stand was rewritten to just one night,
as if she was pure again,
after the umbilical was severed.

My mother,
went back to work the next day,
I was hours old.
She left,
and never came back,
for me.
I rendered her breathless.
I knew nothing,
of breathing,
just that it had to be done.

I dreamt of it as if I remember
seeing her
get out of the hospital bed,
put clothes on,
tie shoes,
kiss my forehead goodbye,
she                  walked through the threshold
not my mother,
just a passerby.

That day,
I breathed in all the goodbyes I could ever need.

 

Michelle Dodd is a spoken word artist based out of Richmond, Virginia. She has performed for TedxWomenRVA in 2016. She is a fellow of The Watering Hole Writing Retreat. She was a member of The Writer’s Den Slam Team in 2016 and 2017; a team placing among the top teams in the USA. Dodd has been published in Whurk Magazine, K’in Literary Journal, The Scene and Heard Journal, SWWIM, and Wusgood online magazine. She has self published two chapbooks of poetry in 2017. She is one of the coaches, for the Virginia Commonwealth University (VCU) CUPSI slam team for 2018, that placed 3rd internationally.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “From Certain Distances In Space I Still See My Brother” by Gary Beaumier

From Certain Distances In Space I Still See My Brother

Somewhere mother holds you against her breasts in a Chicago flat
— the war winding down —
while she warms a bottle and tests the milk on the tender of her wrist;
“you are my sunshine,” she sings.

Somewhere you sit in a quilted coat
upon a tricycle in front of a red house,
and later still your fastball hisses over
home plate into the strike zone.

Somewhere a man says we all derive from stars,
while a holy person declares we will live forever.

You still succor your fractious babies as you pace a midnight floor.

Only just now a distant planet watches you bend to help a student
or soften your embrace to your wife in the utter dark.

Somehow you glide out of a fifth floor hospital room into a painted twilight,
into streams of cars and trucks and exhaust
as your family holds your emancipated body and rides with you to the edge of life

and somewhere a medical student
peels back what remains of you
to learn the human clockwork.

 

Previously published in Third Wednesday and also The Esthetic Apostle.

In his later years Gary Beaumier has become something of a beachcomber and has self diagnosed with “compulsive walking disorder.” On a number of occasions he has cobbled together wooden sailboats. He is a finalist and semi finalist for the Luminaire Award for several of his poems. He has had three poems published in Flumes Winter 2017 and one poem in Third Wednesday as well as one poem in Chaleur Magazine, The Piltdown Review, The Esthetic Apostle, The Internet Void, an upcoming issue of Raw Arts Review and a recording in Lit_Tapes. He taught poetry in a women’s prison.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “Leavened Bread” by Katie Barnes

Leavened Bread

Under the fog of mountains high and cold
My mom decided we would go to mass.
We drove far up the well beaten path of old
To the stone church above the rocky pass.
The congregation stared as we walked in
And lit our melting candles for the dead
Just in time for the service to begin.
The priest screamed out that we were beloved;
Men in the chorus wailed to God their prayer
While folk in the pews tried to reach His ear.
White smoke from the incense strangled the air;
All of us were struck dumb with holy fear.
The priest brought out the icon and I bent
But did not want to take the sacrament.

 

Katie Barnes is currently pursuing an undergraduate degree at Boston University. She splits her time between Boston and New York, but her family is from Greece.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “Family Planning in the Twenty-Second Century” by Keith Mark Gaboury

Family Planning in the Twenty-Second Century

Scrub out mutated genes
giving rise to mutated bodies,
bodies we don’t want
circulating in our better society.

Lewy minds and cancered lungs
float in history, twenty-first century
deaths we’ve vaulted beyond.

Are we ready? Start
with the perfect embryo.
Cells divide
into an engineered self

offering cognitive muscle
and equidistant attractiveness.
This will be our son.
We’re no chickens.

Do you want college achievement
or adaptable intelligence? A love
for ghost peppers and ghost stories?
Wisdom in alleyways?
Fluid improv on the jazz floor?

In the reflection of a customer
picking a rooster to consume,
we pick the pure blueprint
promising sidewalk punch.

 

Keith Mark Gaboury earned a M.F.A. in creative writing from Emerson College. His poems have appeared in such publications as Poetry Quarterly, New Millennium Writings, and on the podcast Who Do You Think You Are? Keith is a poet and preschool teacher in Oakland, California.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Available on Kindle Unlimited: The Language of Crossing

Now available on Kindle Unlimited:  Language of Crossing by Liza Wolff-Francis.

Click here to view Kindle Unlimited as well as find buying options for the paperback.

Liza Wolff-Francis’s Language of Crossing is a collection of poetry that mirrors the true heart-stories along the US/Mexico border. Giving face, voice and humanity to all those who make their way across fronteras, her work is that of a necessary endeavor. She writes of a reality that must be ignored no longer. It is the struggle, strife, and violence that is endured by those who flee their country in hopes of a better life. Her poems, brutally honest and minute, rouse compassion as all good poetry must and begs the question of accountability. Language of Crossing is a political outcry, a finely tuned collection of endurance of a people, and a passionate advocacy for all to take notice. Wolff-Francis is a real activist planting poetic prayer flags across the vastness of a desert.

Available on Kindle Unlimited: Nail Gun and a Love Letter

Now available on Kindle Unlimited: Nail Gun and a Love Letter by Beau Williams.

Click here to view Kindle Unlimited as well as find buying options for the paperback.

Heralding from Portland, Maine, Beau Williams describes himself as a “fairly optimistic” poet, and what better way to describe his newest collection of poetry from Swimming with Elephants Publications than as “fairly optimistic.” Bittersweet journeys to bar floors and the bottoms of bottles, Nail Gun and a Love Letter is reminiscent of beat poetry days and the pilgrimages we must take to find ourselves.

