Weekly Write: “Carrion Are We” by James Redfern

Carrion Are We

a hostile takeover broke
egg all upon the faces
of the fucks
standing with their limp handles
bent down over their useless hands

a harsh wind blew rain
up underneath the flashing,
and all the fiery steeds
went unfed for yet another night

foreign soldiers ran the borders,
all the senators were set awash
in blood and excrement,
and then the hammer came down
as spotlights were drawn
upon the intersections of the Interstates
all across this mighty and curséd continent

a thousand heads must fall
and then a thousand more
again and again
until the end of the day
on into the darkness of night
and on into the bleeding
of a new morning
and around and back again
and again
until the long count is filled up
one more time with emptiness

when rabid dogs run the monkeys
even the most noble lion
must stand alone
against the frothing jaws
in order to survive
the geared teeth of the meated machine

clinical sociopaths
back-alley thugs
and broken malcontents
enlisted and elevated by corporations
to worship profit above all else
to run the world
to plant false flags
to make immoral boasts
and spread the truth so thin
it slices through synapses
and breaks the yoked backs
of all the rest
somehow still remaining halfway sane

angry belief and lustful faith
turn preachers and pimps
into pry bars straining
to tear freedom down
and topple all the best of us
into the pool of shit they call the status quo

crucified butchers run the highway lines,
evangelists keep raping children,
heads is tails, tails is heads,
and peace officers keep squeezing
the life out of the lungs
of citizens without power
or caught alone in the dead of night
or in the light of day

nailed to both my hands
are wounds of justice
left to kill
until this here body dies
in the shadows of greater
men and women
who came and went before
and hereafter

hands for nails
nails for hands
the rabid jaws always
tear the wings
from the ribs
and the first meat had
is always the heart
thereby lost
forever in the feast
of carrion

James Redfern was born and raised in Long Beach, California. Redfern is a graduate of Grinnell College. His work has been published by Whizdome Press, Great Lakes Poetry Press, Transcend, Fear and Loathing in Long Beach, and elsewhere. He is the author of several novels (most recently HECATOMB) and several volumes of poetry (most recently Catfish in a Bowl Redux).

 

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Weekly Write: “A Moth is Lying Dead” by James Redfern

A Moth is Lying Dead (Reflections on Saint Teresa)

a moth is lying dead
on the windowsill
of a rented room.

her wings are singed
and blackened
with the same sickness
ailing me.

a moth is lying dead
on the windowsill
of a rented room.

fuzzy thorax and little legs
no longer serving
a purpose
save collecting dust
blown in
through the window screen.

a moth is lying dead
on the windowsill
of a rented room.

still trying for a little more light
even as her mind
has moved on to another place,
still trying for one last fix
her wings burnt
and blackened already.

a moth is lying dead
on the windowsill
of a rented room.

the elegant patterns
of black and brown
on the backs of her wings
still visible
within the stinging chorus
of sirens’ seductive singing
telling tales of Icarian glory.

a moth is lying dead
on the windowsill
of a rented room.

lifeless and still,
no more flying and flittering
around blinding light
burning through sockets,
no more prison
inside the screen
feeling the sun from so very far away,
no more thoughts divine,
no more musing
on the way
the planets go round,
no more love
in her tiny, broken,
dusty little heart,
no more singing
in chorus with other wingéd
creatures crazy and running the skies,
no more nothing
save the final slow decay.

no more black-eyed friendships,
no more trying to score,
no more understanding
the loss of god on earth,
no more leaning into fire
until the fuzz and flesh burn off,
no more chains,
no more gravity,
no more waiting on death,
no more contemplation
of the longing
for an elsewhere messiah,
no more flying in circles
betraying subtle imperfections
as they grow ever smaller and tighter,
unflinching and closing in upon destiny
approaching the killing fire
to test the mettle of her soul incarnate
to test the truth of her spiritual love
to see how much she can take
before the burning really takes hold,
no more miscalculation,
no more blues suspended
in aching arching agony flight
somewhere between land and salvation,
no more of this,
no more moth obligations
and no more moth dues to pay,
no more got-no-place-to-land worries,
no more friends
no more expectations
no more ego
no more eyes feeding consciousness
no more living heart pumping blood
no more life
no more nothing.

the fire’s all gone.

a moth lies dead
on the windowsill
of a rented room.

James Redfern was born and raised in Long Beach, California. Redfern is a graduate of Grinnell College. His work has been published by Whizdome Press, Great Lakes Poetry Press, Transcend, Fear and Loathing in Long Beach, and elsewhere. He is the author of several novels (most recently HECATOMB) and several volumes of poetry (most recently Catfish in a Bowl Redux).

