SwEP Mid-Month Review

Into the Sunset

A Review of Courtney A. Butler’s Wild Horses
By Beau Williams

Like the name suggests, Wild Horses is the struggle of an unbridled soul ready to escape from the reins. Courtney A. Butler dissects the intricacies of a fierce heart under stress and scatters them through this collection in twenty-two poems.

This collection is a frustrated soul screaming from behind a crumbling barrier. In the book’s introductory poem, “Words, Like Meat,” the first line reads:

“I scrape words
like meat
from the inside of my ribs
They have hung there
clinging desperately to what
oxygen they could”

This line summarizes why this book exists. Butler portrays a person that has had this “meat”, these weighing parts of her that needed to be released, and Wild Horses is that release. Butler tackles the delicate topics of loss of a loved one, being the “other” girl, carrying secrets, searching for love, and (like true wild horses) learning to break free. This collection has the longing and reflection of Plath, the fierceness of Ke$ha, the nature influences of Wordsworth, with a hint of zany like Lewis Carroll.

This book has hidden its structure quite well. There are no full-stops, though there are commas, hyphens, italics, and capitalized letters to subliminally guide the reader’s eye through the pages. The lack of full-stops gives the book a sense of uncertainty that Butler carries with grace; a slight unease that really sets the tone ahead of time and prepares the reader for the topics soon to follow. There are no sections, no interludes, and no quotes, Butler just gets straight to it and gives you exactly what you came there for.

As previously mentioned, the introductory poem seems to be Butler giving herself permission to write the rest of the work; “Words, like Meat” is Butler strapping the bomb to the dam, once the switch is flipped, whatever has been pushing itself against the walls will finally be released, and it was.

After that, the book really dives into relationships between the subject and the people closest to them. The second poem: “DNR,” lays out the concept of the book. It is about a person who is trying to come to terms with a situation in a relationship that neither of the participants have any control over. This is a recurring theme throughout the book. In “DNR,” the topic is death. In later poems the topics are love, lust, miscommunication, and distance.

It can be argued that one of the most intimate, relatable, and touching poems in the collection is “The Importance of Being Broken (Or Sitting in a Bathtub with Your Clothes On and the Lights Off).” Here, Butler describes the deafening moment of collapse; the moment where all the stress and all the worry has finally become too much.

“because all the shit has been hitting all the fans”

This poem gets into the mind of a person who has reached a breaking point and literally crumples into a ball, fully clothed, in their bathtub with the lights off; contemplating turning the water on, the light on, removing their clothes, finding strength but ultimately doing none of these. The content of this poem is relatable to nearly everyone. Everyone has hit rock bottom. Everyone has given up hope. Everyone has crawled into an unlikely place in an awkward fashion in search of any sort of comfort. Butler doesn’t sugarcoat anything about this mental state.

“Maybe you were pushed off that cliff
Maybe it was your fault
or maybe you got caught in the landslide
The reality is
everything you were was on that cliff
and now everything you are is
broken in a bathtub?”

Though raw and heavy, Butler ends the poem on a strong note; describing how, at the end of this, you will start to mold your new shape together like a carved bar of soap — highlighting the brand new you that will finally be able to stand up and turn on the light.

Butler also has a fun, cutesy side which is apparent in her poem “The Long Slow Huzzah! (or Tea Time Going Over a Cliff).” This one has a very surreal feel, like Salvador Dali meets Alice in Wonderland. In this poem, the author describes falling in love as a metaphor for having a tea party… while tumbling off a cliff.

“Pale yellow tablecloth rippling in the breeze
taking all the fine china with it (…)
Well then, I’ve gone and fallen in love with you ”

This might be the most animated piece in the collection. Short and sweet, “The Long Huzzah!” is quaint and joyful, with underlying tones of terror. There is no mention of fear, no imminent crash to end the plummet, just weightlessness. The mention of a cliff face insinuates it is connected to a ground and with no mention of the ground throughout the poem or plans to get out of this situation, one can only assume the postscript is bloody and riddled with shattered porcelain.

Wild Horses is a solid collection that would find home on the bookshelves of the strong-of-heart. “Closer to One” is one of the last poems in the book and sums up the target audience very well. Here, the subject considers themself as two people: the untamed animal in a cage, and the caregiver.

“Yes! I say, finally
Yes to your thirst
Yes a thousand times
to the nectar you crave (…)
You are right to thirst
and I will answer you”

This book is for any static heart who has ever felt tied down or unheard. This book is for the wild of spirit; for anyone who has needed to scream and doesn’t have the haven. Wild Horses lets you know that you are never alone in these places, and that others have been where you’ve been and (like you) survived to ride free.

Click here to help support Independent Bookstores during this time of social isolation by purchasing Wild Horses from Bookworks Albuquerque. 

 

Review by Beau Williams:

Beau Williams is a fairly optimistic poet based out of Portland Maine. He co-runs a weekly poetry class at Sweetser Academy and facilitates workshops at high schools and colleges around the New England area. His work has been published in numerous poetry websites and journals.

Beau has performed internationally and nationally both as a solo artist and with the performance poetry collectives Uncomfortable Laughter and GUYSLIKEYOU. He was the Grand Slam Champion at Port Veritas in 2014 and was the Artist in Residence at Burren College in Ballyvaughan, Ireland in January of 2017. Beau’s book, Rumham, is available for purchase on Amazon.com.

SwEP + BKWKS = BFF

Swimming with Elephants Publications, LLC is excited to announce our official affiliation with Bookworks Albuquerque.

Bookworks ABQ has been a long time supporter of Swimming with Elephants Publication, LLC hosting various events and supporting our local authors throughout our six years in business. But now we are taking it one step further.