“This collection of poems alternately pierces the reader with astute and heartbreaking observations (Good Drums is a particularly devastating musing on white, male American-ness) while at the same time using evocative language to spar with and challenge the ideas of belonging and connection and love. These poems invite the reader to contemplate what it means to come from somewhere, and how it feels to long for a place that isn’t home, but could be. They invite us to see the mundane as essential, and to see and celebrate the things that connect us to our identity. The title of this collection is apt; like a nail gun, these poems violently pierce, but do so in service to building something sturdy and sheltering, and every one is a love letter to the dance that makes us who we are.”

– Sherry Frost, Educator

Click here to learn more about this collection by reading the review by Maxine Peseke.

Many of Swimming with Elephants Publications, LLC titles are now available on Kindle Unlimited. Explore additional titles on Our Catalog page.

Gold Writing Workshop May 26

Join Swimming with Elephants Publications, LLC and StrangeFlock Gallery for the  a new series of Writing Workshops scheduled for the last Sunday of each month.

The StrangeFlock Gallery will be open from 12pm – 4pm.  Writers of all genres are invited to be inspired by the monthly artwork in the gallery by completing Ekphrastic Writing Prompts or partake in a more constructed workshop hosted by local and national guest writers. The structured writing workshop taking place between the hours of 1pm – 3pm.

Suggestion donation for the workshop is 5$ and can be made in cash at the time of the workshop or through Paypal by clicking here. All proceeds will be split between the workshop guest host and the Gallery. No one will be turned away for lack of funds.

Our guest workshop host for May 26th will be Katrina K Guarascio who will talk about finding inspiration and story with ekphrastic writing. She has three writing prompts prepared which writers of all genres can use,

The featured artwork for the month of May is a group conglomeration called Odd Birds and includes four different artists with a variety of subjects and mediums.

 

Now Available: disaster in die / an overdose sunrise by bassam

Swimming with Elephants Publications, LLC is excited to announce the release of “disaster in die / an overdose sunrise,” a chapbook of poetry by bassam.

“bassam’s ‘disaster in die / an overdose sunrise’ is the third and final installment of a trilogy of poetry collections that I have awaited with bated breath. The first two collections in this trilogy are grim expositions of the intersections of being a marginalized being in an oppressive white supremacist world and the ways that marginalized beings find humour and celebration despite the odds. This final book in the trilogy continues this narrative but, supplies hope for the reader and the world. Hope that in spite and despite of the miseries of oppression, joy and oppression can coexist. Reminiscent of Alicia T. Crosby’s poignant poem ‘If I Should Die Before I’m Woke’ , bassam does not leave their sins and transgressions unexamined. Instead, they cringe at their own missteps and keep themselves accountable, while upholding the standard that they deserve no accolades for this. What they do is simply the bare minimum. ‘disaster in die / an overdose sunrise’ is an authentic, raw and vulnerably poignant book that proves that poetry is magic and that poets are not magicians, but simply vessels for the magic to flow through.”

—Mugabi Byenkya, author of Dear Philomena

Order ‘disaster in die/ an overdose sunrise‘ and ‘bliss in die/ unbinging the underglow‘ from all major book distributors today.

bassam is currently on tour throughout Canada and the United States, promoting their publications. Check out their tour schedule to them in a town near you!

Now Available: I’ve Been Cancelling Appointments with My Psychiatrist for Two Years Now

Swimming with Elephants Publications, LLC is excited to announce the release of I’ve Been Cancelling Appointments with My Psychiatrist for Two Years Now, a chapbook of poetry by Sean William Dever.

In “I”ve been canceling my appointments with my psychiatrist for two years now,” Sean William Dever captures the essence of living with illness on an emotional level. This short collection serves as a testament to many things: the challenges of battling a healthcare system, the challenges of invisible disorders and diseases, and the challenges we face in ourselves as doubt comes in waves. This work is honest and raw, and sure to connect with many readers.

Order your copy of I’ve Been Cancelling Appointments with My Psychiatrist for Two Years Now today from Amazon or other major book distributors.

Weekly Write: “To the Mountain” by Ann Huang

To the Mountain

To the mountain you run from disquiet, listen to the plane overhead,
like road dust on a runway of fallen umbrella-masked men,
all earth’s riddles unite and foreshadow what it contains,
unlike bare maidens with pearl chains on their necks.
The mountains await the animal spoor that might come,
you know a body can expose age and timeless aging,
your mind can dissipate without meeting dark and mundane,
When it hinders a waking soul with whose life it echoes.

Ann Huang is an author, poet, and filmmaker based in Newport Beach, Southern California. She was born in Mainland, China and raised in Mexico and the U.S. World literature and theatrical performances became dominating forces during her linguistic training at various educational institutions. Huang possesses a unique global perspective of the past, present, and future of Latin America, the United States, and China. She is an MFA candidate from the Vermont College of Fine Arts and has authored one chapbook and two poetry collections. Her surrealist poem “Night Lullaby,” was a Ruth Stone Poetry Prize finalist. In addition, Huang’s book-length poetry collection, Saffron Splash, was a finalist in the CSU Poetry Center’s Open Book Poetry Competition. Her newest poetry collection, A Shaft of Light, is set to come out in 2019. Huang’s poems follow the surrealistic gestures that weave between reality and divergent realms of perspective and perception. Her debut experimental short film Palpitations of Dust won Best Experimental Film at the 2017 POPAA (Prince of Prestige Academy Award), Best Film Award at the Los Angeles Film & Script Festival, and Best Experimental Film at the LA Cinema Festival of Hollywood. For more information about the experimental shorts by Ann Huang, visit SaffronSplash.com.