 

 

“Like”, “Share”, and comment on this poem to nominate it for the Annual Swimming with Elephants Publications 2020 Anthology.

Click here check out the 2019 Anthology:  Trumpet Call; a Swimming with Elephants Anthology available for only $12.95.

Available on Kindle Unlimited: The Language of Crossing

Now available on Kindle Unlimited:  Language of Crossing by Liza Wolff-Francis.

Click here to view Kindle Unlimited as well as find buying options for the paperback.

Liza Wolff-Francis’s Language of Crossing is a collection of poetry that mirrors the true heart-stories along the US/Mexico border. Giving face, voice and humanity to all those who make their way across fronteras, her work is that of a necessary endeavor. She writes of a reality that must be ignored no longer. It is the struggle, strife, and violence that is endured by those who flee their country in hopes of a better life. Her poems, brutally honest and minute, rouse compassion as all good poetry must and begs the question of accountability. Language of Crossing is a political outcry, a finely tuned collection of endurance of a people, and a passionate advocacy for all to take notice. Wolff-Francis is a real activist planting poetic prayer flags across the vastness of a desert.

Coming Soon From Swimming with Elephants Publications

Coming March 2019

Provocateur

Poetry by Jessica Helen Lopez

Cover Art by Ben Harrison

“Jessica Helen Lopez’ Provocateur is a revolution of words bringing to life important issues that otherwise may stay hidden inside conservative minds. Lopez is courageous in her written work. She pushes and pushes to make one feel uncomfortable enough to become informed. Her words and life are charismatic and entice one to feel. She is not threatened and is a powerful voice for the 21st century. She is gifted and energy wrapped up in fire and poetry. She does not censor—she gives us honesty and sometimes controversy, regardless of the path she is on she gives her readers life because after reading her words one feels all the feels—agree or disagree with her,  you will feel, you will feel this fire that she lives and breathes each and every day. She unites women of all walks of life, choice, and color into some kind of wonderful mother, sister, daughter, witchy, powerful self—in fact, we all have many names “ancient, mighty names” and in Lopez’ Provocateur, she gives us power to sing with her loud and clear.”

Gina Marselle, M.A.Ed.
Teacher | Poet | Photographer
Author of A Fire of Prayer: A Collection of Poetry and Photography (SwEP, 2015)
Co-guest Judge, Swimming with Elephants Publications’ Poetry Chapbook Competition, 2018

Are you ready for the Weekly Write?

Starting next Sunday, January 6 2019, follow this site for a new featured work of writing every week.

The Weekly Write will post a variety of poetry and prose. Each week, read our new addition and if you like it and share it, it may be featured in the 2019 Swimming with Elephants Print Anthology.

The twenty pieces with the most “likes” and “shares” get a spot in our 2019 anthology, so don’t be shy about promoting the work you like, especially if it is your own work.

If you would like to learn more about our yearly anthology, click here to check out Parade: Swimming with Elephants Publications Anthology 2018 for the current low price of $7.95 plus free shipping through Amazon Prime. This collection features a variety of poetry from around the world and would make a great addition to any poetry lovers collection.

Tune in next Sunday and every following Sunday until October 2019, for the Weekly Write.

Swimming with Elephants Publications Chapbook Open Call 2018 Has Closed

Swimming with Elephants Publications, LLC has closed submissions for our Chapbook open call in 2018.

We had a great submission experience with more than double the submissions of previous years. Our judges are working diligently to read all the of the wonderful manuscripts and make their decisions.

The three manuscripts chosen for publication in 2019 will be announced in January 2019. Please stay tuned and follow along for the announcement of our chosen manuscripts and up coming publication information.

We have an excited 2019 planned for Swimming with Elephants Publications, including the creation of the Weekly Write, new releases from our Parade of Poets (including Jessica Helen Lopez and SaraEve Fermin), and the continuation of our yearly anthology, Parade. We will once again run an Open Call for Chapbook is the fall of 2019, as well as be looking for future features for our Weekly Write and artwork submission. Keep an eye on the website for upcoming Submission Calls.

Currently, we are looking for Prose Submissions for an upcoming anthology focusing on Eating Disorders. If you have a story regarding Eating Disorders, whether it is a personal telling or an observation of another or even a commentary regarding the issue, please consider submitting it for the upcoming anthology. Find more information on our Submittable Page. Chosen submission receive publication, two contributor copies of the anthology, and the ability to purchase the anthology at publisher cost for the lifetime of the publication.

We are also seeking artwork for two upcoming publications in the Spring. We do not charge a submission fee for artwork and chosen artwork will be purchase from the artist. Please see our Submittable Page for more information on what we are looking for and how to submit.