We are happy to say, that Swimming with Elephants Publications, LLC is now an official affiliate of Bookworks ABQ. What does this mean? It means Bookworks is our go-to for all online book orders. Although all of our books will still be available via Amazon, Barnes and Nobel, and other major distributors, we encourage our audience both local and national to purchase directly from Bookworks ABQ. Doing so will support small businesses, both Swimming with Elephants Publications and Bookworks Albuquerque.

Click on the pictures below to order some of our latest publications directly from Bookworks and keep your eyes open for our next Bookworks event on Small Business Saturday, November 30, 2019.

Barger, Kevin

Observable Acts

 

bassam

bliss in die/unbinging the underglow

Bella, Gigi

22

 

Bellamy, Hakim E

Prayer Flag Poems

 

Bjustrom, Emily

Loved Always Tomorrow: A Chapbook

 

Bormann, Benjamin

Shorn: Apologies & Vows

 

Brown, Matthew

Verbrennen

 

Butler, Courtney A. (editor)

Light as a Feather: An Anthology of Resilience: Second Edition

 

Butler, Courtney A.

Wild Horses

 

Christina, Dominique

They Are All Me

 

Coggin, Kai

Periscope Heart

 

Crespin, Eva Marisol

Morena

Fermin, SaraEve

Trauma Carnival

You Must Be This Tall to Ride

 

Gërvalla, Jusuf

Bekimi I Nënës / A Mother’s Blessing

 

Gibson, Wil

Quitting Smoking, Falling in and Out of Love, and Other Thoughts about Death.

 

Unease at Rest

 

Goldstein, Abigayle

Thalassophile: A Chapbook of Poetry

 

González, Manuel

…But My Friends Call Me Burque

González, Sarita Sol

Burquenita

 

Grillo, Christopher

Elegy for a Star Girl

Guarascio, Katrina K

The Fall of a Sparrow

 

My Verse,

 

September

Heatherington, Kat

The Bones of This Land

 

Hendrickson, Brian

Of Small Children / And Other Poor Swimmers

 

Hirshman, Jack and Justin Desmangles

Passion, Provocation and Prophecy

 

Holtry, Mercedez

My Blood Is Beautiful

 

Hotlry, Mercedez & Eva Crespin

Xicana Revolt

 

Hudgens, Jennifer E.

Girls Who Fell in Love with War

 

Kluckman, Zachary

Some of It Is Muscle

 

Kluckman, Zachary (Editor)

Trigger Warning

 

Lambersy, Werner

Pina Bausch

 

Lipman, Paulie

From Below/Denied the Light

 

Lopez, Jessica Helen

Cunt.Bomb.: A Chapbook

 

The Language of Bleeding

 

Lopez, Jessica Helen & Katrina K Guarascio (Editors)

Mothers and Daughters

 

Macaron, Kristian

Storm

 

Marselle, Gina

A Fire of Prayer: A Collection of Poetry and Photography

 

Montoya, Manuel (MJR)

The Promethean Clock or Love Poems of a Wooden Boy

 

Nance, Niccolea

For Those Who Outlast Their Pain

 

Nevins, Bill

Heartbreak Ridge

 

Oishi, Mary and Aja Oishi

Rock Paper Scissors

 

Rottschafer, S.L., Ph.D.

La Diáspora de Un Aztlán Norteño: : Michicanidad Creativity as Witnessed in Bilingual Ethno-Poetry and Photography

 

Smith, Danielle

Gnarly

 

Warren, R.B.

Litanies Not Adopted

 

Williams, Beau

Nail Gun and a Love Letter

 

Wolff-Francis, Liza

Language of Crossing

 

Anthologies

 

Parade: Swimming with Elephants Publications Anthology 2018

 

 

 

 

SwEP Featured Author: MJR Montoya

Swimming with Elephants Publications, LLC would like to reintroduce to you to MJR Montoya.

MJR Montoya’s collection, The Promethean Clock or Love Poems of a Wooden Boy, was published in late 2017 by Swimming with Elephants Publications, LLC after winning 2nd place in our 2017 chapbook competition.

“These poems are a way of telling you what I saw, at least the remnants of those things. My poems have codes in them. They have forms that have long since lost favor. They have rhyme schemes and syllabic structures of old and new places. They have formlessness that abides by current trends, but embraces none of them wholesale. They are, as Milton once wrote, poems that attempt to champion the unnamable and the indeterminable. Mine are the equations of empty sets and irrational numbers as much as they are of ritual and nostalgia. I have decided not to appease all critique. I am at rest, because the people I trust most have said that there is something in them, something of where I am from, what became of my home, and what is becoming in the world. And for the first time in a long time I’m not ashamed of my part in this story. With all that I am, let these poems be a part of my apology to the world and to my beloveds, an apology for each moment as it passes to the next…” 

 

Pick up  MJR Montoya’s collection, The Promethean Clock or Love Poems of a Wooden Boy, from Amazon  or Barnes and Noble today!


Manuel (MJR) Montoya

Manuel (MJR) Montoya, was born and raised in Mora, New Mexico.  He is a professor at the University of New Mexico.  He blends studies of philosophy and literature with studies of international relations, economics and management to understand the evolution of the global political economy.  He received his undergraduate degree at UNM, with graduate schooling from New York University, Oxford University, and Emory University.  He is engaged in community work to support the creative economy, he is dedicated to work that eliminates child exploitation worldwide, and he is passionate about handmade craft – he has been an amateur watchmaker for 12 years.  He has published poetry and short stories in various national publications.