Weekly Write: “Trauma Wagon” by Jason Youngclaus

Trauma Wagon

The city council is voting on funding
To renovate the park off Visitation Pl. soon
A father will teach his son the crossover step back
Whether or not that cash comes in
A mother will walk with her daughter on the grass path
And remark on the beauty of a tree that’s been there
Since Before Joey Gallo was born
Regardless as well.
The equipment at the newly built batting cages
Will need to be intermittently fixed by a mechanic
Many, many times to ensure
That the sluggers of tomorrow get their swings in.
The mayor won’t have a say in that.
People will move in and out of rent stabilized apartments
No matter what is decided at that table.
An ever increasing number won’t need to bother
With how “rent stabilized” is defined;
Others livelihoods will depend on a few words in a statute.
The local community board will propose improvements, amendments
Respond to noise complaints
And attempt to litigate just about anything else you can imagine
For a long, long time to come.

But here today a rusty scratched cornea on 4 wheels
The deformed, inbred cousin of the prison wagon
Pulls up curbside in Red Hook, Brooklyn.
Out steps a skinny-fat white guy in a stained shirt
He stumbles off the top step
Lights a cigarette and nods at his partner
Who is about to cast another net into a broken home
The familiar Kafkaesque deed that pays his bills, he justifies inwardly.
“Lets do lunch at the Lobster Pound,”
He suggests to the other.
“I should have been a fisherman,”
The other replies.

The innocent are strapped in with an iron padlock
Which forms an incredulous X across their chests
Crossing them out of normality
Crossing them out of whatever stability they had left
Crossing them off the daily list of deliverables for
Of these two roadside bureaucrats
The trauma wagon only goes one of two places:
Group home or foster home.
Many benefactors in the latter category have entered the arena
For the tax write off
And they’re looking for their prize catch.
Sure there are some decent folk out there too but
Would you want your future coming down to
Such a subhuman, crass roll of the dice?

This was all necessary because a yuppie invader,
Organizing with her friends
On numerous occasions picked up a smartphone
Thinking she was doing the right thing —
Because their parents liked to do cocaine and frankly
Had gotten tired of doing it in the bathroom out of sight.
But really because they were noisy
And brought around unseemly characters.
A yuppie who could not tell you the first thing
About rent-stabilization laws.

There are no winners here
Except the yuppies, of course,
Who are now off to brunch to bemoan trivialities
In the company of nobodies.
“I’m proud of myself,” she boasts
As she sips from her third mimosa at 11:00 on a Sunday morning
Imagining those kids frolicking around a lily field at a picnic
And taking pictures with Mickey Mouse and Donald Duck.

 

Jason Youngclaus graduated from College of the Holy Cross in 2005 with degrees in English and Philosophy. In 2006, he moved to Washington Heights, Manhattan to work as a political operative. He has stayed in NYC ever since, continuing work in this field — and forming the Brooklyn based indie rock outfit, Cuba in 2008. Follow him on Instagram @Jyc_music.

Weekly Write: “When Again I Am a Child” by Hollie Ziskind

When Again I Am a Child

I will dance with the boys
as often as possible, music blaring
in bare feet, twisting, twirling
in a blissful sashay of thanks to the universe.
Carried through tangled canals,
winding under mournful bridges
through secret passageways in time,
I will ride in a sleek gondola,
an ever present witness
to the wisdom of the setting sun.

Hollie Ziskind is an AWA-certified writing instructor living in Memphis, Tennessee. She’s the founder of Pen & Portal, an online outlet where people can celebrate shared experiences through the exploration of creative writing prompts. Hollie is a mother, a wife, a celebrator of life and a promoter of kindness.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “Skinny Jeans” by Brianna Radke

Skinny Jeans

The checker asked my mother
Another one on the way already?
She cried the whole way home
and for a few days after that.
She started The Soup Diet.
Every meal: canned tomato, cabbage,
carrot, onion, water, sorry.

A magazine filled with women
with broken looking-limbs said to look at my
body as a whole, instead of in parts,
a drug-dealer holding a stigma seminar
on a page I tore out and taped to
my mirror and ignored forever.

She went barely-not-running
every day, all the way to Skinny.
I held a contest and decided if
I had to eat my own body,
I would start with my thighs –
I imagine they would be self-basting,
dimples melting and
barely-not-running all directions.

She bought a pair of jeans
that were Too Big for her and
asked me if I wanted them?
I did not if I recall.
I started the Potato Diet.
Morning: half a microwaved potato,
and the other half
only if you Absolutely have to.

After passing out, I remembered
a torn out page from the book on
my head saying bring a napkin
or two in your purse
so you can spit out your poison
without being rude.

 

A Pacific Northwest native, Brianna Radke now lives in the Greater Los Angeles area where she is a Director of Marketing by day and a writer and poet by night. Most recently, her work has appeared in Chaleur Magazine, Exposition Review, and (forthcoming) Haunted Waters Press.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “Hypnagogia” by Mireya Vela

Hypnagogia

In 1981, I desperately want a Sea Wee doll. In the commercials, a delicate girl plays in a bubble filled bathtub while her mom kneels alongside her. I want that. I want to be in a bathtub and feel the safety of the water and the tickle of bubbles while my mermaid dolls floats in a sponge lily pad, and my mom lovingly hovers. I’m eight years old. I want my nudity to stop being the dirty thing it has become. I want to be safe.

“What would you do if you got one?” mom asks.

“I’d kiss that person and give them a big hug,” I say. This is unusual for me. I don’t like to be touched.

“Really?” she says. Her voice is creeping.

“Yes.”

“Are you sure?” she says.

Her words are like a sharp grab and I feel unsteady.

“Yes,” I say.

On Christmas Eve, I open a gift with the doll in it. It’s from my father’s youngest brother whose persistent stare terrifies me. I don’t touch him or thank him. Instead, I’m overwhelmed with the feeling that I just bartered something. It feels sickening.

*

My dad’s youngest brother hates me into my twenties.

Standing on the church steps for wedding photos, I see the angry veins on his face. I’m a bridesmaid at my brother’s wedding. I’m wearing a red strapless dress that makes me feel vulnerable and naked. Over the dress, I’m wearing old shame like a threadbare coat.

He’s a pastor and has just married my brother to his new bride.

I hear the photographer tell us to smile. He’s posed us while the pastor watches. The happy couple are at the center while the bridesmaids flank from above and the sides.

“Mireya,” the pastor’s voice booms over the shuffle of dresses.

“You’re up high right now. I bet you really like that,” he says, “But don’t for one second think you are better than anyone here.”

I’ve cried throughout the ceremony. It feels like I’m losing my brother. I turn to the pastor’s voice but I keep my gaze at his shoes. I imagine the robes flapping, his teeth long and perspiring—the froth forming at the corners of his mouth. I look up and he is simply glaring at me. But in my imagination, he’s trying to consume me.

*

He is arrested in 2006. To evade police he drives from his home in Sunland to his mother’s house in El Monte—next door to the house where I grew up. The newspaper headlines read “Pastor and Son Arrested on Charges of Child Molestation”.

After the arrest I realize that in his mind, I somehow twisted his lust. I was a 2 year old or a 6 year old or a 10 year old with the power to move him away from god. He’d molested the girls in his church. He’d molested the girls in our family into their teens.

*

As an adult, when I wake up from nightmares, I take quick stock of my surroundings. My biggest fear at that moment of wakeful confusion is that I will open my eyes and see the beige door to my room at my mother’s house. I look for the windows and sense the tightness of the air. It always takes me a moment to realize I’m safe. I reach for my husband. If I’m able to touch him, my alarm diffuses. If he’s not there, I listen for the sounds of his feet upstairs.

That moment, when I am stuck between awareness and the pull of the dream, I’m terrified. I wouldn’t relive my childhood for anything in the world. My creativity is born in the imagination, a space that is so much like hynagogia, it’s likely the two are married. I am working to accept this space in my mind where ideas both good and bad float like butterflies. I don’t own that space. It’s where all artists go. It’s where girls sit in bathtubs with mermaid dolls imagining safety and a mother who watches over her.

That moment between the creations of the imagination and the awakeness of reality, that’s where I’m stuck for him as well. That’s where I live. I’m not alone there. It’s also a place for pastors.

 

Mireya Vela is a recent graduate from Antioch University’s MFA writing program. She lives in Los Angeles with her husband, children and animals. “Hypnagogia” is soon to be published  in “Vestiges of Courage” published by The Nasiona.

 

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Gold Writing Workshop April 28, 2019

Join Swimming with Elephants Publications, LLC and StrangeFlock Gallery for the first of a series of Writing Workshops scheduled for the last Sunday of each month from 12pm-4pm.

The Gallery will be open from 12pm – 4pm.  Writers of all genres are invited to be inspired by the monthly artwork in the gallery by completing Ekphrastic Writing Prompts or partake in a more constructed workshop hosted by local and national guest writers. The structured writing workshop taking place between the hours of 1pm – 3pm.

Suggestion donation for the workshop is 5$-10$. All proceeds will be split between the workshop guest host and the Gallery. No one will be turned away for lack of funds.

Our guest workshop host for April 28th will be Zachary Kluckman and his workshop is entitled: “Flipping the Drama Script” which will discuss the Karpman Drama Triangle and the roles we take in relationships with people, and then doing some generative writing from the thoughts produced.

The featured artwork for the month of April is by Paulina Lopez. If you do not get a chance to view her work through the month, this will be the last opportunity to enjoy her display.

About the host for Sunday, April 28th, 2019:

Zachary Kluckman, the National Poetry Awards 2015-2016 Slam Organizer of the Year and 2014 Slam Artist of the Year, is a Scholastic Art & Writing Awards Gold Medal Poetry Teacher, Red Mountain Press National Poetry Prize recipient and a founding organizer of the 100 Thousand Poets for Change program, now recognized as the largest poetry reading in history. Kluckman has appeared multiple times at the National and Individual World Poetry slams and tours the nation as a spoken word artist. Recently he was one of 3 poets invited to represent the United States at the Kistrech International Poetry Festival in Kenya. He is the former Spoken Word Editor for Pedestal magazine and has authored two poetry collections.

Weekly Write: “You Are My Symphony” by Adriana Estrada

You Are My Symphony

I hear you loud and clear
not obtrusive or ear-deafening
not at all like a three -man band

at first

just small notes
when you walked into my life
I didn’t know music could be made so easily
like every laugh, sound and noise
you made
was part of an echo.
like you made sure
that every note could only be heard
by me.
audience for one.

the chimes came in first

suddenly
your joy
and how you make the room listen to you
as if you were the concert master
and your baton was the way
for the air waves to direct music
to only my ears

then came the woodwinds

your likes
and dislikes,
the swiftness and easy-going attitude from a relationship
then came the brass
every factor that comes with new beginnings,
unexpected surprises,
and the early stages of
“look at me, love me!”

every note is different

and by what you play
and how you play it,
brings me that much closer to you

then come the strings

like a piano,
you create soothing melodies that I fall into peace
at first note

like the cello,

you show me man-made strength
that requires all of you
at all times
you don’t show me hollowness or emptiness
instead,

your music keeps playing-

in the crevices of my heart I didn’t know existed
in the most profound hallways to my soul
that I have never let anyone else walk through

last come the percussion,

with bangs
with eruption
with cymbal
and pitch
I’m here.
I love you.

I LOVE YOU.

with that much intensity
with that much passion
I don’t know how you manage to play them all
I didn’t even know you could.
not that I underestimated your talents
but when you show me
how your love is just for me

I found myself without words.

I didn’t have a ticket to enter
I didn’t even have a reserved seat
yet you gave me the entire room
to hear you play
I managed to book a concierto that bears my love
in its entirety

I only came in to hear the first note
and I was given the whole symphony.

 

Adriana Estrada is a writer (poet) who uses her craft and poetry to create recollections of poetry that illustrate experiences. She is currently enrolled as a second-year graduate student at Augsburg College in Minneapolis, Minnesota under their MFA Low-Residency Creative Writing program. She is from Texas.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Now Available: Shorn by Benjamin Bormann

Swimming with Elephants Publications, LLC is excited to announce the release of Shorn: apologies & vows, a chapbook of poetry by Benjamin Bormann.
 
“I loved this collection from the title onward, and the spirituality connected me instantly. I am in metaphor heaven. I think the speaker is whispering these poems to me. I have my eyes closed and revel in the metaphor and imagery, in simple, quiet words and lines. I am spiritual and I feel some of the poems are spiritual for me. Perfect words placed in exact space. Strong syntax and enjambment. Love lines like this:
 
“The empty lung prayers
sent off when words become
foreign. The long drawn
timeline whittled
 
into a wisp, a joke, the crush
of understanding just how little
potential we were ever allowed
to show.”
 
As the theme of loneliness emerges, again, this is very applicable and connectable to any person. I ache with love for this collection. The entire collection is ready to print. Time and energy went into this to create a beautiful collection to test time to the fullest. “
 
Review by Gina Marselle

Join Benjamin Bormann for the release of the publication on April 27, 2019 from 11-12pm at the Title Wave Book Revised (2318 Wisconsin St NE, Albuquerque, NM 87110).

This is a free event.

Copies of the publication will be available for purchase and signing.

Order your copy of Shorn: apologies & vows today from Amazon or other major book distributors.

Weekly Write: “Colic Weather” by Gary Beaumier

Colic Weather

The wind was a bombardment
of ice and snow
that morning when
you returned from the barn
to say your old gelding
had died of colic.

Later I winched him
out of his stall
and carefully dragged him
behind the tractor
to a clearing beyond the pasture.

His plush winters coat
could not conceal
the articulated bone over
his once muscled flank
We knew his last days
we’re nearing.

As you cut off a portion
of his tail with
your pocket knife
for a remembrance
you say to me
“ I never partnered better
on any horse then him.
Too bad humans aren’t
that easy.”
You gave me a hard look
as you snapped the knife shut
and walked toward the house.

The ground
yet unfrozen
yields to the back hoe
and I pack
the earth down over him
so coyotes won’t
dig him up.

When I return to the house
you make me tea
as a peace offering
but that night I hear
the yip and cry
of a pack
over your restless sleep
and I worry things
won’t stay buried
…but then I worry
things will.

 

In his later years Gary Beaumier has become something of a beachcomber and has self diagnosed with “compulsive walking disorder.” On a number of occasions he has cobbled together wooden sailboats.

He is a finalist and semi finalist for the Luminaire Award for several of his poems.
He has had three poems published in Flumes Winter 2017 and one poem in Third Wednesday as well as one poem in Chaleur Magazine, The Piltdown Review, The Esthetic Apostle, The Internet Void, an upcoming issue of Raw Arts Review and a recording in Lit_Tapes. He taught poetry in a women’s prison.

 

 

 

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Weekly Write: “Blue” by Katie Karnehm-Esh

Blue

I think of the soft blue sweatsuit you were wearing that warm day in May. Then I think of the way you stared through the bars of the crib, and us. You must be a teenager by now; do you still sleep in a crib? I have a photo of you in my office that one of the students took—do you remember the boy with the red hair?—as I clipped your fingernails through the bars. I can’t look at it very often, and I am grateful that in this photo I cannot see your face. Sometimes my heart still twists up when I think of you, lying on your side staring into a dark tiled room, making occasional noises in neither English nor Mandarin.

Did you know I thought you were a boy the whole afternoon? Blame it on the bowl haircut or the blue sweatsuit. After two weeks in China, I should have known so many of you become androgynous in the orphanage. But I knew the gender of the tiny girl in pink who grinned and stole food. We brought snacks for all the children, and she grabbed the largest hoard. Everyone but you and the infants had a stash, curled their bodies around their plastic-wrapped food. Midway through washing our hands, the water stopped. The German nurse told us the director often turns off the water, that at mealtimes the workers put out food and let the children fend for themselves. Fewer diapers this way. We thought of this when they served us a private cafeteria feast. So much broccoli and pork. So many noodles choking in our throats. The German nurse said, “Eat. If you get upset. I can’t come back to help them.”

I picked you up to help you eat the smashed bananas. The nurses said you would choke and throw up if you ate; they said you only ate milk. I offered a spoonful, slow. Then another, praying it wouldn’t make you sick later.

After I picked you up, there was no reason to put you down. They told me later you were nine years old, but I could not believe you were more than five. You were stiff and quiet in my arms, sometimes seizing into fast shallow breaths. It’s OK, I would tell you, rocking back and forth. We swayed down the green-gray hallway, stopping in the bathroom where two children sat on the floor in a shower stall. One kept laughing and laughing as the water gurgled. The other sat as silent as you. “They protect each other,” one of the nurses told me. The tiny pink grinning girl ran up to me and demanded more snacks. When you started to hyperventilate again, I patted your back. Your spine was like the ridges of a rock wall.

When the German nurse told us we had twenty more minutes, and went back to checking vital signs and bruises, I stepped outside into the courtyard with you. You blinked; so much green and sun. The guard dog in the courtyard barked at us, asking who are you? We walked over to answer. He stared at us from behind a circular fence surrounding a tall tree, and you stared back at him, that furry black thing. Then you leaned your head on my shoulder and sighed.

Something inside me didn’t so much crack as give way. I looked at the white van we’d ridden in from Shenyang, and thought about our flight on Sunday, your crib in the big tiled room, the bananas the workers said you couldn’t eat. If I made a run for the van with you, the German nurse could never come back to feed you.

When she said it was time to go, she didn’t seem angry that it took me a long time to walk you back to your crib and lay you down. You stared out into the room, like you had when I found you. I don’t know what I said. Maybe nothing. I speak English after all. This was not the right place to say I love you or I’ll come back because maybe lying is worse than never having been here. So I whispered goodbye; it’s OK; goodbye; it’s OK while I put you back in your bed and walked away.

Did you know that for months afterwards, I sent emails to check on you? I asked as casually as I could, in a way that someone who is voluntarily childless and in a bad marriage will ask after a child thousands of miles away in an orphanage that does not give up children or feed them. You would never be coming home with me. So when I prayed, it was that you had food. That you had green afternoons and sunshine and a dog barking hello! And that sometimes, when someone rubbed your back and clipped your fingernails and told you it was OK, this would feel like a happy, reoccurring dream you couldn’t quite place.

 

Katie Karnehm-Esh’s background is in creative nonfiction and poetry, with a Ph.D in creative writing from the University of St Andrews, Scotland. Her writing has been published in Whale Road Review, Barren Magazine, The Cresset, The Other Journal, and Windhover. Additionally, she writes a monthly blog for Annesley Writers Forum. Her writing often centers around holistic health, travel, and faith as well as social justice, and she welcomes the opportunity to learn from fellow writers.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

New Release: Thalassophile by Abigayle Goldstein

Swimming with Elephants Publications, LLC is excited to announce the release of Thalassophile: a chapbook of poetry by Abigayle Goldstein.

thalassophile, (n.) lover of the sea

With a collection as breathtaking as a calm beach side view, and as striking as a storm at sea, Abigayle Goldstein has perfected the art of this modern-era “diary/dictionary entry” style of writing. From the table of contents, which reads as an introductory poem itself, and onward through each “definition” that follows, there is an undeniable ocean’s flow in the progress of this collection. A story that paints a vivid picture: of tumultuous change, like crashing waves, and perhaps…the eventual calm, and the acceptance of the constant ebb and flow of the sea within us. This collection awakened a new love for the seas of change for me, and I hope it speaks to the thalassophile in each reader. And perhaps in reading, you will find a renewed and empowered love of self.

This beautiful collection, featuring cover art Sima Ijadi, is the first release by Goldstein.

Join Abigayle Goldstein for the release of the publication on April 27, 2019 from 11-12pm at the Title Wave Book Revised (2318 Wisconsin St NE, Albuquerque, NM 87110).

This is a free event.

Copies of the publication will be available for purchase and signing.

Order your copy of Thalassophile today from Amazon or other major book distributors.

Now Available: Trauma Carnival by SaraEve Fermin

Swimming with Elephants Publications, LLC is excited to announce the release of Trauma Carnival by SaraEve Fermin.

“Some write for the love of language, its music and images, its journey of discovery. Others write because there is that which must be stated, which must be extracted from the body and documented outside the author as a proof and a lesson. SaraEve Fermin’s third collection, Trauma Carnival, does both. Its relentless honesty is an ode to love and self-possession in a world that wishes to refuse both. For those who long for the answer to SaraEve’s question, “What is magic but to live without shame?” this is a must-have collection you will return to, over and over, for the deep relief of compassionate witness, for the grace of space made around the heart, for the addition of years to your life.”

-Cecily Schuler

This amazing collection, featuring cover art by Mark Sniadecki, is an complementary follow up to Fermin’s 2016 collection, You Must Be This Tall to Ride.

Order your copy of Trauma Carnival today from Amazon or other major book distributors.

 

Note: We encourage our audience to seek our publications through local bookstores or purchasing directly from the author, however, all of our publications are available through major distributors, such as Barnes and Nobel and Amazon.

Weekly Write: “Afternoon” by Holly Painter

Afternoon

In the afternoon, when the sun lit
the endless fall of dust particles, we
wondered if only we could see them

and kept wondering as we fell asleep,
your limbs wrapped around me,
a barnacle bigger than the boat,

and your fingers twitched
Morse code messages on my back
as you dreamed and then forgot

you were dreaming, until you woke
and the room was grey and you
remembered there is no color

without the light, except behind
my eyelids where my dreams
continued because I didn’t know

the sun had set and taken all the colors with it.

 

Holly Painter lives with her wife and son in Vermont, where she teaches writing and literature at the University of Vermont. Her first full-length book of poetry, Excerpts from a Natural History, was published by Titus Books (2015). Her poetry, fiction, and essays have also been published in literary journals and anthologies in the US, Canada, Australia, New Zealand, China, Singapore, and the UK.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “A Poet Is” by Romana Iorga

A Poet Is

1.
An eel, open-mouthed at the mouth
of its burrow, borrowing time
until the right prey comes along.

Fish glide by with their frivolous tails
of who kissed whom in the seaweed
and who got in trouble with the shark.

2.
An owl, morose on its branch,
hungry for three days now and counting,
waiting for the big game.

Mice won’t suffice any longer. No to juvenile
rabbits, daft foxes, reckless raccoons.
A moose would be good.

3.
A spider, spinning constantly, greedily, not
so patiently, slowly becoming Whitman
of the white beard and wide-brimmed hat.

Then, erasing the web, one strand
at a time, for perceived flaws. Nothing
ever catches in the unraveling snare.

4.
A child, whose quick hand traps the tail
of a lizard. He watches it wriggle in the dirt,
while the prey darts for its life.

Swift, swift, swiftly into the blessed
shadow of weeds, into the yawning
jaws of a snake, who’s not even

a poet.

 

Originally from Chisinau, Moldova, Romana Iorga is a  Romanian-American poet living in Switzerland. Her work has appeared or is forthcoming in Ruminate, saltfront, Borderlands, as well as on her poetry blog at clayandbranches.com.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Light as a Feather; an anthology of resilience is Now Available

Now Available from Swimming with Elephants Publications, LLC

Light as a Feather:

an anthology of resilience

Available at Bookworks Albuquerque and all major book distributors.

Click here to order today from Amazon.

“This collection is a wrenchingly painful, honest, and ultimately beautiful depiction of what people with eating disorders struggle through. Part of the insidiousness of disordered eating is that it operates so definitively in secrecy. It is characterized by locked bathroom doors, midnight binges, furtively skipped meals, and deeply held shame. Shame thrives in darkness, and this book brings in light. It shines on all the pain that is so often hidden away, and in doing so is a message of resilience, healing, and hope.”

~Amanda Knoll, MA, LPC (Licensed Professional Counselor)

Light as a Feather, Second Edition takes the focus on eating disorders from the mere act of survival into the courageous world of resilience. The authors within, through wit, humor, and ruthless self-reflection, pull back the curtain on what is often misunderstood, even considered too taboo to discuss outside of hushed voices. Eating disorders have long been perceived as a one trick pony. The truth is far more nuanced, spreading across biological sex, gender identity, ethnic background, race, and creed. Light as a Feather feasts its truth before you like a banquet, with prose and poetry shining across the table, delicacies ready to be plucked. Each story is a peek into an individual universe unique in its own existence.

Yes, this book is about disorders, but each writer’s experience could not be more diverse. Yet all are threaded together somehow, with a gentle and raw humanity that will ring true even with the most hesitant of readers. However, do not make the mistake of believing this carefully crafted work will pull its punches. Light as a Feather, Second Edition is violent in its lack of apology. When a group of survivors gather to share their stories, they do so with shocking brutality. In fact, they wear their own flawed humanity so keenly, you cannot help feeling your own internal urgency to unburden the truth.

Let reading Light as a Feather make you brave, as brave as the contributors found within these pages.

New Release from Swimming with Elephants Publications, LLC

Swimming with Elephants Publications, LLC is excited to announce the release of Provocateur by Jessica Helen Lopez.

“Jessica Helen Lopez‘s poetry is viscerally vulnerable. With grace and poise she fearlessly dances with her demons returning triumphant and beautifully human.”

~Manuel González
City of Albuquerque Poet Laureate Emeritus (2016-2018)

This beautiful collection, featuring cover art by Ben Harrison, contains Lopez’s most popular pieces from 2014 to the present.

“Provocateur is the way the word ‘woman’ feels in the gut– heavy and visceral, the malleable form that is holy and so often taken for granted.  These words are a weapon or a blessing, a warrior or a priestess.  Lopez navigates the landscape of femininity without shying away from it’s most ferocious instincts.  It is the reclamation I want my daughter to read on the days she does not feel good enough.  Jessica Helen Lopez reminds us how to live without sin– one of the greatest lessons we have to offer.  How to find the grace in our everyday selves.  This book is church.” 

~SaraEve Fermin, Author of Trauma Carnival

Join Jessica Helen Lopez and selected guests for the release of the publication on March 23, 2019 from 5-7pm at the Factory On 5th Gallery (1715 5 St NW, Albuquerque, New Mexico 87102).

This is a free event.

Copies of the publication will be available for purchase and signing.

Order your copy of Provocateur today from Amazon or other major book distributors.

Weekly Write: “Unsuitable Terrain” by Avi-Yona Israel

Unsuitable Terrain

today I went crazy
with the feeling that I’m not meant:
my bath became the sea and I tried to have an awakening
batten down the hatches, this was a storm,
and there’s water filling the ship accompanying me down
rain got into my ears filling the back of my throat
sending bitter foamy waves up and out
trembly, frightened to face the expanse without a night sky above –

teeth and nails sawed through my sister’s abandoned pillow,
surprise!
a brief moment to ponder that the feathers are multicolored.
wispy snow softly, one inch thick, will stick
one by one I tore pages from a book about women
of no importance, ideal husbands, lies and also truth
ink, eggshell,
I lay down in my nest

asking if anyone is my mother and if she knows
why I am still here, what is wrong with me?
neck and limbs of a dusty health class mannequin – leaning,
rolling and heaving to woman-made post-mortem sighs bangs whimpers
away from things like sun and hindsight
dry storm hardened feet and knees tucked elsewhere beneath towels and coats
unable to bear the warmth of the bed I made, lie in it
I cried into the floor, mouthed sorry to the downstairs neighbor.

 

Avi-Yona Israel is a writer living in Chicago, IL. Her work has appeared, or is forthcoming, in The Emerson Review, The Seventh Wave, Esthetic Apostle, Capulet Magazine, Cathexis Northwest Press, and midnight & indigo, among others.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “This Body Will Not Carry” by Annie Elizabeth Cigic

This Body Will Not Carry

I go on long drives–childless–
a loud peace. An empty backseat,

ignoring seatbelts & airbags. No bodies
traveling at the same speed as mine.

No questions about the sky–why the clouds hang
low & heavy some days. No one to count the broken

white lines or ask why the roads light up
at dark. I drive until I see barren

landscapes–hurricanes won’t touch
this wasteland.

 

Annie Elizabeth Cigic is a poetry MFA candidate at Bowling Green State University. She teaches first-year writing and plans to pursue a PhD in Rhetoric and Composition to study how to merge creative thinking and pedagogy together. She is currently working on a poetry chapbook.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Light as a Feather: an anthology of resilience Now Available

Now Available from Swimming with Elephants Publications, LLC

Light as a Feather: an anthology of resilience

This collection differs from our first edition of Light as a Feather in that it focuses solely and specifically on eating disorders. We have carried over some of the previous works as well as incorporated many new stories and poems reflecting issues of body dysmorphia, food addiction, and other ailments which fall into the category of eating disorders.

If you have suffered from an eating disorder or know someone who has a disorder, there may be solace in this collection.

Click here to order a copy from Amazon

or

Join us at Bookworks Albuquerque on March 3rd from 3-4 for our book release. 

Edited by Courtney Butler, this collections contains work from writers around North America, including Katrina K GuarascioSaraEve Fermin, BassamHeather GrimesBlythe BairdLaura BurgessSadof Alexander, and many more!

“This collection is a wrenchingly painful, honest, and ultimately beautiful depiction of what people with eating disorders struggle through. Part of the insidiousness of disordered eating is that it operates so definitively in secrecy. It is characterized by locked bathroom doors, midnight binges, furtively skipped meals, and deeply held shame. Shame thrives in darkness, and this book brings in light. It shines on all the pain that is so often hidden away, and in doing so is a message of resilience, healing, and hope.”

~Amanda Knoll, MA, LPC 

Weekly Write: “Automatic Guns” by KB Hadley

Current World State: Automatic Guns

It never should have happened
they say as they examine the bodies
scattered on the cold tile floor.
Police tape draped haphazardly
across the glass front doors.

Where was the security guard?
He ran at the sight of an automatic
gun barrel pointed down the hall.
He didn’t run away as some say
he ran to begin the lockdown protocol.
Clearing out kids in the open courtyard,
such an easy target for the AR-15
and the kid behind the metal.

We lost seventeen today.
How do we come to terms with this loss?
How have we come to a point
where kid on kid violence
is just another massacre?
We turn the other cheek.
Yet children still wake in nightmares
while the world continues to sleep.

KB Hadley earned her MFA in Creative Writing, Poetry from Augsburg University, and her work can be seen in Twig and Barstow & Grand. She also works as a mentor with the Minnesota Prison Writing Workshop. KB lives in Minneapolis, Minnesota, with her husband and dog.

Weekly Write: “Perfection” by Andy Posner

Perfection

I had thought I lacked for time
And spent my days frantic,
As though life were a web
And death a looming spider, his
Approach inexorable, his mouth
Large enough to swallow whole
My ambitions.

I had thought I lacked for time
And arose each dawn to make up
For yesterday’s failure,
To promise that today I would be perfect;
I bribed the gatekeepers of perfection
With my promises—
“O, let me through!” I begged.
And at night I’d rub my forehead
Where the iron had held me back,
The currency of my promises
Still glistening like anxious sweat in my hand.

For years I pressed my nose to glass
And watched sun, wind, rain, snow
As they whirled past my stationary self
Like a riderless bicycle balanced
By something, someone, I couldn’t see.

I had thought I lacked for time
And raced to outrun the bell
Whose ring might rouse me from my dream,
Only to at last find I was awake and tired
And still holding coins no deity, no therapist, no poet
Would accept—a pauper with a home, a job, a six-figure net worth,
Wanting for nothing, suddenly with time to spare,
Unable to afford even a moment of calm self-reflection.

 

Andy Posner grew up in Los Angeles and earned an MA in Environmental Studies at Brown. While there, he founded Capital Good Fund, a nonprofit that provides financial services to low-income families. He has had poems published in the Noble / Gas Qtrly, The Esthetic Apostle, and Burningword Literary Journal.

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $10.95.

Weekly Write: “Cancer” by Ali Gowrie

Cancer

The fog pours like soup across
the highway and I fell lost but
every set of headlights I pass is
my father’s blue eyes.

He was always best at navigating
the fog, a red and green light
always finding his way through
the harbors and safely home.

And I cry. I cry for Home. I cry
for him, for his unwavering
strength, for how he has taught me
how to avoid rocks with a blind eye.

Daddy, you have been my
radar, my sail and my wind, my
captain, my anchor and line.
Now let me be yours.

 

Ali Gowrie

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2019 Anthology.

Click here check out Parade: Swimming with Elephants Publications Anthology 2018 available for only $7.95.

Coming Soon From Swimming with Elephants Publications

Coming March 2019

Provocateur

Poetry by Jessica Helen Lopez

Cover Art by Ben Harrison

“Jessica Helen Lopez’ Provocateur is a revolution of words bringing to life important issues that otherwise may stay hidden inside conservative minds. Lopez is courageous in her written work. She pushes and pushes to make one feel uncomfortable enough to become informed. Her words and life are charismatic and entice one to feel. She is not threatened and is a powerful voice for the 21st century. She is gifted and energy wrapped up in fire and poetry. She does not censor—she gives us honesty and sometimes controversy, regardless of the path she is on she gives her readers life because after reading her words one feels all the feels—agree or disagree with her,  you will feel, you will feel this fire that she lives and breathes each and every day. She unites women of all walks of life, choice, and color into some kind of wonderful mother, sister, daughter, witchy, powerful self—in fact, we all have many names “ancient, mighty names” and in Lopez’ Provocateur, she gives us power to sing with her loud and clear.”

Gina Marselle, M.A.Ed.
Teacher | Poet | Photographer
Author of A Fire of Prayer: A Collection of Poetry and Photography (SwEP, 2015)
Co-guest Judge, Swimming with Elephants Publications’ Poetry Chapbook Competition, 2018

Weekly Write: “The Dogs of the White Cannon” by Jonathan Andrew Perez

The Dogs of the White Canon

The land is a swash of monotone: cobwebs against yellowing barns,
seed pods off rusty fences.

Nothing to glide but the glue, the kind of setting that dulls the senses.

Give me: dog ripping leg on gravel road,
Give me: wolf on fire trail that circles the valley.
I heard dogs travel in packs, at night.
I heard undomesticated baying at the rough horizon.

They plunder the uninhabited
like hound on the trail of a hare,
or tear a shrew from its hole,
or like an Orca flip a seal pup,
head-over-heals in the light.

Buddy, the black lab,
proudly returns home, gangster, down the avenue,
jaw clenched over a wet mouse.
Buddy, listen up, predatory dogs
only mate at night and surely always disturb
any of the familiar faces that make up townsfolk.

Buddy, you are not a regular visitor. Lower your music.
Buddy, each year I have come here, you or another are here
wandering the hamlets: drinking, cheating, killing
in the back of a club, behind a high school gymnasium
near torn-up mounds north of town. Or not you.

Buddy, I saw once. You and I are a kind of undead,
washed up in some quarry
up a peak, not so bleak, because sooner or later a rumor will start
that you have will come back as a mountain lion.

 

Jonathan Andrew Perez is previously published in Prelude, Junto Magazine, The Write Launch and Silver Needle Press. He has a Master’s in English Literature and African American Cultural Studies from the University of Virginia, and a day job is as an Assistant District Attorney in the Kings County District Attorney’s Office as a prosecutor.